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  1. Making Futures : Marginal Notes on Innovation, Design, and Democracy
    Beteiligt: Ehn, Pelle (Hrsg.); Nilsson, Elisabet M. (Hrsg.); Topgaard, Richard (Hrsg.)
    Erschienen: 2014
    Verlag:  The MIT Press, Cambridge

    Experiments in innovation, design, and democracy that search not for a killer app but for a collaboratively created sustainable future.Innovation and design need not be about the search for a killer app. Innovation and design can start in people's... mehr

     

    Experiments in innovation, design, and democracy that search not for a killer app but for a collaboratively created sustainable future.Innovation and design need not be about the search for a killer app. Innovation and design can start in people's everyday activities. They can encompass local services, cultural production, arenas for public discourse, or technological platforms. The approach is participatory, collaborative, and engaging, with users and consumers acting as producers and creators. It is concerned less with making new things than with making a socially sustainable future. This book describes experiments in innovation, design, and democracy, undertaken largely by grassroots organizations, non-governmental organizations, and multi-ethnic working-class neighborhoods.These stories challenge the dominant perception of what constitutes successful innovations. They recount efforts at social innovation, opening the production process, challenging the creative class, and expanding the public sphere. The wide range of cases considered include a collective of immigrant women who perform collaborative services, the development of an open-hardware movement, grassroots journalism, and hip-hop performances on city buses. They point to the possibility of democratized innovation that goes beyond solo entrepreneurship and crowdsourcing in the service of corporations to include multiple futures imagined and made locally by often-marginalized publics. ContributorsMåns Adler, Erling Björgvinsson, Karin Book, David Cuartielles, Pelle Ehn, Anders Emilson, Per-Anders Hillgren, Mads Hobye, Michael Krona, Per Linde, Kristina Lindström, Sanna Marttila, Elisabet M. Nilsson, Anna Seravalli, Pernilla Severson, Åsa Ståhl, Lucy Suchman, Richard Topgaard, Laura Watts

     

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    Quelle: OAPEN
    Beteiligt: Ehn, Pelle (Hrsg.); Nilsson, Elisabet M. (Hrsg.); Topgaard, Richard (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780262027939
    Schlagworte: Art & design styles: Postmodernism; Information visualization
    Weitere Schlagworte: politics
    Umfang: 1 electronic resource (392 p.)
  2. Tradition through Modernity: Postmodernism and the Nation-State in Folklore Scholarship
    Erschienen: 2005
    Verlag:  Finnish Literature Society / SKS, Helsinki

    "In their study of social practices deemed traditional, scholars tend to use the concept and idea of tradition as an element of meaning in the practices under investigation. But just whose meaning is it? Is it a meaning generated by those who study... mehr

     

    "In their study of social practices deemed traditional, scholars tend to use the concept and idea of tradition as an element of meaning in the practices under investigation. But just whose meaning is it? Is it a meaning generated by those who study tradition or those whose traditions are being studied? In both cases, particular criteria for traditionality are employed, whether these are explicated or not. Individuals and groups will no doubt continue to uphold their traditional practices or refer to their practices as traditional. While they are in no way obliged to explicate in analytical terms their criteria for traditionality, the same cannot be said for those who make the study of traditions their profession. In scholarly analysis, traditions need to be explained instead of used as explanations for apparent repetitions and replications or symbolic linking in social practice, values, history, and heritage politics. This book takes a closer look at ‘tradition’ and ‘folklore’ in order to conceptualize them within discourses on modernity and modernism. The first section discusses ‘modern’ and ‘traditional’ as modern concepts and the study of folklore as a modern trajectory. The underlying tenet here is that non-modernity cannot be represented without modern mediation, which therefore makes the representations of non-modernity epistemologically modern. The second section focuses on the nation-state of Finland and the nationalistic use of folk traditions in the discursive production of Finnish modernity and its Others. The insights are applicable worldwide in discussions on cultural representation. "

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789522228147; 9789522228154
    Weitere Identifier:
    Schlagworte: Art & design styles: Postmodernism; Social & cultural anthropology, ethnography; Nationalism
    Weitere Schlagworte: postmodernism; postmodern; national identity; folkloristics; modern; tradition; Finland; Finnish language; Finns
    Umfang: 1 electronic resource (215 p.)
  3. <<The>> planetary clock
    antipodean time and spherical postmodern fictions
    Autor*in: Giles, Paul
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford

    The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal... mehr

    Universitätsbibliothek Bielefeld
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal arc, from its formal experimentation in the 1960s to environmental concerns in the twenty-first century, is to describe a richer and more complex version of this cultural phenomenon. Exploring different scales of time from a Southern Hemisphere perspective, with a special emphasis on issues of Indigeneity and the Anthropocene, The Planetary Clock offers a wide-ranging, revisionist account of postmodernism, reinterpreting literature, film, music, and visual art of the post-1960 period within a planetary framework. By bringing the culture of Australia and New Zealand into dialogue with other Western narratives, it suggests how an antipodean impulse, involving the transposition of the world into different spatial and temporal dimensions, has long been an integral (if generally occluded) aspect of postmodernism. Taking its title from a Florentine clock designed in 1510 to measure worldly time alongside the rotation of the planets, The Planetary Clock ranges across well-known American postmodernists (John Barth, Toni Morrison) to more recent science fiction writers (Octavia Butler, Richard Powers), while bringing the US tradition into juxtaposition with both its English (Philip Larkin, Ian McEwan) and Australian (Les Murray, Alexis Wright) counterparts. By aligning cultural postmodernism with music (Messiaen, Ligeti, Birtwistle), the visual arts (Hockney, Blackman, Fiona Hall), and cinema (Rohmer, Haneke, Tarantino), this volume enlarges our understanding of global postmodernism for the twenty-first century

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0198857721; 9780198857723
    Weitere Identifier:
    9780198857723
    Auflage/Ausgabe: First edition
    Schlagworte: Literary studies: fiction, novelists & prose writers; Art & design styles: Postmodernism; 20th century & contemporary classical music; Film: styles & genres; Postmodernism (Literature); Postmodernism
    Umfang: xii, 420 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literaturverzeichnis Seite 367-411

    22 colour and 16 black and white Illustrations