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  1. Theatre censorship in contemporary Europe
    silence and protest
    Beteiligt: Etienne, Anne (Hrsg.); Megson, Christopher (Hrsg.)
    Erschienen: 2024
    Verlag:  University of Exeter Press, Exeter

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    Quelle: Verbundkataloge
    Beteiligt: Etienne, Anne (Hrsg.); Megson, Christopher (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781804130513
    Schriftenreihe: Exeter Performance Studies
    Schlagworte: 21st century history: from c 2000 -; Ethical issues: censorship; Ethische Themen: Zensur; HISTORY / Social History; LITERARY CRITICISM / Drama; LITERARY CRITICISM / European / General; Literary studies: plays & playwrights; Literaturwissenschaft: Dramen und Dramatiker; PERFORMING ARTS / Theater / General; POLITICAL SCIENCE / Censorship; Social & cultural history; Sozial- und Kulturgeschichte; Theaterwissenschaft; Theatre studies
    Umfang: xi, 250 Seiten
    Bemerkung(en):

    Enthält Literaturangaben

    Acknowledgements Introduction Anne Etienne and Chris MegsonPART 1: FORMS AND SOURCES OF CENSORSHIP Intervention 1 - Vicki Ann Cremona and Marco Galea, Capturing Space: Crashing Down the Gates of the Maltese Utopia Chapter 1. Milena Dragicevic Sesic and Aleksandra Jovicevic, Voices from Semi-peripheries: Pressure, Self-censorship, and Micropolitics of Resistance in the Western Balkans Chapter 2. Alex Trustrum-Thomas, The Emperor s New Clothes: Ideology and Censorship in Contemporary Russian Theatre Chapter 3. Anne Etienne and Lisa Fitzpatrick, Risings and Cancelling: Implicit Censorship on a Free Irish Stage PART 2: GHOSTS OF THE PAST Intervention 2 - Andrea Tompa, Censorship in Hungary: Comedy, Silence, and Subversion Chapter 4. Denis Poniz, Nothing New on the Eastern Front: Censorship in Contemporary Slovenia Chapter 5. Agnieszka Jakimiak, Un-Divine Comedy. Remains and Self-Censorship as Work-In- Progress in Poland Chapter 6. Andrew Holden, Opera Censorship in Europe - Production, Circulation, and Reception in a Transnational Market Intervention 3 - Lonneke van Heugten, The Tenacity of Tradition: Performativity in the Dutch Black Pete Controversy PART 3: STAGING TABOOS Intervention 4 - Roaa Ali, Racialized Censorship in the Age of Culture Wars Chapter 7. Chris Megson, Images of Protest: Religion, Theatre, and Censorship Chapter 8. Olga Kolokytha, Yulia Belinskaya, and Matina Magkou, Religion and Politics:Silencing Greek Theatre in the Twenty-First Century Chapter 9. Duncan Wheeler, Booing and Banning:Freedom and Prohibition in Spain s National Fiesta Intervention 5 - Hannah Probst, Play on the Periphery: Irrational Queerness as Resistance to Censorship in Gestalta s Shibari Performance Art
  2. The Ethics of Narrative
    Essays on History, Literature, and Theory, 2007-2017
    Autor*in: White, Hayden
    Erschienen: 2024
    Verlag:  Cornell University Press, Ithaca

    The second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White's uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the... mehr

     

    The second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White's uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the first volume, volume 2 features White's trenchant articulations of his influential theories, as well as his explorations of a wide range of ideas and authors at the frontiers of critical theory, literature, and historical studies. These include the concept of utopia in history, modernism and postmodernism, constructivism, the conceptualization of historical periods such as "the Sixties" and "the Enlightenment," the representation of the Holocaust in scholarly and literary writing, as well as essays on Frank Kermode, Saul Friedländer, and Krzysztof Pomian

     
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  3. The #MeToo Effect
    What Happens When We Believe Women
    Autor*in: Gilmore, Leigh
    Erschienen: 2024
    Verlag:  Columbia University Press, New York

    Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. She reframes #MeToo as a breakthrough moment within a longer history of feminist... mehr

     

    Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. She reframes #MeToo as a breakthrough moment within a longer history of feminist thought and activism

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231216579
    Schriftenreihe: Gender and Culture Series
    Schlagworte: 21st century history: from c 2000 -; Feminism & feminist theory; Feminismus und feministische Theorie; Gender & the law; Gender Studies: Frauen und Mädchen; Gender studies: women; General & world history; Geschichte allgemein und Weltgeschichte; HIS058000; HISTORY / World; LAW / Gender & the Law; LITERARY CRITICISM / Feminist; LITERARY CRITICISM / Women Authors; Literatur: Geschichte und Kritik; Literature: history & criticism; Media studies; Medienwissenschaften; POL052000
    Umfang: 248 Seiten
    Bemerkung(en):

    PrefaceIntroduction: The #MeToo EffectPart I: Narrative Activism and Survivor Testimony1. The #MeToo Effect: From He Said/She Said to Collective Witness2. Buildup: Survivors in Public, Trump, and the Womens March3. Breakthrough: #MeToo Silence Breakers4. Backdrop: Antirape Lineage from Harriet Jacobs to Tarana Burke5. #MeToo Stress Test: The Kavanaugh HearingsPart II: Narrative Justice and Survivor Reading6. Reading Like a Survivor7. #MeToo Storytelling8. Consent Before and After #MeTooConclusion: Promising Young Women--What We Owe SurvivorsAcknowledgmentsNotesBibliographyIndex
  4. The Ethics of Narrative
    Essays on History, Literature, and Theory, 2007-2017
    Autor*in: White, Hayden
    Erschienen: 2024
    Verlag:  Cornell University Press, Ithaca

    The second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White's uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the... mehr

     

    The second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White's uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the first volume, volume 2 features White's trenchant articulations of his influential theories, as well as his explorations of a wide range of ideas and authors at the frontiers of critical theory, literature, and historical studies. These include the concept of utopia in history, modernism and postmodernism, constructivism, the conceptualization of historical periods such as "the Sixties" and "the Enlightenment," the representation of the Holocaust in scholarly and literary writing, as well as essays on Frank Kermode, Saul Friedländer, and Krzysztof Pomian

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
  5. The Ethics of Narrative
    Essays on History, Literature, and Theory, 2007-2017
    Autor*in: White, Hayden
    Erschienen: 2024
    Verlag:  Cornell University Press, Ithaca

    The second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White's uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the... mehr

     

    The second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White's uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the first volume, volume 2 features White's trenchant articulations of his influential theories, as well as his explorations of a wide range of ideas and authors at the frontiers of critical theory, literature, and historical studies. These include the concept of utopia in history, modernism and postmodernism, constructivism, the conceptualization of historical periods such as "the Sixties" and "the Enlightenment," the representation of the Holocaust in scholarly and literary writing, as well as essays on Frank Kermode, Saul Friedländer, and Krzysztof Pomian

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
  6. The #MeToo Effect
    What Happens When We Believe Women
    Autor*in: Gilmore, Leigh
    Erschienen: 2024
    Verlag:  Columbia University Press, New York

    Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. She reframes #MeToo as a breakthrough moment within a longer history of feminist... mehr

     

    Leigh Gilmore provides a new account of #MeToo that reveals how storytelling by survivors propelled the call for sexual justice beyond courts and high-profile cases. She reframes #MeToo as a breakthrough moment within a longer history of feminist thought and activism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231216579
    Schriftenreihe: Gender and Culture Series
    Schlagworte: 21st century history: from c 2000 -; Feminism & feminist theory; Feminismus und feministische Theorie; Gender & the law; Gender Studies: Frauen und Mädchen; Gender studies: women; General & world history; Geschichte allgemein und Weltgeschichte; HIS058000; HISTORY / World; LAW / Gender & the Law; LITERARY CRITICISM / Feminist; LITERARY CRITICISM / Women Authors; Literatur: Geschichte und Kritik; Literature: history & criticism; Media studies; Medienwissenschaften; POL052000
    Umfang: 248 Seiten
    Bemerkung(en):

    PrefaceIntroduction: The #MeToo EffectPart I: Narrative Activism and Survivor Testimony1. The #MeToo Effect: From He Said/She Said to Collective Witness2. Buildup: Survivors in Public, Trump, and the Womens March3. Breakthrough: #MeToo Silence Breakers4. Backdrop: Antirape Lineage from Harriet Jacobs to Tarana Burke5. #MeToo Stress Test: The Kavanaugh HearingsPart II: Narrative Justice and Survivor Reading6. Reading Like a Survivor7. #MeToo Storytelling8. Consent Before and After #MeTooConclusion: Promising Young Women--What We Owe SurvivorsAcknowledgmentsNotesBibliographyIndex
  7. Theatre Censorship in Contemporary Europe
    Silence and Protest
    Beteiligt: Etienne, Anne (HerausgeberIn); Megson, Chris (HerausgeberIn)
    Erschienen: 2024
    Verlag:  University of Exeter Press, Exeter

    With contributions from an international range of scholars, this ground-breaking study explores the forms, contexts, and impacts of theatre censorship in twenty-first-century Europe mehr

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    keine Fernleihe

     

    With contributions from an international range of scholars, this ground-breaking study explores the forms, contexts, and impacts of theatre censorship in twenty-first-century Europe

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Cover (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Etienne, Anne (HerausgeberIn); Megson, Chris (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781804130513
    Schriftenreihe: Exeter Performance Studies
    Schlagworte: 21st century history: from c 2000 -; Ethical issues: censorship; Ethische Themen: Zensur; HISTORY / Social History; LITERARY CRITICISM / Drama; LITERARY CRITICISM / European / General; Literary studies: plays & playwrights; Literaturwissenschaft: Dramen und Dramatiker; PERFORMING ARTS / Theater / General; POLITICAL SCIENCE / Censorship; Social & cultural history; Sozial- und Kulturgeschichte; Theaterwissenschaft; Theatre studies
    Umfang: 266 Seiten
    Bemerkung(en):

    Acknowledgements Introduction Anne Etienne and Chris MegsonPART 1: FORMS AND SOURCES OF CENSORSHIP Intervention 1 - Vicki Ann Cremona and Marco Galea, Capturing Space: Crashing Down the Gates of the Maltese Utopia Chapter 1. Milena Dragicevic Sesic and Aleksandra Jovicevic, Voices from Semi-peripheries: Pressure, Self-censorship, and Micropolitics of Resistance in the Western Balkans Chapter 2. Alex Trustrum-Thomas, The Emperor s New Clothes: Ideology and Censorship in Contemporary Russian Theatre Chapter 3. Anne Etienne and Lisa Fitzpatrick, Risings and Cancelling: Implicit Censorship on a Free Irish Stage PART 2: GHOSTS OF THE PAST Intervention 2 - Andrea Tompa, Censorship in Hungary: Comedy, Silence, and Subversion Chapter 4. Denis Poniz, Nothing New on the Eastern Front: Censorship in Contemporary Slovenia Chapter 5. Agnieszka Jakimiak, Un-Divine Comedy. Remains and Self-Censorship as Work-In- Progress in Poland Chapter 6. Andrew Holden, Opera Censorship in Europe - Production, Circulation, and Reception in a Transnational Market Intervention 3 - Lonneke van Heugten, The Tenacity of Tradition: Performativity in the Dutch Black Pete Controversy PART 3: STAGING TABOOS Intervention 4 - Roaa Ali, Racialized Censorship in the Age of Culture Wars Chapter 7. Chris Megson, Images of Protest: Religion, Theatre, and Censorship Chapter 8. Olga Kolokytha, Yulia Belinskaya, and Matina Magkou, Religion and Politics:Silencing Greek Theatre in the Twenty-First Century Chapter 9. Duncan Wheeler, Booing and Banning:Freedom and Prohibition in Spain s National Fiesta Intervention 5 - Hannah Probst, Play on the Periphery: Irrational Queerness as Resistance to Censorship in Gestalta s Shibari Performance Art
  8. Violence Elsewhere 1
    Imagining Distant Violence in Germany 1945-2001
    Beteiligt: Bielby, Clare (HerausgeberIn); Davies, Mererid Puw (HerausgeberIn)
    Erschienen: 2024
    Verlag:  Boydell & Brewer Ltd, Columbia, MD

    Explores the significance of postwar German representations of violence in other places and times mehr

     

    Explores the significance of postwar German representations of violence in other places and times

     
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    Quelle: Verbundkataloge
    Beteiligt: Bielby, Clare (HerausgeberIn); Davies, Mererid Puw (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781640141148
    Schriftenreihe: Studies in German Literature Linguistics and Culture
    Schlagworte: 21st century history: from c 2000 -; Cultural studies; Englisch; European history; Film theory & criticism; Filmgeschichte, Filmtheorie und Filmkritik; Gender Studies: Frauen und Mädchen; Gender studies: women; Gewalt und Missbrauch in der Gesellschaft; HISTORY / Europe / Germany; Kulturwissenschaften; LITERARY CRITICISM / European / German; Literary studies: general; Literature: history & criticism; Literaturwissenschaft, allgemein; PERFORMING ARTS / Film & Video / History & Criticism; Postwar 20th century history, from c 1945 to c 2000; Social & cultural history
    Umfang: 238 Seiten
    Bemerkung(en):

    List of IllustrationsAcknowledgmentsIntroduction - Clare Bielby and Mererid Puw Davies1, Projecting Violence Elsewhere: Remembering Conflict-Related Sexual Violence in Cold War Germany - Katherine Stone2. Watching Violence Elsewhere: Louis Malle's Viva Maria! in 1960s West Germany - Mererid Puw Davies3. Images as Weapons: DEFA, Studio H&S, and the Global Cold War - Seán Allan4. KriegsErklärung (Declaration of War): Volker Braun's Cold War Camera - J. J. Long5. The Vietnam Veteran in Anna Seghers's Steinzeit (Stone Age, 1975) - Ernest Schonfield6. "So It Has to Be Said: Hammer and Sickle Here, Hammer and Sickle There": Heynowski-Scheumann's Die Angkar (1981) and the Problem of Khmer Rouge Violence for the GDR - Martin Brady7. Narrating Violent Agency Elsewhere in Inge Viett's Nie war ich furchtloser (Never Was I More Fearless, 1996) - Clare Bielby8. Problematizing Political Violence in the Federal Republic of Germany: A Hauntological Analysis of the NSU Terror and a Hyper-Exceptionalized "9/11" - Katharina Karcher and Evelien GeertsSelected BibliographyNotes on the ContributorsIndex