Ergebnisse für *

Zeige Ergebnisse 1 bis 8 von 8.

  1. TASTE
    Erschienen: 2018
    Verlag:  University of Westminster Press

    Taste usually occupies the bottom of the sensorial hierarchy, as the quintessentially hedonistic sense, too close to the animal, the elemental and the corporeal, and for this reason disciplined and moralised. At the same time, taste is indissolubly... mehr

     

    Taste usually occupies the bottom of the sensorial hierarchy, as the quintessentially hedonistic sense, too close to the animal, the elemental and the corporeal, and for this reason disciplined and moralised. At the same time, taste is indissolubly tied to knowledge. To taste is to discriminate, emit judgement, enter an unstable domain of synaesthetic normativity where the certainty of metaphysical categories begins to crumble. This second title in the ‘Law and the Senses’ series explores law using taste as a conceptual and ontological category able to unsettle legal certainties, and a promising tool whereby to investigate the materiality of law’s relation to the world. For what else is law’s reduction of the world into legal categories, if not law’s ingesting the world by tasting it, and emitting moral and legal judgements accordingly? Through various topics including coffee, wine, craft cider and Japanese knotweed, this volume explores the normativities that shape the way taste is felt and categorised, within and beyond subjective, phenomenological and human dimensions. The result is an original interdisciplinary volume – complete with seven speculative ‘recipes’ – dedicated to a rarely explored intersection, with contributions from artists, legal academics, philosophers, anthropologists and sociologists.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  2. Old Futures
    Speculative Fiction and Queer Possibility
    Autor*in: Lothian, Alexis
    Erschienen: [2018]; © 2018
    Verlag:  New York University Press, New York, NY

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film,... mehr

     

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital mediaOld Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of "the" future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought-with varying degrees of success-to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption.Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  3. The Rhetoric of Manhood
    Masculinity in the Attic Orators
    Autor*in: Roisman, Joseph
    Erschienen: [2005]; ©2005
    Verlag:  University of California Press, Berkeley, CA

    The concept of manhood was immensely important in ancient Athens, shaping its political, social, legal, and ethical systems. This book, a groundbreaking study of manhood in fourth-century Athens, is the first to provide a comprehensive examination of... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Universitätsbibliothek Osnabrück
    keine Fernleihe

     

    The concept of manhood was immensely important in ancient Athens, shaping its political, social, legal, and ethical systems. This book, a groundbreaking study of manhood in fourth-century Athens, is the first to provide a comprehensive examination of notions about masculinity found in the Attic orators, who represent one of the most important sources for understanding the social history of this period. While previous studies have assumed a uniform ideology about manhood, Joseph Roisman finds that Athenians had quite varied opinions about what constituted manly values and conduct. He situates the evidence for ideas about manhood found in the Attic orators in its historical, ideological, and theoretical contexts to explore various manifestations of Athenian masculinity as well as the rhetoric that both articulated and questioned it. Roisman focuses on topics such as the nexus between manhood and age; on Athenian men in their roles as family members, friends, and lovers; on the concept of masculine shame; on relations between social and economic status and manhood; on manhood in the military and politics; on the manly virtue of self-control; and on what men feared

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  4. Futile Pleasures
    Early Modern Literature and the Limits of Utility
    Autor*in: McEleney, Corey
    Erschienen: [2017]; © 2017
    Verlag:  Fordham University Press, New York, NY

    Honorable Mention, 2018 MLA Prize for a First BookAgainst the defensive backdrop of countless apologetic justifications for the value of literature and the humanities, Futile Pleasures reframes the current conversation by returning to the literary... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Honorable Mention, 2018 MLA Prize for a First BookAgainst the defensive backdrop of countless apologetic justifications for the value of literature and the humanities, Futile Pleasures reframes the current conversation by returning to the literary culture of early modern England, a culture whose defensive posture toward literature rivals and shapes our own.During the Renaissance, poets justified the value of their work on the basis of the notion that the purpose of poetry is to please and instruct, that it must be both delightful and useful. At the same time, many of these writers faced the possibility that the pleasures of literature may be in conflict with the demand to be useful and valuable. Analyzing the rhetoric of pleasure and the pleasure of rhetoric in texts by William Shakespeare, Roger Ascham, Thomas Nashe, Edmund Spenser, and John Milton, McEleney explores the ambivalence these writers display toward literature’s potential for useless, frivolous vanity. Tracing that ambivalence forward to the modern era, this book also shows how contemporary critics have recapitulated Renaissance humanist ideals about aesthetic value. Against a longstanding tradition that defensively advocates for the redemptive utility of literature, Futile Pleasures both theorizes and performs the queer pleasures of futility. Without ever losing sight of the costs of those pleasures, McEleney argues that playing with futility may be one way of moving beyond the impasses that modern humanists, like their early modern counterparts, have always faced

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823272686
    Weitere Identifier:
    Schlagworte: Renaissance Literature; deconstruction; futility; pleasure; queer theory; romance; vanity; SOCIAL SCIENCE / Gender Studies; English literature; Literature and society; Literature and society; Pleasure in literature; Senses and sensation in literature
    Umfang: 1 online resource (256 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  5. Old Futures
    Speculative Fiction and Queer Possibility
    Autor*in: Lothian, Alexis
    Erschienen: [2018]; © 2018
    Verlag:  New York University Press, New York, NY

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film,... mehr

     

    Finalist, 2019 Locus Award for Nonfiction, presented by the Locus Science Fiction FoundationTraverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital mediaOld Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of "the" future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought-with varying degrees of success-to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption.Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  6. Futile Pleasures
    Early Modern Literature and the Limits of Utility
    Autor*in: McEleney, Corey
    Erschienen: [2017]; © 2017
    Verlag:  Fordham University Press, New York, NY

    Honorable Mention, 2018 MLA Prize for a First BookAgainst the defensive backdrop of countless apologetic justifications for the value of literature and the humanities, Futile Pleasures reframes the current conversation by returning to the literary... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Hochschule Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Coburg, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Honorable Mention, 2018 MLA Prize for a First BookAgainst the defensive backdrop of countless apologetic justifications for the value of literature and the humanities, Futile Pleasures reframes the current conversation by returning to the literary culture of early modern England, a culture whose defensive posture toward literature rivals and shapes our own.During the Renaissance, poets justified the value of their work on the basis of the notion that the purpose of poetry is to please and instruct, that it must be both delightful and useful. At the same time, many of these writers faced the possibility that the pleasures of literature may be in conflict with the demand to be useful and valuable. Analyzing the rhetoric of pleasure and the pleasure of rhetoric in texts by William Shakespeare, Roger Ascham, Thomas Nashe, Edmund Spenser, and John Milton, McEleney explores the ambivalence these writers display toward literature’s potential for useless, frivolous vanity. Tracing that ambivalence forward to the modern era, this book also shows how contemporary critics have recapitulated Renaissance humanist ideals about aesthetic value. Against a longstanding tradition that defensively advocates for the redemptive utility of literature, Futile Pleasures both theorizes and performs the queer pleasures of futility. Without ever losing sight of the costs of those pleasures, McEleney argues that playing with futility may be one way of moving beyond the impasses that modern humanists, like their early modern counterparts, have always faced

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823272686
    Weitere Identifier:
    Schlagworte: Renaissance Literature; deconstruction; futility; pleasure; queer theory; romance; vanity; SOCIAL SCIENCE / Gender Studies; English literature; Literature and society; Literature and society; Pleasure in literature; Senses and sensation in literature
    Umfang: 1 online resource (256 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  7. (notebook) on pleasure and choreography/(notebook) on pleasure and choreography vol.II
    Erschienen: 2022
    Verlag:  epubli, Berlin

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hempel, Mona Louisa-Melinka (Herausgeber); Hempel, Mona Louisa-Melinka (Übersetzer); Hempel, Mona Louisa-Melinka (Herausgeber); Hempel, Mona Louisa-Melinka (Fotograf)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783756502820; 3756502821
    Weitere Identifier:
    9783756502820
    Auflage/Ausgabe: 2. Auflage
    Schriftenreihe: (notebook) on pleasure and choreography ; 2
    Weitere Schlagworte: (Produktform)Paperback / softback; (Zielgruppe)Allgemein; (Zielgruppe)ab 1 bis 99 Jahre; (BISAC Subject Heading)ART000000; (BISAC Subject Heading)PER000000; (BISAC Subject Heading)PHO000000; sky; blue; movement; choreography; pleasure; pause; celebration; (BISAC Subject Heading)ART000000; (VLB-WN)1950: Hardcover, Softcover / Sachbücher/Kunst, Literatur; rest
    Umfang: 68 Seiten, 14.8 cm x 10.5 cm, 64 g
  8. (notebook) on pleasure and choreography/(notebook) on pleasure and choreography vol.I
    Erschienen: 2022
    Verlag:  epubli, Berlin

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hempel, Mona Louisa-Melinka (Herausgeber); Hempel, Mona Louisa-Melinka (Übersetzer); Hempel, Mona Louisa-Melinka (Herausgeber); Hempel, Mona Louisa-Melinka (Fotograf)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783756502813; 3756502813
    Weitere Identifier:
    9783756502813
    Auflage/Ausgabe: 1. Auflage
    Schriftenreihe: (notebook) on pleasure and choreography ; 1
    Weitere Schlagworte: (Produktform)Paperback / softback; (Zielgruppe)Allgemein; (Zielgruppe)ab 1 bis 99 Jahre; (BISAC Subject Heading)ART000000; (BISAC Subject Heading)PER000000; (BISAC Subject Heading)PHO000000; sky; blue; movement; choreography; pleasure; pause; celebration; (BISAC Subject Heading)ART000000; (VLB-WN)1950: Hardcover, Softcover / Sachbücher/Kunst, Literatur; rest
    Umfang: 68 Seiten, 14.8 cm x 10.5 cm, 64 g