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  1. Resemblance and Representation: An Essay in the Philosophy of Pictures
    Autor*in: Blumson, Ben
    Erschienen: 2014
    Verlag:  Open Book Publishers

    It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference... mehr

     

    It’s a platitude – which only a philosopher would dream of denying – that whereas words are connected to what they represent merely by arbitrary conventions, pictures are connected to what they represent by resemblance. The most important difference between my portrait and my name, for example, is that whereas my portrait and I are connected by my portrait’s resemblance to me, my name and I are connected merely by an arbitrary convention. The first aim of this book is to defend this platitude from the apparently compelling objections raised against it, by analysing depiction in a way which reveals how it is mediated by resemblance. It’s natural to contrast the platitude that depiction is mediated by resemblance, which emphasises the differences between depictive and descriptive representation, with an extremely close analogy between depiction and description, which emphasises the similarities between depictive and descriptive representation. Whereas the platitude emphasises that the connection between my portrait and me is natural in a way the connection between my name and me is not, the analogy emphasises the contingency of the connection between my portrait and me. Nevertheless, the second aim of this book is to defend an extremely close analogy between depiction and description. The strategy of the book is to argue that the apparently compelling objections raised against the platitude that depiction is mediated by resemblance are manifestations of more general problems, which are familiar from the philosophy of language. These problems, it argues, can be resolved by answers analogous to their counterparts in the philosophy of language, without rejecting the platitude. So the combination of the platitude that depiction is mediated by resemblance with a close analogy between depiction and description turns out to be a compelling theory of depiction, which combines the virtues of common sense with the insights of its detractors.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Philosophy: aesthetics
    Weitere Schlagworte: pictorial representation; intentionality; depiction; representation; resemblance; language; pictures; Axiom; Chess; Formal language; Left- and right-hand traffic; Mona Lisa; Nominalism; Predicate (grammar); Red Square; Tacit knowledge
    Umfang: 1 electronic resource (222 p.)
  2. Comics Beyond the Page in Latin America
    Beteiligt: Scorer, James (Hrsg.)
    Erschienen: 2020
    Verlag:  UCL Press, London

    Comics Beyond the Page in Latin America is a cutting-edge study of the expanding worlds of Latin American comics. Despite lack of funding and institutional support, not since the mid-twentieth century have comics in the region been so dynamic, so... mehr

     

    Comics Beyond the Page in Latin America is a cutting-edge study of the expanding worlds of Latin American comics. Despite lack of funding and institutional support, not since the mid-twentieth century have comics in the region been so dynamic, so diverse and so engaged with pressing social and cultural issues. Comics are being used as essential tools in debates about, for example, digital cultures, gender identities and political disenfranchisement.

     

    Rather than analysing the current boom in comics by focusing just on the printed text, however, this book looks at diverse manifestations of comics ‘beyond the page’. Contributors explore digital comics and social media networks; comics as graffiti and stencil art in public spaces; comics as a tool for teaching architecture or processing social trauma; and the consumption and publishing of comics as forms of shaping national, social and political identities.

    Bringing together authors from across Latin America and beyond, and covering examples from Argentina, Brazil, Colombia, Mexico, Peru and Uruguay, the book sets out a panoramic vision of Latin American comics, whether in terms of scholarly contribution, geographical diversity or interdisciplinary methodologies.

     
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    Quelle: OAPEN
    Beteiligt: Scorer, James (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Cultural studies; Media studies
    Weitere Schlagworte: Latin America; comics; media; culture; representation
    Umfang: 1 electronic resource (236 p.)
  3. Everyday Cinema: The Films of Marc Lafia
    Autor*in: Lafia, Marc
    Erschienen: 2017
    Verlag:  punctum books, Earth, Milky Way

    Everyday Cinema presents the films (eight features and numerous shorts, computational, and installation films) of Marc Lafia. In his many films (including Exploding Oedipus; Love and Art; Confessions of an Image; Revolution of Everyday Life;... mehr

     

    Everyday Cinema presents the films (eight features and numerous shorts, computational, and installation films) of Marc Lafia. In his many films (including Exploding Oedipus; Love and Art; Confessions of an Image; Revolution of Everyday Life; Paradise; Hi, How Are You Guest 10497; and 27) Lafia probes what it is to construct an image, to forge systems of representation, to see and represent ourselves. His work has been defined as a cinema of emergence, a cinema of the event, in which the very act of ubiquitous recording creates something new. Everyday Cinema is comprised of two parts, the first an in-depth look at his films and installations, project by project, providing background on how they came about, Lafia’s process and ideas. The second part features selected interviews and over two hundred film stills wherein Lafia puts forward a new sense of the possibility of the cinema. As we all relentlessly record ourselves and are recorded, we become part of the cinematic fabric of life, part of a spectacle of which we are both constituent and constitutive. This is what Lafia sets out to capture and examine.

     
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    Quelle: OAPEN
    Beteiligt: Coffeen, Daniel (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Film theory & criticism
    Weitere Schlagworte: film studies; new media; video; representation; Marc Lafia
    Umfang: 1 electronic resource (238 p.)
  4. Creative Frictions : Arts Leadership, Policy and Practice in Multicultural Australia
    Autor*in: Cmielewski, Cecelia
    Erschienen: 2021
    Verlag:  ANU Press, Canberra

    Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative... mehr

     

    Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia's culturally diverse population. Australia’s increasingly complex society can no longer be confined to 'essentialised’ or traditional definitions of ethnic communities. While this diversity and its emerging complexity can be ‘celebrated’ as a source of creativity and innovation, it can also give rise to social, political and creative challenges. A key challenge that remains for the arts sector is its ability to support the creative expression of cultural difference. One measure of inclusive creative production is to look at the participation of artists of non–English speaking backgrounds (NESBs)—a problematic term discussed in the book. There are half as many NESB artists compared to those of other professions participating in the workforce, and while under-representation is an issue for management in the arts sector, the question of representation also benefits from being understood more broadly beyond the narrow sense of multiculturalism as a tool to manage cultural difference. This book explores the crucial role of creative leaders and how they work with the ‘mainstream’ while maintaining their creative integrity and independence to generate a ‘virtuous’ circle of change. Creative Frictions argues that it is the NESB artists who lead change in the arts sector and that creative and organisational leadership working in partnership make creative use of ‘friction’ and develop the necessary ‘trust’ to generate the ‘traction’ for a supportive multicultural arts milieu.

     
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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781760464592
    Weitere Identifier:
    Schlagworte: The arts: general issues; Cultural studies; Ethnic minorities & multicultural studies; Public administration
    Weitere Schlagworte: multicultural; arts policy; NESB artists; diversity; representation
    Umfang: 1 electronic resource (304 p.)
  5. Self-Representation in an Expanded Field : From Self-Portraiture to Selfie, Contemporary Art in the Social Media Age
    Beteiligt: Lehner, Ace (Hrsg.)
    Erschienen: 2021
    Verlag:  MDPI Books, Basel

    Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally networked contemporary life. Beyond this selfies have facilitated a... mehr

     

    Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally networked contemporary life. Beyond this selfies have facilitated a diversity of image making practices and enabled otherwise representationally marginalized constituencies to insert self-representations into visual culture. In the Western European and North American art-historical context, self-portraiture has been somewhat rigidly albeit obliquely defined, and selfies have facilitated a shift regarding who literally holds the power to self-image. Like self-portraits, not all selfies are inherently aesthetically or conceptually rigorous or avant-guard. But, –as this project aims to do address via a variety of interdisciplinary approaches– selfies have irreversibly impacted visual culture, contemporary art, and portraiture in particular. Selfies propose new modes of self-imaging, forward emerging aesthetics and challenge established methods, they prove that as scholars and image-makers it is necessary to adapt and innovate in order to contend with the most current form of self-representation to date. The essays gathered herein will reveal that in our current moment it is necessary and advantageous to consider the merits and interventions of selfies and self-portraiture in an expanded field of self-representations. We invite authors to take interdisciplinary global perspectives, to investigate various sub-genres, aesthetic practices, and lineages in which selfies intervene to enrich the discourse on self-representation in the expanded field today.

     
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    Quelle: OAPEN
    Beteiligt: Lehner, Ace (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783038975649; 9783038975656
    Weitere Identifier:
    Schlagworte: The arts
    Weitere Schlagworte: Selfies; self-portraiture; social media; art history; representation; photography; contemporary art; Intersectionality; intersectional approaches; identity; aesthetics; contemporary life; consumer culture; avant-guard
    Umfang: 1 electronic resource (228 p.)
  6. Im Dienste einer Staatsidee : Künste und Künstler am Wiener Hof um 1740
    Autor*in: Fritz-Hilscher, Elisabeth
    Erschienen: 2013
    Verlag:  Böhlau, Wien; München

    Until today, the death of Charles VI and Maria Theresia’s ascending the throne 1740 is seen as a major turning point in Austrian history. But now is the question of whether in different “layers” and “rooms” without doubt fundamental change between... mehr

     

    Until today, the death of Charles VI and Maria Theresia’s ascending the throne 1740 is seen as a major turning point in Austrian history. But now is the question of whether in different “layers” and “rooms” without doubt fundamental change between 1720 and 1780 not differentiated must be seen against the background of the concept of interface (“Sattelzeit”/Reinhart Koselleck). On the basis of the space “Viennese court”, where the change of rulers in its effects most likely can be documented, attempts from the perspective of different disciplines (the so called “Hofkünste” – literature/poetry, arts, theatre/dance, music) point out continuities and discontinuities. Bis heute wird der Tod Karls VI. und der Regierungsantritt Maria Theresias 1740 als eine einschneidende Zäsur in der österreichischen Geschichte gesehen. Doch nun stellt sich vor dem Hintergrund eines weitergefassten Schnittstellenbegriffes (Reinhart Koselleck) die Frage, ob der zweifellos grundlegende Wandel zwischen 1720 und 1780 nicht differenzierter gesehen werden muss. Ausgehend vom Raum des Wiener Hofes, an dem der Herrscherwechsel in seinen Auswirkungen am ehesten dokumentiert werden kann, wird aus der Sicht sogenannten Hofkünste versucht, Kontinuitäten und Diskontinuitäten aufzuzeigen.

     
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    Quelle: OAPEN
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: The arts
    Weitere Schlagworte: musicology; austrian history; baroque; hapsburg; representation; Musikwissenschaft; österreichische Geschichte; Barock; Habsburg; Repräsentation; Karl VI. (HRR); Maria Theresia; Pietro Metastasio; Wien
    Umfang: 1 electronic resource (250 p.)
  7. Portrait Stories
    Autor*in: Ginsburg, Michal Peled
    Erschienen: [2014]; © 2014
    Verlag:  Fordham University Press, New York, NY

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James,... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823262625
    Weitere Identifier:
    Schlagworte: gender; portrait; power; reading; representation; seeing; subjectivity; LITERARY CRITICISM / European / General; Characters and characteristics in literature; Fiction; Portraits in literature
    Umfang: 1 online resource (224 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  8. Speaking about Torture
    Beteiligt: Carlson, Julie A. (Hrsg.); Weber, Elisabeth (Hrsg.)
    Erschienen: [2012]; © 2012
    Verlag:  Fordham University Press, New York, NY

    This collection of essays is the first book to take up the urgent issue of torture from the array of approaches offered by the arts and humanities. In the post-9/11 era, where we are once again compelled to entertain debates about the legality of... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    This collection of essays is the first book to take up the urgent issue of torture from the array of approaches offered by the arts and humanities. In the post-9/11 era, where we are once again compelled to entertain debates about the legality of torture, this volume speaks about the practice in an effort to challenge the surprisingly widespread acceptance of state-sanctioned torture among Americans, including academics and the media–entertainment complex. Speaking about Torture also claims that the concepts and techniques practiced in the humanities have a special contribution to make to this debate, going beyond what is usually deemed a matter of policy for experts in government and the social sciences. It contends that the way one speaks about torture—including that one speaks about it—is key to comprehending, legislating, and eradicating torture. That is, we cannot discuss torture without taking into account the assaults on truth, memory, subjectivity, and language that the humanities theorize and that the experience of torture perpetuates. Such accounts are crucial to framing the silencing and demonizing that accompany the practice and representation of torture.Written by scholars in literary analysis, philosophy, history, film and media studies, musicology, and art history working in the United States, Europe, and the Middle East, the essays in this volume speak from a conviction that torture does not work to elicit truth, secure justice, or maintain security. They engage in various ways with the limits that torture imposes on language, on subjects and community, and on governmental officials, while also confronting the complicity of artists and humanists in torture through their silence, forms of silencing, and classic means of representation. Acknowledging this history is central to the volume’s advocacy of speaking about torture through the forms of witness offered and summoned by the humanities

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Carlson, Julie A. (Hrsg.); Weber, Elisabeth (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823242276
    Weitere Identifier:
    Schlagworte: Abu Ghraib; Guantánamo; Torture; censorship; representation; trauma; witnessing; POLITICAL SCIENCE / Human Rights; Torture in literature; Torture in mass media
    Umfang: 1 online resource (384 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  9. Gabriela Antunes, An der Schwelle des Menschlichen. Darstellung und Funktion des Monströsen in mittelhochdeutscher Literatur
    Buchbesprechung
    Autor*in: Standke, Matthias
    Erschienen: 2020
    Verlag:  Technische Universität Dresden, Dresden

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: In: Arbitrium : Zeitschrift für Rezensionen zur germanistischen Literaturwissenschaft, Erscheinungsort: Berlin, Verlag: de Gruyter, Erscheinungsjahr: 2015, Jahrgang: 33, Heft: 1, Seiten: 52-54, E-ISSN: 1865-8849
    Schlagworte: Literatur; Mittelhochdeutsch
    Weitere Schlagworte: Hermeneutik; Darstellung; Monströsen; Erzählen; hermeneutics; representation; monstrous; narration
    Umfang: Online-Ressource
  10. Precarity in European Film
    Depictions and Discourses
    Beteiligt: Cuter, Elisa (Herausgeber); Kirsten, Guido (Herausgeber); Prenzel, Hanna (Herausgeber)
    Erschienen: 2022
    Verlag:  De Gruyter, Berlin/Boston

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  11. Virtual Images
    Trilogy of Synthetic Realities I
    Beteiligt: Grabbe, Lars Christian (Herausgeber); Rupert-Kruse, Patrick (Herausgeber); Schmitz, Norbert M. (Herausgeber)
    Erschienen: 2021
    Verlag:  Büchner-Verlag, Marburg

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    Quelle: Verbundkataloge
    Beteiligt: Grabbe, Lars Christian (Herausgeber); Rupert-Kruse, Patrick (Herausgeber); Schmitz, Norbert M. (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783963177675
    Weitere Identifier:
    9783963177675
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: Yearbook of Moving Image Studies (YoMIS) ; 5
    Weitere Schlagworte: (Produktform)Electronic book text; (BISAC Subject Heading)SOC052000; (BISAC Subject Heading)SOC023000; (VLB-WN)9744; Media theory; representation; image; augmented reality; virtualisation; computer; camera; Virtuelle Realität; screen; Mixed reality; aesthetics; real image; Medientheorie; Imagination; VR; (VLB-WN)9740
    Umfang: Online-Ressource, 240 Seiten
  12. Media representation of migrant workers in China
    Identities and stances
    Autor*in: Wang, Wei
    Erschienen: 2018
    Verlag:  Peter Lang Verlag, Lausanne

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  13. The Monster That Is History
    History, Violence, and Fictional Writing in Twentieth-Century China
    Autor*in: Wang, David Der-Wei
    Erschienen: [2004]; ©2004
    Verlag:  University of California Press, Berkeley, CA

    In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth... mehr

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    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Universitätsbibliothek Osnabrück
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    In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations. Taking into account the campaigns of violence and brutality that have rocked generations of Chinese—often in the name of enlightenment, rationality, and utopian plenitude—this book places its arguments along two related axes: history and representation, modernity and monstrosity. Wang considers modern Chinese history as a complex of geopolitical, ethnic, gendered, and personal articulations of bygone and ongoing events. His discussion ranges from the politics of decapitation to the poetics of suicide, and from the typology of hunger and starvation to the technology of crime and punishment

     
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  14. Translation and religion
    crafting regimes of identity
    Autor*in: Israel, Hephzibah
    Erschienen: 2019

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
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    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Religion; London [u.a.] : Routledge, 1971; 49(2019), 3, Seite 323-342; Online-Ressource

    Schlagworte: Translation; identity; religion; representation
  15. Teaching Religion and Literature
    Autor*in: Boscaljon, Daniel
    Erschienen: 2018
    Verlag:  Routledge, Milton

    Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Contributors; Acknowledgments; Introduction: Teaching Religion and Literature; The Organization of the Text; PART I: Foundational Approaches to Religion and... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; List of Contributors; Acknowledgments; Introduction: Teaching Religion and Literature; The Organization of the Text; PART I: Foundational Approaches to Religion and Literature; 1. Teaching "Religion and Literature" Contextually; Religion and Literature: The Period of Shared Cultural Roles; Religion and Literature: Trying to Bridge a Widening Gap; Religion and Literature: Emerging from Subversion and Critique; Religion and Literature: Identifying New Relations; Notes; Bibliography

     
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  16. Unequal jury representation and its consequences
    Autor*in: Anwar, Shamena; Bayer, Patrick J.; Hjalmarsson, Randi
    Erschienen: March 2021
    Verlag:  Department of Economics, University of Gothenburg, Göteborg

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    Standort:
    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
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    VS 50
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    hdl: 2077/68037
    Schriftenreihe: Working paper in economics ; no. 801
    Schlagworte: jury; crime; sentences; representation; inequality; race
    Umfang: 1 Online-Ressource (circa 36 Seiten), Illustrationen
  17. Teaching Religion and Literature
    Autor*in: Boscaljon, Daniel
    Erschienen: 2018
    Verlag:  Routledge, Milton ; Taylor & Francis Group, London

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  18. Medialisierungen der Macht
    Filmische Inszenierungen politischer Praxis
    Beteiligt: Gradinari, Irina (Herausgeber); Immer, Nikolas (Herausgeber); Pause, Johannes (Herausgeber)
    Erschienen: 2018
    Verlag:  Verlag Wilhelm Fink, Paderborn

    Die Konjunktur des Politischen in neueren Kinofilmen und Fernsehserien ist mit tradierten Oppositionen – wie der von Inhalt und Form – nicht mehr zu beschreiben. Vielmehr lässt sich konstatieren, dass Theorie und Praxis des Politischen längst mit... mehr

     

    Die Konjunktur des Politischen in neueren Kinofilmen und Fernsehserien ist mit tradierten Oppositionen – wie der von Inhalt und Form – nicht mehr zu beschreiben. Vielmehr lässt sich konstatieren, dass Theorie und Praxis des Politischen längst mit filmischen Fiktionen verflochten sind: Diese vermitteln zwischen universalen und partikularen Perspektiven, entwerfen Figurentypen und Verhaltensmuster und intervenieren in aktuelle Diskurse. Ein neuer "medialer Realismus", der diese Unhintergehbarkeit der Medien selbst sichtbar macht, bildet den thematischen Horizont der Beiträge dieses Sammelbands. Unter den Aspekten des Affizierens, Modellierens und Tradierens werden die theoretischen und ästhetischen Neuansätze des aktuellen politischen Kinos anhand einschlägiger Beispiele diskutiert.

     
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    Quelle: Verbundkataloge
    Beteiligt: Gradinari, Irina (Herausgeber); Immer, Nikolas (Herausgeber); Pause, Johannes (Herausgeber)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783846763414
    Weitere Identifier:
    9783846763414
    Auflage/Ausgabe: 2018
    Weitere Schlagworte: Nonbooks, PBS / Medien, Kommunikation/Medienwissenschaft; Kino; Realismus; Repräsentation; Affekt; Modell; Tradition; Ästhetik; Paranoia; cinema; realism; House of Cards; Homeland; Walking Dead; representation; emotion; model; tradition; aesthetics; paranoia; electronic resource
    Umfang: 416 p.
  19. Zeitformen der Liebe
    die Intimitäten filmischer und serieller Bewegungsbilder
    Autor*in: Ufer, Michael
    Erschienen: [2024]
    Verlag:  De Gruyter, Berlin ; Boston

    Standort:
    Alice Salomon Hochschule Berlin, Bibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Standort:
    Europa-Universität Viadrina, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110771657; 9783110771565
    Schriftenreihe: Cinepoetics
    Weitere Schlagworte: Liebesfilm; Darstellung; Konnektivität; Medientheorie; Romantic movies; representation; connectivity; media theory
    Umfang: 1 Online-Ressource
  20. Anstalten machen
    Der literarische Institutionendiskurs seit der Aufklärung
    Beteiligt: Päthe, Thorben (HerausgeberIn); Hubmann, Philipp (HerausgeberIn)
    Erschienen: 2023
    Verlag:  Brill | Fink, Paderborn

    Klappentext: Literatur hat seit der Aufklärung in den öffentlichen Debatten ganz wesentlich zur Erkundung, Kritik und Legitimierung von Institutionen beigetragen. Im Anschluss an die äußerst produktive Forschung zur Gattung des "Institutionenromans",... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Klappentext: Literatur hat seit der Aufklärung in den öffentlichen Debatten ganz wesentlich zur Erkundung, Kritik und Legitimierung von Institutionen beigetragen. Im Anschluss an die äußerst produktive Forschung zur Gattung des "Institutionenromans", wie er sich während der klassischen Moderne bei Autoren wie Robert Walser, Franz Kafka und Robert Musil auf paradigmatische Weise herausbildet, soll dieser Sammelband das Verhältnis von Literatur und Institution in einem möglichst weit gesteckten diskurs- und gattungsgeschichtlichen Kontext neu auf den Prüfstand stellen. Mit Beiträgen von Benjamin Bühler, Rüdiger Campe, Rupert Gaderer, Anja Gerigk, Ulrich Kinzel, Andrea Krauss, Karin Krauthausen, Johannes Lehmann, Clemens Pornschlegel, Patrick Primavesi, Adrian Robanus, Mareike Schildmann, Marcus Twellmann und Martina Wernli.

     
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    Quelle: Verbundkataloge
    Beteiligt: Päthe, Thorben (HerausgeberIn); Hubmann, Philipp (HerausgeberIn)
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783846767184
    Weitere Identifier:
    9783846767184
    RVK Klassifikation: GE 5205 ; GE 5209
    Auflage/Ausgabe: 2023
    Schlagworte: Symbolische Ordnungen; Repräsentation; Foucault; Goffman; Arendt; Organisation; Gesellschaft; Institutionentheorie; symbolic orders; representation; Arendt organization; society; institutionalization
    Umfang: 1 Online-Ressource (358 Seiten)
  21. Narratives in the criminal process
    Beteiligt: Pedersen, Frode Helmich (HerausgeberIn); Ingebrigtsen, Espen (HerausgeberIn); Gephart, Werner (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Vittorio Klostermann, Frankfurt am Main ; Nomos Verlagsgesellschaft, Baden-Baden

    The role of narratives in legal contexts has been explored in multidisciplinary research for several decades. A common claim in this research is that the understanding of narratives is crucial to the understanding of any legal process, especially to... mehr

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    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The role of narratives in legal contexts has been explored in multidisciplinary research for several decades. A common claim in this research is that the understanding of narratives is crucial to the understanding of any legal process, especially to most representations of the facts in a criminal case. It seems justified to say that law’s cultural foundations and presuppositions are always in some way or another manifested in its narratives and acts of narration. The research conducted within the field of law and narrative helps to expand our knowledge of the multiple ways in which legal thinking and decision-making rely on narrative, in both senses of the term. It also enhances our understanding of how narratives are put to use as rhetorical tools, both in the courtroom and in the court’s written judgments. The contributions to this volume present the field of law and narrative as it exists today and expand the area of inquest into fields like text linguistics, speech act theories, ordinary language theory, public international law, artificial intelligence and various media transformations of law stories.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Pedersen, Frode Helmich (HerausgeberIn); Ingebrigtsen, Espen (HerausgeberIn); Gephart, Werner (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Online
    ISBN: 9783465145554
    Weitere Identifier:
    Auflage/Ausgabe: 1. Auflage
    Körperschaften/Kongresse: Narratives in the criminal process (2018, Bergen, Norwegen)
    Schriftenreihe: Schriftenreihe des Käte Hamburger Kollegs "Recht als Kultur" ; Band 26
    Recht als Kultur ; 26
    Array
    Schlagworte: Medien; Kulturwissenschaft; Linguistik; Rechtswissenschaft; Tagungsband; Narratologie; media; Gerichte; Aufsatzsammlung; Narration; Narrative; cultural studies; Erzählungen; Sprachakte; Bergen; Rhetorics; Speech Acts; 2018; Law Studies; Law Courts; Strafrecht; Rechtssoziologie; Rhetorik; Criminal Law; linguistics; Sprache; Wissenschaft; Repräsentation; science; Strafgesetz; public; Handwerkszeug; tools; legal sociology; Sprachwissenschaft; kriminell; language; Öffentlichkeit; representation; Textlinguistik; rhetoric; criminal; Sprechakt; rhethoric; speech act; text linguistics
    Umfang: 1 Online-Ressource (383 Seiten)
  22. Speaking about Torture
    Beteiligt: Carlson, Julie A. (Hrsg.); Weber, Elisabeth (Hrsg.)
    Erschienen: [2012]; © 2012
    Verlag:  Fordham University Press, New York, NY

    This collection of essays is the first book to take up the urgent issue of torture from the array of approaches offered by the arts and humanities. In the post-9/11 era, where we are once again compelled to entertain debates about the legality of... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    This collection of essays is the first book to take up the urgent issue of torture from the array of approaches offered by the arts and humanities. In the post-9/11 era, where we are once again compelled to entertain debates about the legality of torture, this volume speaks about the practice in an effort to challenge the surprisingly widespread acceptance of state-sanctioned torture among Americans, including academics and the media–entertainment complex. Speaking about Torture also claims that the concepts and techniques practiced in the humanities have a special contribution to make to this debate, going beyond what is usually deemed a matter of policy for experts in government and the social sciences. It contends that the way one speaks about torture—including that one speaks about it—is key to comprehending, legislating, and eradicating torture. That is, we cannot discuss torture without taking into account the assaults on truth, memory, subjectivity, and language that the humanities theorize and that the experience of torture perpetuates. Such accounts are crucial to framing the silencing and demonizing that accompany the practice and representation of torture.Written by scholars in literary analysis, philosophy, history, film and media studies, musicology, and art history working in the United States, Europe, and the Middle East, the essays in this volume speak from a conviction that torture does not work to elicit truth, secure justice, or maintain security. They engage in various ways with the limits that torture imposes on language, on subjects and community, and on governmental officials, while also confronting the complicity of artists and humanists in torture through their silence, forms of silencing, and classic means of representation. Acknowledging this history is central to the volume’s advocacy of speaking about torture through the forms of witness offered and summoned by the humanities

     
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    Quelle: Verbundkataloge
    Beteiligt: Carlson, Julie A. (Hrsg.); Weber, Elisabeth (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823242276
    Weitere Identifier:
    Schlagworte: Abu Ghraib; Guantánamo; Torture; censorship; representation; trauma; witnessing; POLITICAL SCIENCE / Human Rights; Torture in literature; Torture in mass media
    Umfang: 1 online resource (384 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  23. Portrait Stories
    Autor*in: Ginsburg, Michal Peled
    Erschienen: [2014]; © 2014
    Verlag:  Fordham University Press, New York, NY

    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James,... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Standort:
    Universitätsbibliothek Passau
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    What makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823262625
    Weitere Identifier:
    Schlagworte: gender; portrait; power; reading; representation; seeing; subjectivity; LITERARY CRITICISM / European / General; Characters and characteristics in literature; Fiction; Portraits in literature
    Umfang: 1 online resource (224 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  24. Voyage and emotions across genres
    Beteiligt: Neagu, Maria-Ionela (Hrsg.)
    Erschienen: [2020]; © 2020
    Verlag:  Peter Lang, Berlin ; Bern ; Bruxelles

    Standort:
    Bayerische Staatsbibliothek
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    Beteiligt: Neagu, Maria-Ionela (Hrsg.)
    Sprache: Englisch; Französisch
    Medientyp: Buch (Monographie)
    ISBN: 9783631810019; 3631810016
    Weitere Identifier:
    9783631810019
    RVK Klassifikation: EC 5410
    Schlagworte: Gefühl <Motiv>; Literatur; Reise <Motiv>
    Weitere Schlagworte: Emotions; gender; Genres; identity; intercultural; Ionela; Journey; legitimization; Maria; motivation; multimodality; Neagu; representation; self-development; space; temporality; Voyage; Winkelkötter
    Umfang: 276 Seiten, Illustrationen, 22 cm, 429 g
  25. Multiculturalism as a challenge in contemporary Finnish picturebooks
    reimagining sociocultural categories
    Autor*in: Pesonen, Jaana
    Erschienen: 2015
    Verlag:  University of Oulu, Oulu

    Standort:
    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 9789526210193
    Weitere Identifier:
    Schriftenreihe: Acta Universitatis Ouluensis. E Scientiae rerum socialium ; 158
    Schlagworte: children; intersectionality; literary criticism; multiculturalism; representation; intersektionaalisuus; kirjallisuudentutkimus; lastenkirjallisuus; monikulttuurisuus; representaatio; Multikulturelle Gesellschaft <Motiv>; Kinderbuch
    Umfang: 124 Seiten
    Bemerkung(en):

    Dissertation, University of Oulu, 2015