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  1. The boundaries of art and social space in Rome
    the caged bird and other art forms
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London ; Oxford ; New York ; New Delhi ; Sydney

    "This volume focuses on four cultural phenomena in the Roman world of the late Republic - the garden, a garden painting, tapestry, and the domestic caged bird. They accept or reject a categorisation as art in varying degrees, but they show... mehr

    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "This volume focuses on four cultural phenomena in the Roman world of the late Republic - the garden, a garden painting, tapestry, and the domestic caged bird. They accept or reject a categorisation as art in varying degrees, but they show considerable overlaps in the ways in which they impinge on social space. The study looks, therefore, at the borderlines between things that variously might or might not seem to be art forms. It looks at boundaries in another sense too. Boundaries between different social modes and contexts are embodied and represented in the garden and paintings of gardens, reinforced by the domestic use of decorative textile work, and replicated in the bird cage. The boundaries thus thematised map on to broader boundaries in the Roman house, city, and wider world, becoming part of the framework of the citizen's cognitive development and individual and civic identities. Frederick Jones presents a novel analysis that uses the perspective of cognitive development in relation to how elements of domestic and urban visual culture and the broader world map on to each other. His study for the first time understands the domestic caged bird as a cultural object and uniquely brings together four disparate cases under the umbrella of 'art'"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472526120
    RVK Klassifikation: FB 4068 ; LN 83050
    Schriftenreihe: Bloomsbury classical studies monographs
    Schlagworte: Art and society / Rome; Cognition and culture / Rome; ART / History / Ancient & Classical; HISTORY / Ancient / General; Art and society; Cognition and culture; Geschichte; Garten; Wandmalerei; Käfigvögel; Garten <Motiv>
    Umfang: xi, 196 Seiten, Illustrationen
    Bemerkung(en):

    Machine generated contents note: -- 1 Introduction: Art -- 2 The Roman Garden -- 3 The Garden Room at Prima Porta -- 4 Tapestry in Rome -- 5 The Caged Bird -- 6 Conclusion: Self-Projecting Inside and Out -- Bibliography

  2. The boundaries of art and social space in Rome
    the caged bird and other art forms
    Erschienen: 2016
    Verlag:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London ; Oxford ; New York ; New Delhi ; Sydney

    "This volume focuses on four cultural phenomena in the Roman world of the late Republic - the garden, a garden painting, tapestry, and the domestic caged bird. They accept or reject a categorisation as art in varying degrees, but they show... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This volume focuses on four cultural phenomena in the Roman world of the late Republic - the garden, a garden painting, tapestry, and the domestic caged bird. They accept or reject a categorisation as art in varying degrees, but they show considerable overlaps in the ways in which they impinge on social space. The study looks, therefore, at the borderlines between things that variously might or might not seem to be art forms. It looks at boundaries in another sense too. Boundaries between different social modes and contexts are embodied and represented in the garden and paintings of gardens, reinforced by the domestic use of decorative textile work, and replicated in the bird cage. The boundaries thus thematised map on to broader boundaries in the Roman house, city, and wider world, becoming part of the framework of the citizen's cognitive development and individual and civic identities. Frederick Jones presents a novel analysis that uses the perspective of cognitive development in relation to how elements of domestic and urban visual culture and the broader world map on to each other. His study for the first time understands the domestic caged bird as a cultural object and uniquely brings together four disparate cases under the umbrella of 'art'"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472526120
    RVK Klassifikation: FB 4068 ; LN 83050
    Schriftenreihe: Bloomsbury classical studies monographs
    Schlagworte: Art and society / Rome; Cognition and culture / Rome; ART / History / Ancient & Classical; HISTORY / Ancient / General; Art and society; Cognition and culture; Geschichte; Garten; Wandmalerei; Käfigvögel; Garten <Motiv>
    Umfang: xi, 196 Seiten, Illustrationen
    Bemerkung(en):

    Machine generated contents note: -- 1 Introduction: Art -- 2 The Roman Garden -- 3 The Garden Room at Prima Porta -- 4 Tapestry in Rome -- 5 The Caged Bird -- 6 Conclusion: Self-Projecting Inside and Out -- Bibliography