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  1. Required reading
    why our American classics matter now
    Autor*in: Delbanco, Andrew
    Erschienen: 1997
    Verlag:  Farrar, Straus and Giroux, New York

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  2. Stage wrights
    Shakespeare, Jonson, Middleton, and the making of theatrical value
    Autor*in: Yachnin, Paul
    Erschienen: 1997
    Verlag:  Univ. of Pennsylvania Press, Philadelphia

    To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common play-houses and in a manner of the antithetical to... mehr

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    Freie Universität Berlin, Universitätsbibliothek
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    To many of their contemporaries, William Shakespeare, Ben Jonson, and Thomas Middleton were little more than artisanal craftsmen, "stage-wrights" who wrote plays for money, to be performed in common play-houses and in a manner of the antithetical to what Jonson himself viewed as the higher calling of poetry. In response to the conflicting pressures of censorship and commercialism, Paul Yachnin contends, players and dramatists alike had promulgated the idea of drama's irrelevance, creating a recreational theater that failed to influence its audience in any purposeful way. In Stage-Wrights Yachnin shows how Shakespeare, Jonson, and Middleton struggled to reclaim not only the importance of their art, but their own social legitimacy as well through the reshaping of the commercial theater. His bold readings of their works unveil the strategies by which they sought power from their privileged but powerless position on the margins. Adopting a hermeneutical approach, he explores a wide range of historical evidence to describe how English Renaissance drama depicted the world in ways refracted by the interests of the playing companies; throughout, he challenges recent historicist models that have overrated the importance of dramatic productions to society and its institutions of authority.

     
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  3. Inscribing the daily
    critical essays on women's diaries
    Erschienen: 1996
    Verlag:  Univ. of Massachusetts Press, Amherst

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    Freie Universität Berlin, Universitätsbibliothek
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  4. Removals
    nineteenth-century American literature and the politics of Indian affairs
    Erschienen: 1991
    Verlag:  Oxford University Press, New York

    Removals addresses the relationship between the national debates on the establishment of a federal Indian policy in the first half of the nineteenth century and the simultaneous debates on the establishment of an unofficial policy governing the... mehr

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    Removals addresses the relationship between the national debates on the establishment of a federal Indian policy in the first half of the nineteenth century and the simultaneous debates on the establishment of an unofficial policy governing the production of an American literature. Maddox rereads the work of writers including Herman Melville, Catherine Sedgewick, Lydia Maria Child, Nathaniel Hawthorne, Margaret Fuller, Henry David Thoreau, and Francis Parkman within the; context of the public debates on 'the Indian question' in order to illustrate the ways in which they respond to the political, social, and aesthetic issues raised by these debates

     
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  5. Chinese theories of reading and writing
    a route to hermeneutics and open poetics
    Erschienen: c2005
    Verlag:  State University of New York Press, Albany

    This ambitious work provides a systematic study of Chinese theories of reading and writing in intellectual thought and critical practice. The author maintains that there are two major hermeneutic traditions in Chinese literature: the... mehr

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    This ambitious work provides a systematic study of Chinese theories of reading and writing in intellectual thought and critical practice. The author maintains that there are two major hermeneutic traditions in Chinese literature: the politico-moralistic mainstream and the metaphysico-aesthetical undercurrent. In exploring the interaction between the two, Ming Dong Gu finds a movement toward interpretive openness. In this, the Chinese practice anticipates modern and Western theories of interpretation, especially literary openness and open poetics. Classic Chinese works are examined, including the Zhouyi (the I Ching or Book of Changes), the Shijing (the Book of Songs or Book of Postry), and selected poetry, along with the philosophical background of the hermeneutic theories. Ultimately, Gu relates the Chinese practices of reading to Western hermeneutics, offering a cross-cultural conceptual model for the comparative study of reading and writing in general. Book jacket

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1423744098; 9781423744092
    Schriftenreihe: SUNY series in Chinese philosophy and culture
    Schlagworte: Chinese classics; Chefs-d'œuvre (Littérature); Herméneutique; Hermeneutics; Chinese classics; Chinese classics; Hermeneutics; Chinese classics; Hermeneutics; Criticism, interpretation, etc; LITERARY CRITICISM ; Asian ; General
    Umfang: Online Ressource (xiv, 334 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 303-320) and index. - Description based on print version record
  6. Loose canons
    notes on the culture wars
    Erschienen: 2010
    Verlag:  Oxford University Press, New York

    Multiculturalism. It has been the subject of cover stories in Time and Newsweek, as well as numerous articles in newspapers and magazines around America. It has sparked heated jeremiads by George Will, Dinesh D'Sousa, and Roger Kimball. It moved... mehr

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    Multiculturalism. It has been the subject of cover stories in Time and Newsweek, as well as numerous articles in newspapers and magazines around America. It has sparked heated jeremiads by George Will, Dinesh D'Sousa, and Roger Kimball. It moved William F. Buckley to rail against Stanley Fishand Catherine Stimpson on "Firing Line." It is arguably the most hotly debated topic in America today--and justly so. For whether one speaks of tensions between Hasidim and African-Americans in Crown Heights, or violent mass protests against Moscow in ethnic republics such as Armenia, or outrightwar between Serbs and Bosnians in the former Yugoslavia, it is clear that the clash of cultures is a worldwide problem, deeply felt, passionately expressed, always on the verge of violent explosion. Problems of this magnitude inevitably frame the discussion of "multiculturalism" and "culturaldiversity" in the American classroom as well. In Loose Canons, one of America's leading literary and cultural critics, Henry Louis Gates, Jr., offers a broad, illuminating look at this highly contentious issue. Gates agrees that our world is deeply divided by nationalism, racism, and sexism, and argues that the only way to transcendthese divisions--to forge a civic culture that respects both differences and similarities--is through education that respects both the diversity and commonalities of human culture. His is a plea for cultural and intercultural understanding. (You can't understand the world, he observes, if youexclude 90 percent of the world's cultural heritage.) We feel his ideas most strongly voiced in the concluding essay in the volume, "Trading on the Margin." Avoiding the stridency of both the Right and the Left, Gates concludes that the society we have made simply won't survive without the values oftolerance, and cultural tolerance comes to nothing without cultural understanding. Henry Louis Gates is one of the most visible and outspoken figures on the academic scene, the subject of a cover story in The New York Times Sunday Magazine and a major profile in The Boston Globe, and a much sought-after commentator. And as one of America's foremost advocates ofAfrican-American Studies (he is head of the department at Harvard), he has reflected upon the varied meanings of multiculturalism throughout his professional career, long before it became a national controversy. What we find in these pages, then, is the fruit of years of reflection on culture, racism, and the "American identity," and a deep commitment to broadening the literary and cultural horizons of all Americans

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1423735471; 9781423735472; 9780198024514; 0198024517; 9780195083507; 0195083504
    Schlagworte: American literature; American literature; Literature and society; African Americans; Race in literature; Canon (Literature); Littérature américaine; Littérature américaine; Noirs américains; Chefs-d'œuvre (Littérature); Littérature et société; Race dans la littérature; Electronic books; African Americans; American literature; American literature; Canon (Literature); Chefs-d'œuvre (Littérature); Literature and society; Littérature américaine; Littérature américaine; Littérature et société; Noirs américains; Race dans la littérature; Race in literature
    Umfang: Online Ressource (xix, 199 pages)
    Bemerkung(en):

    Includes index. - English. - Print version record

    English

    Print version record

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  7. The American classics
    a personal essay
    Erschienen: c2005
    Verlag:  Yale University Press, New Haven

    Denis Donoghue presents a short list of works of American fiction he regards as 'relative' classics: works whose appeal may not be universal, but which nonetheless have occupied an important place in American culture for more than a century mehr

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    Denis Donoghue presents a short list of works of American fiction he regards as 'relative' classics: works whose appeal may not be universal, but which nonetheless have occupied an important place in American culture for more than a century

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780300133783; 0300133782
    Schlagworte: American literature; Littérature américaine; Chefs-d'œuvre (Littérature); Canon (Literature); American literature; American literature; Canon (Literature); LITERARY CRITICISM ; American ; General; LITERARY CRITICISM ; General; Canon (Literature); Letterkunde; Amerikaans; Criticism, interpretation, etc
    Umfang: Online Ressource (295 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 263-280) and index. - Description based on print version record

    Introduction : after EmersonEmerson and "The American Scholar" -- Moby-Dick -- The Scarlet letter -- Walden -- Leaves of grass -- Adventures of Huckleberry Finn.
  8. Romanticism and the Gothic
    genre, reception, and canon formation
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [England]

    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing,... mehr

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    "Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--Jacket

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521773287; 0521773288; 0511010087; 0511484216; 9780511010088; 0511034636; 9780511034633; 0511118481; 9780511118487; 9780511484216
    RVK Klassifikation: HL 1131
    Schriftenreihe: Cambridge studies in Romanticism ; 40
    Schlagworte: English literature; Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; Littérature anglaise; Littérature frénétique; Littérature anglaise; Romantisme; Chefs-d'œuvre (Littérature); Genres littéraires; Canon (Literature); Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; English literature; English literature; Gothic revival (Literature); English literature; Literary form; Literary form; Romanticism; Canon (Literature); LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Canon (Literature); English literature; Gothic revival (Literature); Literary form; Romanticism; Romantik; Gothic novel; Gothic novel; Romantiek; Engels; Letterkunde; Gothic; Romanticism ; Gothic revival; English literature ; 18th-19th century; Littérature anglaise ; 18e siècle ; Histoire et critique; Littérature anglaise ; 19e siècle ; Histoire et critique; Roman gothique ; Grande-Bretagne; Romantisme (littérature) ; Grande-Bretagne; Criticism, interpretation, etc; History
    Weitere Schlagworte: Wordsworth, William 1770-1850; Baillie, Joanna 1762-1851; Scott, Walter 1771-1832; Wordsworth, William 1770-1850; Baillie, Joanna 1762-1851; Scott, Walter 1771-1832; Baillie, Joanna (1762-1851); Scott, Walter (1771-1832); Wordsworth, William (1770-1850): Lyrical ballads; Scott, Walter (1771-1832); Baillie, Joanna (1762-1851); Wordsworth, William (1770-1850): Lyrical ballads; Baillie, Joanna; Wordsworth, William 1770-1850; Baillie, Joanna ; Critique et interprétation; Scott, Walter ; Critique et interprétation; Baillie, Joanna; Scott, Walter; Wordsworth, William; Baillie, Joanna; Scott, Walter Sir
    Umfang: Online Ressource (xiii, 255 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 201-245) and index. - Description based on print version record

    Introduction: Romanticism's "pageantry of fear"Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship.
  9. Post-colonial literatures
    expanding the canon
    Erschienen: 2010
    Verlag:  Pluto Press, London

    Beyond the Commonwealth : post-colonialism and American literature / Deborah L. Madsen -- Post-colonialism in the United States : diversity or hybridity / Karen Piper -- Ethical reading and resistant texts / Patricia Linton -- Fractures : written... mehr

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    Beyond the Commonwealth : post-colonialism and American literature / Deborah L. Madsen -- Post-colonialism in the United States : diversity or hybridity / Karen Piper -- Ethical reading and resistant texts / Patricia Linton -- Fractures : written displacements in Canadian/US literary relations / Richard J. Lane -- The rhythm of difference : language and silence in The chant of Jimmie Blacksmith and The piano / Marion Wynne-Davies -- Locating and celebrating difference : writing by South African and Aboriginal women writers / Gina Wisker -- Coming in from the margins : gender in contemporary Zimbabwean writing / Pauline Dodgson -- The memory of slavery in Fred D'Aguiar's Feeling the ghosts / Gail Low -- 'Versioning' the revolution : gender and politics in Merle Collins's Angel / Suzanne Scafe -- Erupting funk : the political style of Toni Morrison's Tar baby and The bluest eye / Alan Rice -- Afro-Hispanic literature and feminist theories : thinking ethics / Rosemary Geisdorfer Feal -- Chicano/a literature : 'an active interanimating of competing discourses' / Candida N. Hepworth -- Border theory and the canon / Debra A. Castillo -- Racialism and literation in Native American literature / Lee Schweniger -- Ants in the system : 'thinking strongly' about Native American stories / Robert Gregory.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0585433771; 9780585433776
    Schriftenreihe: Reconfigurations--critical readings in post-colonialism
    Schlagworte: Commonwealth literature (English); Literature and society; American literature; English literature; English literature; Littérature du Commonwealth (anglaise); Littérature et société; Littérature américaine; Littérature anglaise à l'étranger; Littérature anglaise; Décolonisation dans la littérature; Groupes ethniques dans la littérature; Minorités dans la littérature; Chefs-d'œuvre (Littérature); Decolonization in literature; Ethnic groups in literature; Minorities in literature; Canon (Literature); Literature and society; American literature; English literature; English literature; Commonwealth literature (English); American literature; Chefs-d'œuvre (Littérature); Commonwealth literature (English); Décolonisation dans la littérature; English literature; English literature; Groupes ethniques dans la littérature; Literature and society; Littérature américaine; Littérature anglaise; Littérature anglaise à l'étranger; Littérature du Commonwealth (anglaise); Littérature et société; Minorités dans la littérature; Canon (Literature); Decolonization in literature; Ethnic groups in literature; Minorities in literature; American literature ; Minority authors; English literature; English literature ; Foreign countries; Literature and society; Commonwealth literature (English); Postkolonialisme; Letterkunde; Canon; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc; History
    Umfang: Online Ressource (vii, 237 p.)
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

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  10. Street smarts and critical theory
    listening to the vernacular
    Erschienen: 2010
    Verlag:  University of Wisconsin Press, Madison

    Like academic theorists, who are trained in a tradition of philosophical and political skepticism that challenges all orthodoxies, the vernacular theorists McLaughlin identifies display a lively and healthy alertness to contradiction and propaganda.... mehr

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    Like academic theorists, who are trained in a tradition of philosophical and political skepticism that challenges all orthodoxies, the vernacular theorists McLaughlin identifies display a lively and healthy alertness to contradiction and propaganda. They are not passive victims of ideology but active questioners of the belief systems that have power over their lives. Their theoretical work arises from the circumstances they confront on the job, in the family, in popular culture. And their questioning of established institutions, McLaughlin contends, is essential and healthy, for it clarifies the purpose and strategies of institutions and justifies the existence of cultural practices. Street Smarts and Critical Theory leads us through eye-opening explorations of social activism in the Southern Christian anti-pornography movement, fan critiques in the 'zine scene, New Age narratives of healing and transformation, the methodical manipulations of the advertising profession, and vernacular theory in the whole-language movement. Emphasizing that theory is itself a pervasive cultural practice, McLaughlin calls on academic institutions to recognize and develop the theoretical strategies that students bring into the classroom Thomas McLaughlin argues that critical theory - raising serious, sustained questions about cultural practice and ideology - is practiced not only by an academic elite but also by savvy viewers of sitcoms and tv news, by Elvis fans and Trekkies, by labor organizers and school teachers, by the average person in the street. - Like academic theorists, who are trained in a tradition of philosophical and political skepticism that challenges all orthodoxies, the vernacular theorists McLaughlin identifies display a lively and healthy alertness to contradiction and propaganda. They are not passive victims of ideology but active questioners of the belief systems that have power over their lives. Their theoretical work arises from the circumstances they confront on the job, in the family, in popular culture. And their questioning of established institutions, McLaughlin contends, is essential and healthy, for it clarifies the purpose and strategies of institutions and justifies the existence of cultural practices. Street Smarts and Critical Theory leads us through eye-opening explorations of social activism in the Southern Christian anti-pornography movement, fan critiques in the 'zine scene, New Age narratives of healing and transformation, the methodical manipulations of the advertising profession, and vernacular theory in the whole-language movement. Emphasizing that theory is itself a pervasive cultural practice, McLaughlin calls on academic institutions to recognize and develop the theoretical strategies that students bring into the classroom

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 058511448X; 9780585114484; 9780299151737; 0299151735
    Schriftenreihe: Wisconsin project on American writers
    Schlagworte: American literature; Popular literature; Criticism; Literature; Criticism; Language and culture; Popular culture; Littérature américaine; Paralittérature; Critique; Littérature; Critique; Langage et culture; Culture populaire; Chefs-d'œuvre (Littérature); Canon (Literature); Criticism; Literature; Criticism; Language and culture; Popular culture; Popular literature; American literature; American literature; Chefs-d'œuvre (Littérature); Criticism; Criticism; Critique; Critique; Culture populaire; Langage et culture; Language and culture; Littérature; Littérature américaine; Paralittérature; Popular culture; Popular literature; Canon (Literature); Literature; Criticism; Criticism ; Public opinion; Language and culture; LITERARY CRITICISM ; American ; General; Popular culture; English; Languages & Literatures; American Literature; General; LITERARY CRITICISM; Criticism, interpretation, etc; History
    Umfang: Online Ressource (viii, 182 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 169-177) and index. - Description based on print version record

    Description based on print version record

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  11. The Frontier experience and the American dream
    essays on American literature
    Erschienen: 2010
    Verlag:  Texas A & M University Press, College Station

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    Sprache: Englisch
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    Format: Online
    ISBN: 0585147396; 9780585147390
    Auflage/Ausgabe: 1st ed.
    Schlagworte: American literature; Frontier and pioneer life in literature; Success in literature; Myth in literature; Canon (Literature); Littérature américaine; Mythe dans la littérature; Chefs-d'œuvre (Littérature); Vie des pionniers dans la littérature; American literature; Canon (Literature); Chefs-d'œuvre (Littérature); Frontier and pioneer life in literature; Littérature américaine; Myth in literature; Mythe dans la littérature; Success in literature; Vie des pionniers dans la littérature
    Umfang: Online Ressource (vii, 282 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references and index. - Description based on print version record

    Description based on print version record

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  12. Writing backwards
    historical fiction and the reshaping of the American canon
    Autor*in: Manshel, Alexander
    Erschienen: [2024]
    Verlag:  Columbia University Press, New York

    "With novels by Toni Morrison, Colson Whitehead, Philip Roth, Julia Alvarez, and Viet Thanh Nguyen, historical fiction has become a, if not the dominant genre in literary fiction. In the 1980s and 1990s, the American literary field fundamentally... mehr

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    "With novels by Toni Morrison, Colson Whitehead, Philip Roth, Julia Alvarez, and Viet Thanh Nguyen, historical fiction has become a, if not the dominant genre in literary fiction. In the 1980s and 1990s, the American literary field fundamentally reorganized itself around historical fiction and the cultural, pedagogical, and political value of history. This decisive turn toward the past has both motivated, and been motivated by, the increasing recognition of Black, Latinx, Asian American, and Native writers within the literary canon. Alexander Manshel provides a new history of literary multiculturalism that recognizes the central place of the historical novel, as well as the central role of literary institutions that have privileged historical recovery over present political struggle. While the increasingly diverse literary canon has much to do with the trajectory of national politics, it depends far more on funding organizations such as the National Endowment for the Arts, literary prizes like the National Book Award, and the scholarship and syllabi of university English departments. Manshel investigates how the shifting priorities of these institutions have reshaped the history of American literature over the last forty years, documenting not only how the newly inclusive literary canon came to exist but also what, and who, it still excludes. The book concludes by looking at works by writers such as Paul Beatty, Jesmyn Ward, Tommy Orange, and Valeria Luiselli as offering a kind of challenge to the "historical" turn in U.S. fiction"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231558822; 0231558821
    RVK Klassifikation: HR 1115
    Schriftenreihe: Literature now
    Schlagworte: Historical fiction, American; American fiction; American fiction; Canon (Literature); Roman américain - 20e siècle - Histoire et critique; Roman américain - 21e siècle - Histoire et critique; Chefs-d'œuvre (Littérature); American fiction; Canon (Literature); Historical fiction, American; Criticism, interpretation, etc; Literary criticism; Literary criticism; Critiques littéraires
    Umfang: 1 Online-Ressource (xii, 337 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Intro -- Table of Contents -- Acknowledgments -- Introduction -- 1. Contemporary Fiction in Reverse -- 2. The Making of the Greatest Generation -- 3. Colson Whitehead's History of the United States -- 4. Reading the Family Tree -- 5. The Rise of the Recent Historical Novel -- Coda: Excavating the Present -- Notes -- Works Cited -- Index
  13. A white heron and the question of minor literature
    Autor*in: Renza, Louis A.
    Erschienen: 1984
    Verlag:  Univ. of Wisconsin Press, Madison, Wis.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0299099601
    RVK Klassifikation: HT 5895
    Auflage/Ausgabe: 1. print.
    Schriftenreihe: The Wisconsin project on American writers
    Schlagworte: Chefs-d'œuvre (Littérature); Geschichte; Women and literature; Canon (Literature)
    Weitere Schlagworte: Jewett, Sarah Orne <1849-1909> / White heron; Jewett, Sarah Orne (1849-1909); Jewett, Sarah Orne <1849-1909>: White heron; Jewett, Sarah O.: A white heron
    Umfang: XXIX, 221 S.
  14. Proofs of genius :
    collected editions from the American Revolution to the Digital Age /
    Autor*in: Gailey, Amanda A.,
    Erschienen: [2015]
    Verlag:  University of Michigan Press,, Ann Arbor :

    "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or... mehr

     

    "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"--

     
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    Quelle: Verbundkataloge
    Medientyp: Ebook
    Format: Online
    ISBN: 9780472121267; 047212126X; 9780472900091; 0472900099
    Weitere Identifier:
    10.3998/etlc.13607061.0001.001
    Schriftenreihe: Editorial theory and literary criticism
    Schlagworte: American literature; American literature; Literature publishing; Literature publishing; Editions; Editing; Canon (Literature); Authorship; Littérature américaine; Littérature américaine; Littérature; Littérature; Éditions; Édition; Chefs-d'œuvre (Littérature); Art d'écrire; Literary theory.; Literature: history & criticism.; LITERARY CRITICISM; American literature; Art appreciation.; Authorship.; Canon (Literature); Editing.; Editions.; Literature publishing.
    Weitere Schlagworte: Dickinson, Emily, (1830-1886); Whitman, Walt, (1819-1892); Dickinson, Emily, (1830-1886.); Whitman, Walt, (1819-1892.)
    Umfang: 1 online resource
    Bemerkung(en):

    Includes bibliographical references (pages 141-156) and index.

    America collecting itself : national identity and intellectual property in the Early Republic -- Dickinson's remains -- Whitman's shrines -- Cold War editing and the rise of the "American literature industry" -- The death of the author has been greatly exaggerated.
  15. The poem and the book
    interpreting collections of Romantic poetry
    Autor*in: Fraistat, Neil
    Erschienen: 1985
    Verlag:  Univ. of North Carolina Pr., Chapel Hill u.a.

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    Universitätsbibliothek Bamberg
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  16. The politics of tradition
    placing women in French literature
    Erschienen: 1988
    Verlag:  Yale Univ. Press, New Haven, Conn. [u.a.]

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    Universitätsbibliothek Augsburg
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  17. Rewriting English
    cultural politics of gender and class
    Erschienen: 1985
    Verlag:  Methuen, London [u.a.]

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  18. Interpretation and genre
    the role of generic perception in the study of narrative texts
    Autor*in: Kent, Thomas
    Erschienen: 1986
    Verlag:  Bucknell Univ. Pr., Lewisburg

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  19. African literature, African critics
    the forming of critical standards, 1947 - 1966
    Autor*in: Bishop, Rand
    Erschienen: 1988
    Verlag:  Greenwood Pr., New York u.a.

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  20. Creating Faulkner's reputation
    the politics of modern literary criticism
    Autor*in: Schwartz, Lawrence H.
    Erschienen: 1988
    Verlag:  Univ. of Tennessee Press, Knoxville

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  21. Creating Faulkner's reputation
    the politics of modern literary criticism
    Autor*in: Schwartz, Lawrence H.
    Erschienen: 1988
    Verlag:  Univ. of Tennessee Press, Knoxville

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0870495658
    RVK Klassifikation: HU 3585
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Amerikaans; Canon; Chefs-d'œuvre (Littérature); Critique - États-Unis - Histoire - 20e siècle; Literatuurkritiek; Geschichte; Literaturkritik; Canon (Literature); Criticism; Literaturkritik; Rezeption
    Weitere Schlagworte: Faulkner, William <1897-1962> - Critique et interpretation - Histoire; Faulkner, William <1897-1962>; Faulkner, William (1897-1962)
    Umfang: 286 S.
    Bemerkung(en):

    Literaturverz. S. [255] - 265
  22. Discharging the canon
    cross-cultural readings in literature
    Erschienen: 1986
    Verlag:  Singapore Univ. Pr., National University of Singapore, Singapore

  23. Words about words about words
    theory, criticism, and the literary text
    Autor*in: Krieger, Murray
    Erschienen: 1988
    Verlag:  Johns Hopkins Univ. Press, Baltimore [u.a.]

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  24. Rewriting the dream
    reflections on the changing American literary canon
    Erschienen: 1992
    Verlag:  Rodopi, Amsterdam u.a.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 905183361X
    RVK Klassifikation: HR 1115 ; HR 1459 ; HR 1520 ; HU 1520
    Schriftenreihe: Costerus / New series ; 83
    Schlagworte: Amerikaans; Canon; Chefs-d'œuvre (Littérature); Ethnicité dans la littérature; Femmes et littérature - États-Unis; Letterkunde; Littérature américaine - Histoire et critique; Literatur; American literature; Canon (Literature); Criticism; Literatur; Kanon
    Weitere Schlagworte: Bakker, J
    Umfang: XXII, 266 S.
  25. Belated modernity and aesthetic culture
    inventing national literature
    Autor*in: Jusdanis, Gregory
    Erschienen: 1991
    Verlag:  Univ. of Minnesota Press, Minneapolis u.a.

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