With contributions from an international range of scholars, this ground-breaking study explores the forms, contexts, and impacts of theatre censorship in twenty-first-century Europe
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Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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With contributions from an international range of scholars, this ground-breaking study explores the forms, contexts, and impacts of theatre censorship in twenty-first-century Europe
Acknowledgements Introduction Anne Etienne and Chris MegsonPART 1: FORMS AND SOURCES OF CENSORSHIP Intervention 1 - Vicki Ann Cremona and Marco Galea, Capturing Space: Crashing Down the Gates of the Maltese Utopia Chapter 1. Milena Dragicevic Sesic and Aleksandra Jovicevic, Voices from Semi-peripheries: Pressure, Self-censorship, and Micropolitics of Resistance in the Western Balkans Chapter 2. Alex Trustrum-Thomas, The Emperor s New Clothes: Ideology and Censorship in Contemporary Russian Theatre Chapter 3. Anne Etienne and Lisa Fitzpatrick, Risings and Cancelling: Implicit Censorship on a Free Irish Stage PART 2: GHOSTS OF THE PAST Intervention 2 - Andrea Tompa, Censorship in Hungary: Comedy, Silence, and Subversion Chapter 4. Denis Poniz, Nothing New on the Eastern Front: Censorship in Contemporary Slovenia Chapter 5. Agnieszka Jakimiak, Un-Divine Comedy. Remains and Self-Censorship as Work-In- Progress in Poland Chapter 6. Andrew Holden, Opera Censorship in Europe - Production, Circulation, and Reception in a Transnational Market Intervention 3 - Lonneke van Heugten, The Tenacity of Tradition: Performativity in the Dutch Black Pete Controversy PART 3: STAGING TABOOS Intervention 4 - Roaa Ali, Racialized Censorship in the Age of Culture Wars Chapter 7. Chris Megson, Images of Protest: Religion, Theatre, and Censorship Chapter 8. Olga Kolokytha, Yulia Belinskaya, and Matina Magkou, Religion and Politics:Silencing Greek Theatre in the Twenty-First Century Chapter 9. Duncan Wheeler, Booing and Banning:Freedom and Prohibition in Spain s National Fiesta Intervention 5 - Hannah Probst, Play on the Periphery: Irrational Queerness as Resistance to Censorship in Gestalta s Shibari Performance Art