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  1. ALT 40
    African Literature Comes of Age
    Beteiligt: Emenyonu, Ernest N. (HerausgeberIn)
    Erschienen: 2022
    Verlag:  James Currey, [s.l.]

    "Lt;bgt;Explores and interrogates the many and diverse perspectives of the new frontiers of African literary studies.lt;/bgt; Publication of the seminal volume lt;igt;African Literature Comes of Agelt;/igt;, by C.D. Narasimhaiah (India) and Ernest N.... mehr

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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Universität Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Hildesheim
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule Mannheim, Hochschulbibliothek
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    Hochschule Albstadt-Sigmaringen, Bibliothek Sigmaringen
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    "Lt;bgt;Explores and interrogates the many and diverse perspectives of the new frontiers of African literary studies.lt;/bgt; Publication of the seminal volume lt;igt;African Literature Comes of Agelt;/igt;, by C.D. Narasimhaiah (India) and Ernest N. Emenyonu (Nigeria), in 1988 generated the consciousness that African literature had attained maturity by the evolution of diverse concerns among scholars, critics, and researchers over the decades following the publication, in the English language, of Chinua Achebe#39;slt;igt; Things Fall Apart lt;/igt;in 1958. Since the publication of the first volume of lt;igt;African Literature Today lt;/igt;(lt;igt;ALTlt;/igt;) in the 1970s, the writings of Africans across the continent have spread across the globe, constituting refreshing and hitherto unimaginable epistemologies. This 40th volume provides a serious critical response to those changing horizons and reflects African literature#39;s maturity, diversity, scope, spread, and above all, relevance. The topics discussed range from sickle cell disease to the animalization of humans, new feminisms and stereotypes of womanhood, the different shades of black masculinity, and political exploitation in creative works. Reaching across boundaries, recent fictions are seen to suggest a widening of conventional literary genres, and new forms that change the known trajectories of dramatic theatre. The substance, freshness, and vitality that characterize the articles in this volume of lt;igt;African Literature Todaylt;/igt; bring a welcome perspective to the continent#39;s rich creative life."

     

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    Quelle: Verbundkataloge
    Beteiligt: Emenyonu, Ernest N. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1800105673; 9781800105676
    Schriftenreihe: African Literature Today
    Schlagworte: African literature; African literature; African fiction; African poetry; Literary Criticism / African; Literary Criticism / Modern / 21st Century; Social Science / Popular Culture; African fiction; African literature; African literature - Themes, motives; African poetry; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (240 p.)
    Bemerkung(en):

    Includes bibliographical references

    Ernest N. Emenyonu: African Literature Comes of Age /

    Kazeem Adebiyi-Adelabu: Of Literature & Medicine: Narrating Sickle Cell Disease in a Nigerian Novel /

    Chikwurah Destiny Isiguzo: Posthumanism & Speciesism in African Literature: Animals & the Animalized in Zakes Mda's The Heart of Redness /

    Paramita Routh Roy: Manifestations of Masculinities in Chimamanda Ngozi Adichie's Novels: Initiating a Talk on Black Masculinity Studies /

    Nonye Chinyere Ahumibe: Transformative Female Narratives & New Visions in African Women's Writing: A Re-reading of NoViolet Bulawayo's We Need New Names & Chimamanda Ngozi Adichie's Americanah /

    H. Oby Okolocha: Religion, Capitalism & Politics: The Revolutionary Imagination in the Plays of Nawal El Saadawi /

    Alexandra Negri: Approaching Gang Violence on the Cape Flats in Rehana Rossouw's What Will People Say? /

    Christophe Sékène Diouf: The Denunciation of Religious Collusion with Colonization in Devil on the Cross & Matigari /

    Benedicta Adeola Ehanire: The Weapons of Subjugation in Imbolo Mbue's How Beautiful We Were /

    Sani Gambo: Abrogating Aesthetic Boundaries in Contemporary Nigerian Poetry: A Reading of Femi Abodunrin's Poetry as Drama /

    Tinashe Mushakavanhu: The End of Robert Mugabe: On Knowledge Production & Political Power /

    John Uwa: The Text & Textual Fields of African Popular Literature: The Agency of Nigerian Stand-Up Comedy /

    Kasimma: 'Ezuga' (Short Story) /

    Eugen M. Bacon: Four Poems: 'Mis/Identity'; 'Portable Longing'; 'Darkling Shores'; 'Mea Culpa' /

    Tijan M. Sallah: Remembering Professor Charles R. Larson (14 January 1938-22 May 2021) /

    Razinat T. Mohammed: The End of an Era: A Tribute to Nawal El Saadawi (27 October 1931-21 March 2021) /