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  1. Art and morality
    essays in the spirit of George Santayana
    Erschienen: 2014
    Verlag:  Fordham University Press, New York

    10 On Ruf's The Creation of Chaos: William James and the Stylistic Making of a Disorderly World11 How Sartre Must Be Read: An Examination of a Philosophic Method; 12 On Beardsley's "An Aesthetic Definition of Art"; 13 Lessing as Philosophical... mehr

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    10 On Ruf's The Creation of Chaos: William James and the Stylistic Making of a Disorderly World11 How Sartre Must Be Read: An Examination of a Philosophic Method; 12 On Beardsley's "An Aesthetic Definition of Art"; 13 Lessing as Philosophical Dramatist: On Nathan the Wise; 14 Lewis Carroll: Pedophile and/or Platonist?; 15 Art and Death: A Sermon in the Form of an Essay; 16 Brancusi: Some Changing and Changeless Perspectives; PART III. SANTAYANA; 17 Drama and Dialectic: Ways of Philosophizing; 18 Ontology and Morality: Santayana on the "Really Real"; 19 Spirited Spirituality. 20 Interpreting Interpretations21 Santayana's Aesthetics; 22 Santayana's The Last Puritan; 23 Santayana in California: The Environment, Transcendentalism, and Nature; 24 Ultimate Santayana; Notes; Index; A; B; C; D; G; H; I; J; K; L; M; N; P; R; S; T; W; Y; Z. Cover; Contents; Acknowledgments; Editor's Preface; Introduction; PART I. ART AND MORALITY; 1 Art and Morality: On the Ambiguity of a Distinction; 2 Morality Bound and Unbound: Some Parameters of Literary Art; 3 Music, Modulation, and Metaphor; 4 Performance and Obligation: Musical Variations on Art and Morality; 5 A Mozartian Recognition Scene; 6 A Note on Economy and Art; 7 An Aesthetic Glance at the Constitution: Style, Intention, Performance; 8 Human Rights and Artistic Appreciations; PART II. ARTISTIC PHILOSOPHERS AND PHILOSOPHICAL ARTISTS; 9 Interpreting Peirce. The guiding theme of these essays by aesthetician, musician, and Santayana scholar Morris Grossman is the importance of preserving the tension between what can be unified and what is disorganized, random, and miscellaneous. Grossman described this as the tension between art and morality: Art arrests a sense of change and yields moments of unguarded enjoyment and peace; but soon, shifting circumstances compel evaluation, decision, and action. According to Grossman, the best art preserves the tension between the aesthetic consummation of experience and the press of morality understood as the bus

     

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    Quelle: Verbundkataloge
    Beteiligt: Coleman, Martin A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0823257959; 9780823257959
    Auflage/Ausgabe: First edition
    Schriftenreihe: American Philosophy
    Schlagworte: Art and morals; Art; Morals; ART ; Performance; ART ; Reference; Art and morals; Ästhetik; Ethik; Criticism, interpretation, etc
    Weitere Schlagworte: Santayana, George
    Umfang: 1 Online-Ressource (334 pages)
    Bemerkung(en):

    Includes index

    Includes bibliographical references and index

  2. Art and morality
    essays in the spirit of George Santayana
    Erschienen: 2014
    Verlag:  Fordham University Press, New York

    "Considers the tension between art and morality in literature, artistic performance, economics, statecraft, and human rights; in religion, drama, sculpture, philosophical methodology, biography, and attitudes toward mortality; in the work of Gotthold... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Considers the tension between art and morality in literature, artistic performance, economics, statecraft, and human rights; in religion, drama, sculpture, philosophical methodology, biography, and attitudes toward mortality; in the work of Gotthold Lessing, Lewis Carroll, Charles Peirce, Leo Tolstoy, William James, Jean-Paul Sartre, Monroe Beardsley, and George Santayana"-- "The guiding theme of these essays by aesthetician, musician, and Santayana scholar Morris Grossman is the importance of preserving the tension between what can be unified and what is disorganized, random, and miscellaneous. Grossman described this as the tension between art and morality: Art arrests a sense of change and yields moments of unguarded enjoyment and peace; but soon, shifting circumstances compel evaluation, decision, and action. According to Grossman, the best art preserves the tension between the aesthetic consummation of experience and the press of morality understood as the business of navigating conflicts, making choices, and meeting needs. This concern was intimately related to his reading of George Santayana. The best philosophy, like the best art, preserves the tension between what can be ordered and what resists assimilation, and Grossman read Santayana as exemplifying this virtue in his embrace of multiple perspectives. Other scholars have noted the multiplicity or irony in Santayana's work, but Grossman was unique in taking such a style to be a substantive part of Santayana's philosophizing"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780823257232; 9780823257225
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: American philosophy
    Schlagworte: Art and morals
    Umfang: xiii, 315 pages, illustrations, 24 cm
    Bemerkung(en):

    Includes index

  3. Scenes of the obscene
    the non-representable in art and visual culture, Middle Ages to today
    Erschienen: 2014
    Verlag:  VDG Weimar, Kromsdorf

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783897397675
    Weitere Identifier:
    9783897397675
    RVK Klassifikation: LH 61090
    Schlagworte: Art; Art and morals; Art and society; Vulgarity
    Umfang: 188 S., Ill.
  4. Art and morality
    essays in the spirit of George Santayana
    Erschienen: 2014
    Verlag:  Fordham University Press, New York

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0823257223; 9780823257225
    Auflage/Ausgabe: 1st ed
    Schriftenreihe: American philosophy series
    Fordham American Philosophy
    ACLS Humanities E-Book
    Schlagworte: Kunst; Philosophie; Art and morals; Art; Philosophie; Moral; Kunst; Ästhetik
    Weitere Schlagworte: Santayana, George (1863-1952); Santayana, George (1863-1952)
    Umfang: 1 Online-Ressource (xiii, 315 p.)
    Bemerkung(en):

    Includes bibliographical references and index

  5. Art and morality
    essays in the spirit of George Santayana
    Erschienen: 2014
    Verlag:  Fordham Univ. Press, New York

    "The guiding theme of these essays by aesthetician, musician, and Santayana scholar Morris Grossman is the importance of preserving the tension between what can be unified and what is disorganized, random, and miscellaneous. Grossman described this... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The guiding theme of these essays by aesthetician, musician, and Santayana scholar Morris Grossman is the importance of preserving the tension between what can be unified and what is disorganized, random, and miscellaneous. Grossman described this as the tension between art and morality: Art arrests a sense of change and yields moments of unguarded enjoyment and peace; but soon, shifting circumstances compel evaluation, decision, and action. According to Grossman, the best art preserves the tension between the aesthetic consummation of experience and the press of morality understood as the business of navigating conflicts, making choices, and meeting needs. This concern was intimately related to his reading of George Santayana. The best philosophy, like the best art, preserves the tension between what can be ordered and what resists assimilation, and Grossman read Santayana as exemplifying this virtue in his embrace of multiple perspectives. Other scholars have noted the multiplicity or irony in Santayana's work, but Grossman was unique in taking such a style to be a substantive part of Santayana's philosophizing".."Considers the tension between art and morality in literature, artistic performance, economics, statecraft, and human rights; in religion, drama, sculpture, philosophical methodology, biography, and attitudes toward mortality; in the work of Gotthold Lessing, Lewis Carroll, Charles Peirce, Leo Tolstoy, William James, Jean-Paul Sartre, Monroe Beardsley, and George Santayana"..

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780823257225; 9780823257232
    Schriftenreihe: American philosophy series
    Schlagworte: PHILOSOPHY / Aesthetics; PHILOSOPHY / General; Ästhetik; Art and morals; PHILOSOPHY / Aesthetics; PHILOSOPHY / General; Philosophie; Kunst; Moral; Ästhetik
    Weitere Schlagworte: Santayana, George (1863-1952)
    Umfang: XIII, 315 S.
    Bemerkung(en):

    Includes bibliographical references and index

  6. The moral mirror of Roman art
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, New York, NY

    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781107689435
    RVK Klassifikation: LG 1700
    Auflage/Ausgabe: 1. paperback ed.
    Schlagworte: Art and morals; Arts and society - Rome; Mirrors in art; Mirrors in literature; Mirrors in art; Mirrors in literature; Art and morals; Arts and society; Spiegel; Spiegel <Motiv>; Literatur; Latein; Kunst
    Umfang: XIII, 274 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

  7. Scenes of the Obscene: The Non-Representable in Art and Visual Culture, Middle Ages to Today
    Autor*in: Nakas, Kassan
    Erschienen: 2014
    Verlag:  Zeilenwert GmbH, [Place of publication not identified]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783958994539; 3958994539; 9783897397675; 3897397676
    Schlagworte: Art / Philosophy; Art and morals; Art and society; Vulgarity; Art and morals; Art and society; Art / Philosophy; Vulgarity; ART / General; Kunst; Philosophie; Array; Grenzüberschreitung; Obszönität; Gewalt <Motiv>; Erotische Kunst; Kunst
    Umfang: 1 online resource
    Bemerkung(en):

    Vendor-supplied metadata

    Cover; Imprint; Contents; Preface; I. Bodies of Transgression; Anja Grebe: Inside Out. Scatology in Medieval Art; Bernd Krysmanski: Warnings of Morality or Downright Twisted Pleasure? William Hogarth's Depiction of Violence; Patricia Bass: The Post-edible in Art: The Limits of the Abject at the Whitney Museum; II. VisualPleasuresandSexualActs; Thomas Martin: 'Bestial Desire': About the Silent Sin against Nature. Sodomia and Bestiality in Early Modern Art; Kassandra Nakas: "Taming the Subject through Gracefulness". Erotic Literature in German Art Nouveau

    Massimo Perinelli: Queering Bestiality. Visual Pleasure and the ObsceneIII. Violence and Death; Barbara Baert: Cutting the throat. Obscenity and the Case of the Johannesschüssel; Karen Gonzalez Rice: Cocking the Trigger: Explicit Male Performance and Its Consequences; Jessica Ullrich: "Animals were Harmed in the Making of this Artwork". The Visibility of Animal Death in Artworks; List of Illustrations; List of Contributors

    Artists and the public alike have always been fascinated by obscene imagery. The Obscene, however, is difficult to define. One of the earliest interpretations is of Greek origin and argues that the word derives from ""ob skene"", indicating the space behind the stage or scene. ""Off-scene"" remains what should be hidden from public view, be it morally questionable, offensive, disgusting or unbearable to look at. This book presents a collection of essays that cast light on some ""Scene of the Obscene"" in art and visual culture from the Middle Ages to today, taking into consideration the mallea

  8. Art and morality
    essays in the spirit of George Santayana
    Erschienen: 2014
    Verlag:  Fordham University Press, New York

    "Considers the tension between art and morality in literature, artistic performance, economics, statecraft, and human rights; in religion, drama, sculpture, philosophical methodology, biography, and attitudes toward mortality; in the work of Gotthold... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 914941
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Considers the tension between art and morality in literature, artistic performance, economics, statecraft, and human rights; in religion, drama, sculpture, philosophical methodology, biography, and attitudes toward mortality; in the work of Gotthold Lessing, Lewis Carroll, Charles Peirce, Leo Tolstoy, William James, Jean-Paul Sartre, Monroe Beardsley, and George Santayana"-- "The guiding theme of these essays by aesthetician, musician, and Santayana scholar Morris Grossman is the importance of preserving the tension between what can be unified and what is disorganized, random, and miscellaneous. Grossman described this as the tension between art and morality: Art arrests a sense of change and yields moments of unguarded enjoyment and peace; but soon, shifting circumstances compel evaluation, decision, and action. According to Grossman, the best art preserves the tension between the aesthetic consummation of experience and the press of morality understood as the business of navigating conflicts, making choices, and meeting needs. This concern was intimately related to his reading of George Santayana. The best philosophy, like the best art, preserves the tension between what can be ordered and what resists assimilation, and Grossman read Santayana as exemplifying this virtue in his embrace of multiple perspectives. Other scholars have noted the multiplicity or irony in Santayana's work, but Grossman was unique in taking such a style to be a substantive part of Santayana's philosophizing"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780823257232; 9780823257225
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: American philosophy
    Schlagworte: Art and morals
    Umfang: xiii, 315 pages, illustrations, 24 cm
    Bemerkung(en):

    Includes index

  9. Scenes of the obscene
    the non-representable in art and visual culture, Middle Ages to today
    Erschienen: 2014
    Verlag:  VDG Weimar, Kromsdorf

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2014:4418:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 918663
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    DBA-Hc 209
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    Thüringer Universitäts- und Landesbibliothek
    2014 A 1695
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783897397675
    Weitere Identifier:
    9783897397675
    RVK Klassifikation: LH 61090
    Schlagworte: Art; Art and morals; Art and society; Vulgarity
    Umfang: 188 S., Ill.
  10. The moral mirror of Roman art
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Includes bibliographical references and index mehr

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    ARCH-IA TAYL
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    Württembergische Landesbibliothek
    65a/2133
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Includes bibliographical references and index

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107689435
    Weitere Identifier:
    9781107689435
    RVK Klassifikation: LG 1700
    Auflage/Ausgabe: 1. paperback ed.
    Schlagworte: Art and morals; Arts and society; Mirrors in art; Mirrors in literature
    Umfang: XIII, 274 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index