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  1. Poetics of emptiness
    transformations of Asian thought in American poetry
    Autor*in: Stalling, Jonathan
    Erschienen: 2010
    Verlag:  Fordham University Press, New York

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823241835; 0823241831; 9780823231461; 0823231461
    RVK Klassifikation: HU 1769
    Auflage/Ausgabe: 1st ed
    Schlagworte: LITERARY CRITICISM / Poetry; Xinjiang Uygur; Dichtbundels; American poetry / Chinese influences; Emptiness (Philosophy); Philosophy; Poetics; Philosophie; American poetry; Emptiness (Philosophy); Philosophy; Poetics; Leere <Motiv>; Lyrik; Rezeption; Philosophie
    Weitere Schlagworte: Cha, Theresa Hak Kyung (1951-1982): Dictée; Fenollosa, Ernest Francisco (1853-1908); Snyder, Gary (1930-)
    Umfang: 1 Online-Ressource (xiii, 267 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    pt. 1 - Buddhist Imaginaries. -- - 1 - Emptiness in Flux: The Buddhist Poetics of Ernest Fenollosa's "The Chinese Written Character as a Medium for Poetry" -- - 2 - Patterned Harmony: Buddhism, Sound, and Ernest Fenollosa's Poetics of Correlative Cosmology -- - 3 - Teaching the Law: Gary Snyder's Poetics of Emptiness -- - pt. 2 - Daoist Imaginaries -- - 4 - Language of Emptiness: Wai-lim Yip's Daoist Project -- - 5 - Pacing the Void: Theresa Hak Kyung Cha's Dictée

    This book uncovers an important untold history by tracing the historically specific, intertextual pathways of a single, if polyvalent, philosophical term, emptiness, as it is transformed within twentieth-century American poetry and poetics
  2. Orientalism, modernism, and the American poem
    Autor*in: Kern, Robert
    Erschienen: 1996
    Verlag:  Cambridge University Press, Cambridge

    This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had termed the 'language of nature'. This language of nature is here shown to be a mythic conception continuous with the Renaissance idea of the language of Adam - a language lacking any difference between what it is and what it means. Through analysing and contextualising the nineteenth-century works of Ralph Waldo Emerson and Ernest Fenollosa and the twentieth-century creations of Ezra Pound and Gary Snyder, Kern sheds light on the three contemporary nexuses of his search: the cultural study of Orientalism and the West, the evolution of Indo-European linguistic theory, and the intellectual tradition of American modernist poetry

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511570469
    Weitere Identifier:
    RVK Klassifikation: HR 1620 ; HR 1769 ; HU 1691 ; HU 1769
    Schriftenreihe: Cambridge studies in American literature and culture ; 97
    Schlagworte: American poetry / Chinese influences; Exoticism in literature; Modernism (Literature) / United States; American poetry / History and criticism; Linguistics in literature; Chinese language / Influence on foreign languages; Languages in contact; Chinesisch; Lyrik
    Umfang: 1 online resource (xiii, 316 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. Introduction: The European Hallucination -- 2. Emerson and the Language of Nature -- 3. Character Assassination: Representing Chinese in Nineteenth-Century Linguistics -- 4. Otto Jespersen and Chinese as the Future of Language -- 5. Language in Its Primary Use: Fenollosa and the Chinese Character -- Interchapter: Pound, Emerson, and the Poetics of Creative Reading -- 6. Modernizing Orientalism/Orientalizing Modernism: Ezra Pound, Chinese Translation, and English-as-Chinese -- 7. Seeing the World without Language: Gary Snyder and Chinese as American Speech