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LandLust - The “Knowability” of Post-Pastoral Ruralism
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Metadaptation: Adaptation and Intermediality – Cock and Bull
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Paratracks in the Digital Age: Bonus Material as Bogus Material in Blood Simple (Joel and Ethan Coen, 1984/2001)
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‘Victoriana’s Secret’: Emilie Autumn’s Burlesque Performance of Subcultural Neo-Victorianism
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Trashing and Recycling: Regenrification in British Heritage Movies and Costume Films of the 1990s
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Algorithms, Artificial Intelligence, and Posthuman Adaptation: Adapting as Cultural Technique
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From Paratext to Polyprocess: The “Quirky” Mashup Novel
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Tom Stoppard: European Phantom Pain and the Theatre of Faux Biography
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Recombinant Appropriation: Remix, Mashup, Parody ; Memes and Recombinant Appropriation: Remix, Mashup, Parody
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Melancholy Elephants and Virgin Machines: Technological Imagery and Mechanical Lacunae from Industrial Novels to Scientific Romances
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Sarah Kane, a Late Modernist: Intertextuality and Montage in the Broken Images of Crave (1998)
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,,Fixed Periods". Euthanasie als disziplinierte Zeittechnologie in Uchronien und Utopien des ausgehenden 19. Jahrhunderts
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History: The Sitcom, England: The Theme Park - Blackadder's Retrovisions as Historiographic Meta-TV
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Adaptation, Adaptation and Drosophilology, or Hollywood, Bio-Poetics and Literary Darwinism
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"Dennis is a Liar" - Mendacity in the Plays of Dennis Kelly
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Posthuman Dystopia. Animal Surrealism and Permanent Crisis in Contemporary British Theatre
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Referencing in Academia: Video Essay, Mashup, Copyright
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Pride and Promiscuity and Zombies, or: Miss Austen Mashed Up in the Affinity Spaces of Participatory Culture
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Barbara Bartos-Höppner: 1923 - 2023