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  1. Breathy Shame and the Place of Hebrew in the Work of Jerome of Stridon
    Autor*in: Hunt, Thomas E.
    Erschienen: [2019]

    This article analyses the place of Hebrew in Jerome's work by situating it in wider patterns of late antique masculinity and shame. Drawing on Sedgwick and Fanon, it shows how shame is a spatial affect. Discussions of Hebrew in Jerome's work... mehr

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    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    This article analyses the place of Hebrew in Jerome's work by situating it in wider patterns of late antique masculinity and shame. Drawing on Sedgwick and Fanon, it shows how shame is a spatial affect. Discussions of Hebrew in Jerome's work emphasise the particular spaces in which Hebrew is written, read, or transported. One space is particularly important for Jerome's translations of Hebrew: the space of the mouth as it inhales and exhales language. Focussing on space, language, and breath reveals why Hebrew is particularly shameful for Jerome and explains some of the apparent ambiguities in his discussions of translation.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
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    Übergeordneter Titel: Enthalten in: Religion & theology; Leiden : Brill, 1994; 26(2019), 1/2, Seite 85-111; Online-Ressource

    Schlagworte: Hebrew; Jerome; breath; masculinity; shame
  2. Divine Violence
    The Ethics and Aesthetics of the Goddess-woman in the Abused Goddess Ad Campaign
    Autor*in: Edoho-Eket, Nkoyo
    Erschienen: 2019

    In the fall of 2013, an ad campaign from the Mumbai-based agency Taproot exploded in popularity on social media and was featured on a variety of news sites, particularly in and the United States. The campaign, known as the Abused Goddess ads,... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    In the fall of 2013, an ad campaign from the Mumbai-based agency Taproot exploded in popularity on social media and was featured on a variety of news sites, particularly in and the United States. The campaign, known as the Abused Goddess ads, depicted an iteration of the Goddess most accurately characterized as a Goddess-woman, a divine-human hybrid figure possessing both the divine power of shakti and the vulnerability of human women. Stylized in the “canonical” images of the Goddesses Lakshmi, Saraswati, and Durga, the Goddess-women were shown as bruised victims of domestic violence. The Abused Goddess ads precipitated and codified the contemporary depictions of the Goddess-woman whose later iterations appear in the work of numerous digital artists. In particular, the ads exemplify an aesthetic that harnesses the power of shame and the mingling of gazes to further a secular-humanist ethic at the expense of devotional experience.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Journal of religion, media and digital culture; Leiden : Brill, 2012; 8(2019), 3, Seite 340-360; Online-Ressource

    Schlagworte: Hindu goddess; Hinduism; Mahādevī; affect theory; darshan; gaze theory; shakti; shame; visual culture
  3. Uneigentliche Differenz
    Autor*in: Carovani, Anne M.
    Erschienen: 2019
    Verlag:  Humboldt-Universität zu Berlin, Berlin

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Online
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    Schlagworte: Griot; Differenz
    Weitere Schlagworte: Differenz; Diskurs; Griot; Literatur; Oratur; Mali; Westafrika; Scham; Gabe; Noblesse; Panegyrik; difference; discourse; bard; literature; oral literature; Mali; West Africa; shame; gift; nobility; praise singing; jeli; horon; Manden
    Umfang: Online-Ressource
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    Dissertation, Berlin, Humboldt-Universität zu Berlin, 2018