Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 4 von 4.

  1. Artists at work
    Autor*in: Petherbridge, Deanna; Sganzerla, Anita Viola
    Erschienen: [2018]
    Verlag:  Paul Holberton Publishing, London

    This trans-historical exhibition of drawings is devoted to the subject of the artist at work. Drawn principally from a very fine specialist private collection, this display will focus on the depictions of artists' studios, their own portraits, models... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This trans-historical exhibition of drawings is devoted to the subject of the artist at work. Drawn principally from a very fine specialist private collection, this display will focus on the depictions of artists' studios, their own portraits, models and assistants in symbolic, as well as from life, representations of the metier of drawing, painting and sculpture. Art historians have interpreted these themes variously as the means of elevating the social and economic status of artists; of illustrating the marriage of intellectual knowledge and practical skill proposed by academic theorists, or as sophisticated allegories of the philosophical significance of visual art. Even at the most pragmatic level of recording the clutter of the everyday studio, drawing human models or antique casts in an academy, or small figures sketching in landscape, works with these subjects are imbued with layers of meaning. This focused exhibition, spanning from the 16th to the 20th centuries, proposes to explore this rich subject matter through a carefully selected group of graphic works

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Gottardo, Ketty (HerausgeberIn); Sloan, Rachel (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781911300441
    Schlagworte: Artists' studios in art; Artists and models in art; Drawing; Collectors and collecting
    Umfang: 21 x 21 cm
    Bemerkung(en):

    Rückseite Titelblatt: First published to accompany 'Artists at Work' The Courtauld Gallery, London, 3 May-15 July 2018"
  2. Artists at work
    Autor*in: Petherbridge, Deanna; Sganzerla, Anita Viola
    Erschienen: [2018]
    Verlag:  Paul Holberton Publishing, London

    This trans-historical exhibition of drawings is devoted to the subject of the artist at work. Drawn principally from a very fine specialist private collection, this display will focus on the depictions of artists' studios, their own portraits, models... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2018:3033:
    Fernleihe:
    keine Fernleihe

     

    This trans-historical exhibition of drawings is devoted to the subject of the artist at work. Drawn principally from a very fine specialist private collection, this display will focus on the depictions of artists' studios, their own portraits, models and assistants in symbolic, as well as from life, representations of the metier of drawing, painting and sculpture. Art historians have interpreted these themes variously as the means of elevating the social and economic status of artists; of illustrating the marriage of intellectual knowledge and practical skill proposed by academic theorists, or as sophisticated allegories of the philosophical significance of visual art. Even at the most pragmatic level of recording the clutter of the everyday studio, drawing human models or antique casts in an academy, or small figures sketching in landscape, works with these subjects are imbued with layers of meaning. This focused exhibition, spanning from the 16th to the 20th centuries, proposes to explore this rich subject matter through a carefully selected group of graphic works

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Gottardo, Ketty (HerausgeberIn); Sloan, Rachel (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781911300441
    Schlagworte: Artists' studios in art; Artists and models in art; Drawing; Collectors and collecting
    Umfang: 21 x 21 cm
    Bemerkung(en):

    Rückseite Titelblatt: First published to accompany 'Artists at Work' The Courtauld Gallery, London, 3 May-15 July 2018"
  3. Posing modernity
    the black model from Manet and Matisse to today
    Autor*in: Murrell, Denise
    Erschienen: [2018]; © 2018
    Verlag:  Yale University Press, New Haven ; The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, London

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300229066
    RVK Klassifikation: LH 65020 ; LH 84160 ; LH 85000
    Schlagworte: African American models; Art; Artists and models in art; Artists' models; Blacks; Modernism (Art); Modernism (Art)
    Umfang: XVII, 206 Seiten, 27 cm
    Bemerkung(en):

    Rückseite der Titelseite: "Published on the occasion of the exhibition Posing Modernity: The Black Model from Manet and Matisse to Today, organized by the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, and the Établissement public des musée d'Orsay et de l'Orangerie, Paris. The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018-February 10, 2019, Musée d'Orsay, Paris (as the expanded exhibition Le Modèle noir de Gericault à Matisse), March 26-July 14, 2019."
  4. Posing modernity
    the black model from Manet and Matisse to today
    Autor*in: Murrell, Denise
    Erschienen: [2018]; © 2018
    Verlag:  Yale University Press, New Haven ; The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, London

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2019:775:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 185640
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Bildende Künste Braunschweig, Bibliothek
    Signatur:
    K 6.23 Mur 1
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthalle Bremen
    Signatur:
    Kat. Ausst. Paris 2019
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a kun 092.7/170
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Signatur:
    04.80.52 2018
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliothek im KG IV, Bereich Anglistik und Amerikanistik
    Signatur:
    Frei 24: AK 2200
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Greifswald
    Signatur:
    680/LH 64160 M984
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    Signatur:
    B 30591
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Bildende Künste, Bibliothek
    Signatur:
    E.60.0 : 5
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2018 C 3286
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signatur:
    21-1748
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    LWL Museum für Kunst und Kultur, Westfälisches Landesmuseum, Bibliothek
    Signatur:
    Kat. New York 2018
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Germanisches Nationalmuseum, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universität des Saarlandes, Fachrichtung Kunst- und Kulturwissenschaft, Bibliothek
    Signatur:
    O 134/950
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Stiftung Saarländischer Kulturbesitz, Bibliothek
    Signatur:
    Mtv Mensch 2018/1
    Fernleihe:
    keine Fernleihe

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    299067-B
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300229066
    RVK Klassifikation: LH 65020 ; LH 84160 ; LH 85000
    Schlagworte: African American models; Art; Artists and models in art; Artists' models; Blacks; Modernism (Art); Modernism (Art)
    Umfang: XVII, 206 Seiten, 27 cm
    Bemerkung(en):

    Rückseite der Titelseite: "Published on the occasion of the exhibition Posing Modernity: The Black Model from Manet and Matisse to Today, organized by the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, and the Établissement public des musée d'Orsay et de l'Orangerie, Paris. The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018-February 10, 2019, Musée d'Orsay, Paris (as the expanded exhibition Le Modèle noir de Gericault à Matisse), March 26-July 14, 2019."