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  1. The poetics of imitation in the Italian theatre of the Renaissance
    Autor*in: Di Maria, Salvatore
    Erschienen: 2013
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1442647124; 1442667338; 9781442647121; 9781442667334
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Drama; Italienisch; Nachahmung; DRAMA / Continental European; DRAMA / Ancient & Classical; Italian drama; Imitation in literature; Classical drama; Drama; Theater; Antike; Adaption <Literatur>
    Umfang: 1 online resource (x, 222 pages)
    Bemerkung(en):

    Description based on print version record

    Chapter I. Imitation: The link between past and present -- 1. The Humanists turn to the Ancients -- 2. From the Classical stage to the theater of Renaissance -- 3. The poetics of the new theater -- Chapter II. Machiavelli's Mandragola -- 1. The characters: imitation vs. source -- 2. New characters -- 3. Machiavellian morality -- Chapter III. Clizia. Form stage to stage -- 1. The sons -- 2. The fathers -- 3. The wives -- 4. A Machiavellian perspective -- Chapter IV. Cecchi's Assiuolo: An apian imitation -- 1. A contaminatio of sources -- 2. Ambrogio: An original amator senex -- 3. Oretta's immorality as a reflection of the times -- Chapter V. Groto's Emilia: Fiction meets reality -- 1. From the sources to the adaptation -- 2. The stage pretense of realism undermined -- 3. Erifila: a Venetian courtesan. -- Chapter VI. Gli duoi fratelli rivali. Della Porta adapts Bandello's prose narrative to the stage -- 1. The source's King vs. the play's Viceroy -- 2. Eufranone vs. Lionato -- 3. The women -- 4. New characters and the comic element -- Chapter VII. Orbecche: Giraldi's imitation of his own prose narrative -- 1. The plot -- 2. Orbecche and the question of womanhood -- 3. Sulmone vs. Malecche: The debate on kingly prerogatives -- 4. Machiavellian princeship anchored to religious morality -- Chapter VIII. Dolce's Marianna: From history to the stage -- 1. The historical source -- 2. Josephus' Herod vs. Dolce's Erode -- 3. Mariamme vs Marianna -- 4. Erode and the theater audience

    "The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations - incuding Machiavelli's Mandragola and Clizia, Cecchi's Assiuolo, Groto's Emilia, and Dolce's Marianna - and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely

    DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period."--pub. desc
  2. Profession and performance
    aspects of oratory in the Greco-Roman world
    Beteiligt: Kremmydas, Christos; Powell, Jonathan G. F.; Rubinstein, Lene
    Erschienen: 2013
    Verlag:  Institute of Classical Studies, London ; JSTOR, New York

    "His volume brings together six papers relating to oratory and orators in public fora of Classical Greece and Rome. Edwards and Bers explore aspects of oratorical delivery in the Athenian courts and Assembly, including the demands placed on orators... mehr

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    Standort:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    Standort:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Standort:
    Bibliothek der Frankfurt University of Applied Sciences
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    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Standort:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Standort:
    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Standort:
    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    "His volume brings together six papers relating to oratory and orators in public fora of Classical Greece and Rome. Edwards and Bers explore aspects of oratorical delivery in the Athenian courts and Assembly, including the demands placed on orators by the physical settings. Tempest examines the conceptions of oratorical competence and incompetence, particularly in respect of performance, as they are implied in Cicero's criticisms of the rival prosecutor in the trial of Verres. Papers by Karambelas and Powell look at evidence for the importance of advocacy in the Second Sophistic and the late Roman Empire respectively. In an introduction, the editors discuss recurrent themes connected with the orator's competence and performance, while the final paper of the volume, by Lord Justice Laws, reflects on the continuing relevance of rhetoric in the modern, highly professionalised practice of the law in England."--...

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Kremmydas, Christos; Powell, Jonathan G. F.; Rubinstein, Lene
    Sprache: Englisch; Griechisch, alt (bis 1453)
    Medientyp: Ebook
    Format: Online
    ISBN: 9781905670697; 1905670699
    RVK Klassifikation: FB 4050
    Schriftenreihe: Bulletin of the Institute of Classical Studies. Supplement ; 123
    Schlagworte: Antike; Rhetorik; Sprechkunst; Oratory, Ancient; Speeches, addresses, etc; Rhetoric, Ancient; Civilization, Greco-Roman; Classical literature; Civilization, Greco-Roman; Classical literature; Oratory, Ancient; Rhetoric, Ancient; Speeches, addresses, etc; DRAMA / Ancient & Classical
    Umfang: 1 Online-Ressource (v, 133 Seiten)
    Bemerkung(en):

    "The papers in this volume were delivered at a one-day colloquium in November 2010 entitled 'Actio-Hypokrisis-Delivery', held under the auspices of the Centre for Oratory and Rhetoric at Royal Holloway, University of London"--Introduction

    Includes bibliographical references (pages 119-130) and index