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  1. Animals, machines, and AI
    on human and non-human emotions in modern German cultural history
    Beteiligt: Quinn, Erika (HerausgeberIn); Yanacek, Holly (HerausgeberIn)
    Erschienen: [2022]; © 2022
    Verlag:  De Gruyter, Berlin

    Frontmatter -- Acknowledgements -- Contents -- List of Figures -- Introduction: Feeling beyond the Human -- Emotions and Human/Non-Human Boundaries -- Mechanical Feelings -- Animals and Aesthetic Empathy in Germany around 1900 -- Control and... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zentrale Hochschulbibliothek Flensburg
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Universitätsbibliothek Freiburg
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule Mittweida (FH), Hochschulbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Osnabrück
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    Frontmatter -- Acknowledgements -- Contents -- List of Figures -- Introduction: Feeling beyond the Human -- Emotions and Human/Non-Human Boundaries -- Mechanical Feelings -- Animals and Aesthetic Empathy in Germany around 1900 -- Control and Companion in the Work of Jakob von Uexküll and Konrad Lorenz -- Emotional Functions of Non-Humans -- Expressive Creatures -- Between the Animal and the Reader -- Robots, Machines, and Humanity -- Empathic Understanding between Humans and Non-Humans -- “Penetrating the Innermost Heart” -- I Know What the Caged Cat Feels -- Benevolent Bots -- Notes on Contributors -- Selected Bibliography -- Index Sentient animals, machines, and robots abound in German literature and culture, but there has been surprisingly limited scholarship on non-human life forms in German studies. This volume extends interdisciplinary research in emotion studies to examine non-humans and the affective relationships between humans and non-humans in modern German cultural history. In recent years, fascination with emotions, developments in robotics, and the burgeoning of animal studies in and beyond the academy have given rise to questions about the nature of humanity. Using sources from the life sciences, literature, visual art, poetry, philosophy, and photography, this collection interrogates not animal or machine emotions per se, but rather uses animals and machines as lenses through which to investigate human emotions and the affective entanglements between humans and non-humans. The COVID-19 pandemic made us more keenly aware of the importance of both animals and new technologies in our daily lives, and this volume ultimately sheds light on the centrality of non-humans in the human emotional world and the possibilities that relationships with non-humans offer for enriching that world

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Quinn, Erika (HerausgeberIn); Yanacek, Holly (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110753677; 9783110753738
    Weitere Identifier:
    Schriftenreihe: Interdisciplinary German Cultural Studies ; volume 31
    Schlagworte: Animals in literature; Animals in mass media; Computers in literature; German literature; Technology in popular culture; SOCIAL SCIENCE / General
    Weitere Schlagworte: History of emotions; emotions and non-humans; literary and cultural animal studies; robots in fiction
    Umfang: 1 Online-Ressource (VIII, 249 Seiten)
  2. Animals, machines, and AI
    on human and non-human emotions in modern German cultural history
    Beteiligt: Quinn, Erika (HerausgeberIn); Yanacek, Holly (HerausgeberIn)
    Erschienen: [2022]; © 2022
    Verlag:  De Gruyter, Berlin

    Frontmatter -- Acknowledgements -- Contents -- List of Figures -- Introduction: Feeling beyond the Human -- Emotions and Human/Non-Human Boundaries -- Mechanical Feelings -- Animals and Aesthetic Empathy in Germany around 1900 -- Control and... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Acknowledgements -- Contents -- List of Figures -- Introduction: Feeling beyond the Human -- Emotions and Human/Non-Human Boundaries -- Mechanical Feelings -- Animals and Aesthetic Empathy in Germany around 1900 -- Control and Companion in the Work of Jakob von Uexküll and Konrad Lorenz -- Emotional Functions of Non-Humans -- Expressive Creatures -- Between the Animal and the Reader -- Robots, Machines, and Humanity -- Empathic Understanding between Humans and Non-Humans -- “Penetrating the Innermost Heart” -- I Know What the Caged Cat Feels -- Benevolent Bots -- Notes on Contributors -- Selected Bibliography -- Index Sentient animals, machines, and robots abound in German literature and culture, but there has been surprisingly limited scholarship on non-human life forms in German studies. This volume extends interdisciplinary research in emotion studies to examine non-humans and the affective relationships between humans and non-humans in modern German cultural history. In recent years, fascination with emotions, developments in robotics, and the burgeoning of animal studies in and beyond the academy have given rise to questions about the nature of humanity. Using sources from the life sciences, literature, visual art, poetry, philosophy, and photography, this collection interrogates not animal or machine emotions per se, but rather uses animals and machines as lenses through which to investigate human emotions and the affective entanglements between humans and non-humans. The COVID-19 pandemic made us more keenly aware of the importance of both animals and new technologies in our daily lives, and this volume ultimately sheds light on the centrality of non-humans in the human emotional world and the possibilities that relationships with non-humans offer for enriching that world

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Quinn, Erika (HerausgeberIn); Yanacek, Holly (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110753677; 9783110753738
    Weitere Identifier:
    Schriftenreihe: Interdisciplinary German Cultural Studies ; volume 31
    Schlagworte: Animals in literature; Animals in mass media; Computers in literature; German literature; Technology in popular culture; SOCIAL SCIENCE / General
    Weitere Schlagworte: History of emotions; emotions and non-humans; literary and cultural animal studies; robots in fiction
    Umfang: 1 Online-Ressource (VIII, 249 Seiten)
  3. My mother was a computer
    digital subjects and literary texts
    Autor*in: Hayles, Katherine
    Erschienen: 2005
    Verlag:  University of Chicago Press, Chicago

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226321493; 0226321495
    RVK Klassifikation: EC 5410 ; HN 1091
    Schlagworte: Intelligence informatique; Interaction homme-machine (Informatique); Ordinateurs dans la littérature; Réalité virtuelle; Littérature américaine / 20e siècle / Histoire et critique; COMPUTERS / Enterprise Applications / Business Intelligence Tools; COMPUTERS / Intelligence (AI) & Semantics; Bellettrie; Automatisering; Hypertekst; Virtuele werkelijkheid; Inteligência artificial; Realidade virtual; Künstliche Intelligenz; Computer <Motiv>; Literatur; Computational intelligence; Human-computer interaction; Computers in literature; Virtual reality; American literature; Künstliche Intelligenz; Literatur; Computer <Motiv>
    Umfang: 1 Online-Ressource (x, 290 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 266-278) and index

    Prologue: computing kin -- Part I. Making: language and code. Intermediation: textuality and the regime of computation ; Speech, writing, code: three worldviews ; The dream of information: escape and constraint in the bodies of three fictions -- Part II. Storing: print and etext. Translating media ; Performative code and figurative language: Neal Stephenson's Cryptonomicon ; Flickering connectivities in Shelley Jackson's Patchwork girl -- Part III. Transmitting: analog and digital. (Un)masking the agent: Stanislaw Lem's "The mask" ; Simulating narratives: what virtual creatures can teach us ; Subjective cosmology and the regime of computation: intermediation in Greg Egan's fiction -- Epilogue: recursion and emergence
  4. My mother was a computer
    digital subjects and literary texts
    Autor*in: Hayles, N. Katherine
    Erschienen: 2005
    Verlag:  University of Chicago Press, Chicago

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0226321479; 0226321487
    RVK Klassifikation: EC 5410 ; HN 1091
    Schlagworte: Computational intelligence; Human-computer interaction; Computers in literature; Virtual reality; American literature; Künstliche Intelligenz; Literatur; Computer <Motiv>
    Umfang: x, 290 p
    Bemerkung(en):

    Includes bibliographical references (p. 266-278) and index
  5. We are the machine
    the computer, the Internet, and information in contemporary German literature
    Autor*in: Youngman, Paul A.
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not immune to this sense of disquiet is reflected in a broad variety of German-language fiction since the 1940s. This first study of the literary reception of IT in German-speaking lands begins with an analysis of a seminal novel from the beginning of the computer age, Heinrich Hauser's 'Gigant Hirn' (1948), then moves to its primary focus, the literature of the past two decades, ranging from Gerd Heidenreich's 'Die Nacht der Händler' (1995) to Daniel Glattauer's novel 'Gut gegen Nordwind' (2006). Along the way, it analyzes eleven works, including Barbara Frischmuth's novel 'Die Schrift des Freundes' (1998), René Pollesch's drama 'world wide web-slums' (2001), and Günter Grass's novella 'Im Krebsgang' (2003). As wildly different in approach as these works are, each has much to offer this investigation of the imaginary border dividing the human from the technological, a lingering, centuries-old construct created to ease the anxiety that technology has given rise to throughout the ages. Paul A. Youngman is associate professor of German at the University of North Carolina-Charlotte and Director of the Center for Humanities, Technology, and Science

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137524
    RVK Klassifikation: GO 12110 ; GO 16003
    Schlagworte: Information technology in literature; German fiction / 20th century / History and criticism; German fiction / 21st century / History and criticism; German fiction / Europe, German-speaking / History and criticism; Computers in literature; Internet in literature; Literature and technology / Germany; Deutsch; Informationstechnik <Motiv>; Prosa
    Umfang: 1 online resource (xiii, 171 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Losing ground to the machine: electronic brains in the works of Heinrich Hauser and Friedrich Dürrenmatt -- Fearing the machine: two nightmares in the 1990s: Gerd Heindenreich's new riddle of the sphinx and Barbara Frischmuth's hidden meaning -- Becoming the machine: Günther Grass's and Erich Loest's virtual history, René Pollesch's postdramatic imaginings, and "real" cyber-relationships according to Christine Eichel and Daniel Glattauer
  6. My mother was a computer
    digital subjects and literary texts
    Autor*in: Hayles, N. Katherine
    Erschienen: 2005
    Verlag:  University of Chicago Press, Chicago

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0226321479; 0226321487
    RVK Klassifikation: EC 5410 ; HN 1091
    Schlagworte: Computational intelligence; Human-computer interaction; Computers in literature; Virtual reality; American literature; Künstliche Intelligenz; Literatur; Computer <Motiv>
    Umfang: x, 290 p
    Bemerkung(en):

    Includes bibliographical references (p. 266-278) and index
  7. Cyberpunk and cyberculture
    science fiction and the work of William Gibson
    Autor*in: Cavallaro, Dani
    Erschienen: 2000
    Verlag:  Athlone Press, New Brunswick, NJ

    Standort:
    Universitätsbibliothek Würzburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472545558
    Weitere Identifier:
    RVK Klassifikation: HG 672
    Schlagworte: Science fiction, American; Virtual reality in literature; Cybernetics in literature; Technology in literature; Computers in literature; Englisch; Cyberpunk
    Weitere Schlagworte: Gibson, William (1948-); Gibson, William (1948-)
    Umfang: 1 Online-Ressource (XXI, 258 S.)
    Bemerkung(en):

    Includes bibliographical references and index
  8. We are the machine
    the computer, the Internet, and information in contemporary German literature
    Autor*in: Youngman, Paul A.
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not immune to this sense of disquiet is reflected in a broad variety of German-language fiction since the 1940s. This first study of the literary reception of IT in German-speaking lands begins with an analysis of a seminal novel from the beginning of the computer age, Heinrich Hauser's 'Gigant Hirn' (1948), then moves to its primary focus, the literature of the past two decades, ranging from Gerd Heidenreich's 'Die Nacht der Händler' (1995) to Daniel Glattauer's novel 'Gut gegen Nordwind' (2006). Along the way, it analyzes eleven works, including Barbara Frischmuth's novel 'Die Schrift des Freundes' (1998), René Pollesch's drama 'world wide web-slums' (2001), and Günter Grass's novella 'Im Krebsgang' (2003). As wildly different in approach as these works are, each has much to offer this investigation of the imaginary border dividing the human from the technological, a lingering, centuries-old construct created to ease the anxiety that technology has given rise to throughout the ages. Paul A. Youngman is associate professor of German at the University of North Carolina-Charlotte and Director of the Center for Humanities, Technology, and Science

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571137524
    RVK Klassifikation: GO 12110 ; GO 16003
    Schlagworte: Information technology in literature; German fiction / 20th century / History and criticism; German fiction / 21st century / History and criticism; German fiction / Europe, German-speaking / History and criticism; Computers in literature; Internet in literature; Literature and technology / Germany; Deutsch; Prosa; Informationstechnik <Motiv>
    Umfang: 1 online resource (xiii, 171 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Losing ground to the machine: electronic brains in the works of Heinrich Hauser and Friedrich Dürrenmatt -- Fearing the machine: two nightmares in the 1990s: Gerd Heindenreich's new riddle of the sphinx and Barbara Frischmuth's hidden meaning -- Becoming the machine: Günther Grass's and Erich Loest's virtual history, René Pollesch's postdramatic imaginings, and "real" cyber-relationships according to Christine Eichel and Daniel Glattauer
  9. Animals, machines, and AI
    on human and non-human emotions in modern German cultural history
    Beteiligt: Quinn, Erika (Hrsg.); Yanacek, Holly (Hrsg.)
    Erschienen: [2022]; © 2022
    Verlag:  De Gruyter, Berlin ; Boston

    Sentient animals, machines, and robots abound in German literature and culture, but there has been surprisingly limited scholarship on non-human life forms in German studies. This volume extends interdisciplinary research in emotion studies to... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Standort:
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    Sentient animals, machines, and robots abound in German literature and culture, but there has been surprisingly limited scholarship on non-human life forms in German studies. This volume extends interdisciplinary research in emotion studies to examine non-humans and the affective relationships between humans and non-humans in modern German cultural history. In recent years, fascination with emotions, developments in robotics, and the burgeoning of animal studies in and beyond the academy have given rise to questions about the nature of humanity. Using sources from the life sciences, literature, visual art, poetry, philosophy, and photography, this collection interrogates not animal or machine emotions per se, but rather uses animals and machines as lenses through which to investigate human emotions and the affective entanglements between humans and non-humans. The COVID-19 pandemic made us more keenly aware of the importance of both animals and new technologies in our daily lives, and this volume ultimately sheds light on the centrality of non-humans in the human emotional world and the possibilities that relationships with non-humans offer for enriching that world

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Quinn, Erika (Hrsg.); Yanacek, Holly (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110753677; 9783110753738
    Weitere Identifier:
    RVK Klassifikation: AR 14300 ; GE 4975 ; AR 13580
    Schriftenreihe: Interdisciplinary German Cultural Studies ; volume 31
    Schlagworte: SOCIAL SCIENCE / General; Animals in literature; Animals in mass media; Computers in literature; German literature; Technology in popular culture; Tiere <Motiv>; Gefühl <Motiv>; Roboter <Motiv>; Literatur; Deutsch
    Umfang: 1 Online-Ressource (IX, 249 Seiten)
  10. My mother was a computer
    digital subjects and literary texts
    Erschienen: 2005
    Verlag:  University of Chicago Press, Chicago

    Prologue: computing kin -- Part I. Making: language and code. Intermediation: textuality and the regime of computation ; Speech, writing, code: three worldviews ; The dream of information: escape and constraint in the bodies of three fictions -- Part... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
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    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
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    keine Fernleihe

    Standort:
    Kühne Logistics University – KLU, Bibliothek
    Fernleihe:
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    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Prologue: computing kin -- Part I. Making: language and code. Intermediation: textuality and the regime of computation ; Speech, writing, code: three worldviews ; The dream of information: escape and constraint in the bodies of three fictions -- Part II. Storing: print and etext. Translating media ; Performative code and figurative language: Neal Stephenson's Cryptonomicon ; Flickering connectivities in Shelley Jackson's Patchwork girl -- Part III. Transmitting: analog and digital. (Un)masking the agent: Stanislaw Lem's "The mask" ; Simulating narratives: what virtual creatures can teach us ; Subjective cosmology and the regime of computation: intermediation in Greg Egan's fiction -- Epilogue: recursion and emergence

     
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  11. My Mother Was a Computer
    Digital Subjects and Literary Texts
    Autor*in: Hayles, Nancy Katherine
    Erschienen: 2010; ©2005.
    Verlag:  University of Chicago Press, Chicago

    We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent... mehr

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    We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles's latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices. My Mother Was a Computer explores how the impact of code on everyday life has become comparable to that of speech and writing: language and code have grown more entangled, the lines that once separated humans from machines, analog from digital, and old technologies from new ones have become blurred. My Mother Was a Computer gives us the tools necessary to make sense of these complex relationships. Hayles argues that we live in an age of intermediation that challenges our ideas about language, subjectivity, literary objects, and textuality. This process of intermediation takes place where digital media interact with cultural practices associated with older media, and here Hayles sharply portrays such interactions: how code differs from speech; how electronic text differs from print; the effects of digital media on the idea of the self; the effects of digitality on printed books; our conceptions of computers as living beings; the possibility that human consciousness itself might be computational; and the subjective cosmology wherein humans see the universe through the lens of their own digital age. We are the children of computers in more than one sense, and no critic has done more than N. Katherine Hayles to explain how these technologies define us and our culture. Heady and provocative, My Mother Was a Computer will be judged as her best work yet. Intro -- Contents -- Acknowledgments -- Prologue: Computing Kin -- Part I . Making: Language and Code -- 1. Intermediation -- 2. Speech,Writing, Code: Three Worldviews -- 3. The Dream of Information -- Part II. Storing: Print and Etext -- 4. Translating Media -- 5. Performative Code and Figurative Language -- 6.. Flickering Connectivities in Shelley Jackson's Patchwork Girl -- Part III . Transmitting: Analog and Digital -- 7. (Un)masking the Agent -- 8. Simulating Narratives: -- 9. Subjective Cosmology and the Regime of Computation -- Epilogue: Recursion and Emergence -- Notes -- Works Cited -- Index.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226321493; 9780226321479
    RVK Klassifikation: HN 1091
    Schlagworte: Computers in literature; American literature ; 20th century ; History and criticism; Computational intelligence; Computers in literature; Human-computer interaction; Virtual reality; Electronic books
    Umfang: 1 online resource (302 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

    Contents; Acknowledgments; Prologue: Computing Kin; Part I . Making: Language and Code; 1. Intermediation; 2. Speech,Writing, Code: Three Worldviews; 3. The Dream of Information; Part II. Storing: Print and Etext; 4. Translating Media; 5. Performative Code and Figurative Language; 6.. Flickering Connectivities in Shelley Jackson's Patchwork Girl; Part III . Transmitting: Analog and Digital; 7. (Un)masking the Agent; 8. Simulating Narratives:; 9. Subjective Cosmology and the Regime of Computation; Epilogue: Recursion and Emergence; Notes; Works Cited; Index;
  12. We are the machine
    the computer, the Internet, and information in contemporary German literature
    Autor*in: Youngman, Paul A.
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not immune to this sense of disquiet is reflected in a broad variety of German-language fiction since the 1940s. This first study of the literary reception of IT in German-speaking lands begins with an analysis of a seminal novel from the beginning of the computer age, Heinrich Hauser's 'Gigant Hirn' (1948), then moves to its primary focus, the literature of the past two decades, ranging from Gerd Heidenreich's 'Die Nacht der Händler' (1995) to Daniel Glattauer's novel 'Gut gegen Nordwind' (2006). Along the way, it analyzes eleven works, including Barbara Frischmuth's novel 'Die Schrift des Freundes' (1998), René Pollesch's drama 'world wide web-slums' (2001), and Günter Grass's novella 'Im Krebsgang' (2003). As wildly different in approach as these works are, each has much to offer this investigation of the imaginary border dividing the human from the technological, a lingering, centuries-old construct created to ease the anxiety that technology has given rise to throughout the ages. Paul A. Youngman is associate professor of German at the University of North Carolina-Charlotte and Director of the Center for Humanities, Technology, and Science Losing ground to the machine: electronic brains in the works of Heinrich Hauser and Friedrich Dürrenmatt -- Fearing the machine: two nightmares in the 1990s: Gerd Heindenreich's new riddle of the sphinx and Barbara Frischmuth's hidden meaning -- Becoming the machine: Günther Grass's and Erich Loest's virtual history, René Pollesch's postdramatic imaginings, and "real" cyber-relationships according to Christine Eichel and Daniel Glattauer

     
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  13. Animals, machines, and AI
    on human and non-human emotions in modern German cultural history
    Beteiligt: Quinn, Erika (Herausgeber); Yanacek, Holly (Herausgeber)
    Erschienen: [2022]; © 2022
    Verlag:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    Sentient animals, machines, and robots abound in German literature and culture, but there has been surprisingly limited scholarship on non-human life forms in German studies. This volume extends interdisciplinary research in emotion studies to... mehr

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Sentient animals, machines, and robots abound in German literature and culture, but there has been surprisingly limited scholarship on non-human life forms in German studies. This volume extends interdisciplinary research in emotion studies to examine non-humans and the affective relationships between humans and non-humans in modern German cultural history. In recent years, fascination with emotions, developments in robotics, and the burgeoning of animal studies in and beyond the academy have given rise to questions about the nature of humanity. Using sources from the life sciences, literature, visual art, poetry, philosophy, and photography, this collection interrogates not animal or machine emotions per se, but rather uses animals and machines as lenses through which to investigate human emotions and the affective entanglements between humans and non-humans. The COVID-19 pandemic made us more keenly aware of the importance of both animals and new technologies in our daily lives, and this volume ultimately sheds light on the centrality of non-humans in the human emotional world and the possibilities that relationships with non-humans offer for enriching that world.

     
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    Quelle: Verbundkataloge
    Beteiligt: Quinn, Erika (Herausgeber); Yanacek, Holly (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110753677; 9783110753738
    Weitere Identifier:
    RVK Klassifikation: GE 4975
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830); Literatur und Rhetorik (800)
    Schriftenreihe: Interdisciplinary German Cultural Studies ; volume 31
    Schlagworte: Deutsch; Literatur; Tiere <Motiv>; Roboter <Motiv>; Gefühl <Motiv>; Animals in literature; Animals in mass media; Computers in literature; German literature; Technology in popular culture; SOCIAL SCIENCE / General
    Weitere Schlagworte: History of emotions; emotions and non-humans; literary and cultural animal studies; robots in fiction
    Umfang: 1 Online-Ressource (VIII, 249 Seiten)
    Bemerkung(en):

    Literaturangaben
  14. We are the machine
    the computer, the internet, and information in contemporary German literature
    Erschienen: 2009
    Verlag:  Camden House, Rochester, NY

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    Universitätsbibliothek Augsburg
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    ISBN: 9781571137524; 9781571133922; 1571133925
    RVK Klassifikation: GO 12110
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Information technology in literature; German fiction; German fiction; German fiction; Computers in literature; Internet in literature; Literature and technology; Prosa; Informationstechnik <Motiv>; Deutsch
    Umfang: 1 Online-Ressource (XIII, 171 S.)
  15. We are the machine
    the computer, the internet, and information in contemporary German literature
    Erschienen: 2009
    Verlag:  Camden House, Rochester, NY

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    Format: Online
    ISBN: 1571133925; 9781571133922; 9781571137524
    RVK Klassifikation: GO 12110
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Computers in literature; Internet in literature; Literature and technology; Information technology in literature; German fiction; German fiction; German fiction
    Umfang: XIII, 171 S.
    Bemerkung(en):

    "Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not immune to this sense of disquiet is reflected in a broad variety of German-language fiction since the 1940s. This first study of the literary reception of IT in German-speaking lands begins with an analysis of a seminal novel from the beginning of the computer age, Heinrich Hauser's Gigant Hirn (1948), then moves to its primary focus, the literature of the past two decades, ranging from Gerd Heidenreich's Die Nacht der Händler (1995) to Daniel Glattauer's novel Gut gegen Nordwind (2006). Along the way, it analyzes eleven works, including Barbara Frischmuth's novel Die Schrift des Freundes (1998), René Pollesch's drama world wide web-slums (2001), and Günter Grass's novella Im Krebsgang (2003). As wildly different in approach as these works are, each has much to offer this investigation of the imaginary border dividing the human from the technological, a lingering, centuries-old construct created to ease the anxiety that technology has given rise to throughout the ages"--Publisher's website

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Losing ground to the machine: electronic brains in the works of Heinrich Hauser and Friedrich DürrenmattFearing the machine: two nightmares in the 1990s: Gerd Heindenreich's new riddle of the sphinx and Barbara Frischmuth's hidden meaning -- Becoming the machine: Günther Grass's and Erich Loest's virtual history, René Pollesch's postdramatic imaginings, and "real" cyber-relationships according to Christine Eichel and Daniel Glattauer.
  16. Science fiction and computing
    essays on interlinked domains
    Erschienen: c2011
    Verlag:  McFarland & Co, Jefferson, NC

    The prevalence of science fiction readership among those who create and program computers is so well-known that it has become a cliche, but the phenomenon has remained largely unexplored by scholars. What role has science fiction played in the actual... mehr

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    The prevalence of science fiction readership among those who create and program computers is so well-known that it has become a cliche, but the phenomenon has remained largely unexplored by scholars. What role has science fiction played in the actual development of computers and computing? And likewise, how has computing (including the related fields of robotics and artificial intelligence) affected the course of science fiction? The 18 essays in this critical work explore the interrelationship of these domains over the span of more than half a century

     
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    Format: Online
    ISBN: 0786445653; 9780786445653
    Schlagworte: Computer science; Computers in literature; Science fiction
    Umfang: Online-Ressource (x, 317 p), ill., photographs
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Acknowledgments; Table of Contents; Introduction; 1. Technology's Other Storytellers; 2. Computers in Science Fiction; 3. Murray Leinster and "A Logic Named Joe"; 4. Atorox, Finnish Fictional Robot with a Changing Personality in the Late 1940s; 5. Computer Science on the Planet Krypton; 6. Manned Space Flight and Artificial Intelligence; 7. "That Does Not Compute"; 8. "Hello, Computer"; 9. Turn Off the Gringo Machine! The "Electronic Brain" and Cybernetic Imagination in Brazilian Cinema; 10. A (Brave New) World Is More Than a Few Gizmos Crammed Together

    11. True Risks? The Pleasures and Perils of Cyberspace12. Science Fiction as Myth; 13. Creating a Techno-Mythology for a New Age; 14. Embodiment, Emotion, and Moral Experiences; 15. "Predicting the Present"; 16. "Low on Milk. I Love You!"; 17. Nanotechnology Tomorrows; 18. Imagining the Omniscient Computer; About the Contributors; Index
  17. We are the machine
    the computer, the Internet, and information in contemporary German literature
    Autor*in: Youngman, Paul A.
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not... mehr

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    Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not immune to this sense of disquiet is reflected in a broad variety of German-language fiction since the 1940s. This first study of the literary reception of IT in German-speaking lands begins with an analysis of a seminal novel from the beginning of the computer age, Heinrich Hauser's 'Gigant Hirn' (1948), then moves to its primary focus, the literature of the past two decades, ranging from Gerd Heidenreich's 'Die Nacht der Händler' (1995) to Daniel Glattauer's novel 'Gut gegen Nordwind' (2006). Along the way, it analyzes eleven works, including Barbara Frischmuth's novel 'Die Schrift des Freundes' (1998), René Pollesch's drama 'world wide web-slums' (2001), and Günter Grass's novella 'Im Krebsgang' (2003). As wildly different in approach as these works are, each has much to offer this investigation of the imaginary border dividing the human from the technological, a lingering, centuries-old construct created to ease the anxiety that technology has given rise to throughout the ages. Paul A. Youngman is associate professor of German at the University of North Carolina-Charlotte and Director of the Center for Humanities, Technology, and Science Losing ground to the machine: electronic brains in the works of Heinrich Hauser and Friedrich Dürrenmatt -- Fearing the machine: two nightmares in the 1990s: Gerd Heindenreich's new riddle of the sphinx and Barbara Frischmuth's hidden meaning -- Becoming the machine: Günther Grass's and Erich Loest's virtual history, René Pollesch's postdramatic imaginings, and "real" cyber-relationships according to Christine Eichel and Daniel Glattauer

     
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