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  1. Notework
    Victorian Literature and Nonlinear Style
    Autor*in: Reader, Simon
    Erschienen: [2021]
    Verlag:  Stanford University Press, Stanford, California

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- NOTEWORK AN INTRODUCTION -- PART I .USELESSNESS -- CHAPTER 1 STYLES OF INCONSEQUENCE -- CHAPTER 2 THINKING PIECES -- PART II COLLECTIVE -- CHAPTER 3 GERARD MANLEY HOPKINS AND MICROSOCIAL FORM -- CHAPTER 4... mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- NOTEWORK AN INTRODUCTION -- PART I .USELESSNESS -- CHAPTER 1 STYLES OF INCONSEQUENCE -- CHAPTER 2 THINKING PIECES -- PART II COLLECTIVE -- CHAPTER 3 GERARD MANLEY HOPKINS AND MICROSOCIAL FORM -- CHAPTER 4 A COMPUTER PROGRAM CALLED “WILDE” -- PART III SWELLS -- CHAPTER 5 UNRECOVERING VERNON LEE -- CONCLUSION A SYMMETRY -- NOTES -- BIBLIOGRAPHY -- INDEX Notework begins with a striking insight: the writer's notebook is a genre in itself. Simon Reader pursues this argument in original readings of unpublished writing by prominent Victorians, offering a more expansive approach to literary formalism for the twenty-first century. Neither drafts nor diaries, the notes of Charles Darwin, Oscar Wilde, Gerard Manley Hopkins, Vernon Lee, and George Gissing record ephemeral and nonlinear experiences, revealing each author's desire to leave their fragments scattered and unused. Presenting notes in terms of genre allows Reader to suggest inventive new accounts of key Victorian texts, including The Picture of Dorian Gray, On the Origin of Species, and Hopkins's devotional lyrics, and to reinterpret these works as meditations on the ethics of compiling and using data. In this way, Notework recasts information collection as a personal and expressive activity that comes into focus against large-scale systems of knowledge organization. Finding resonance between today's digital culture and its nineteenth-century precursors, Reader honors our most disposable, improvised, and fleeting textual gestures

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781503627970
    Weitere Identifier:
    RVK Klassifikation: HL 1401
    Schriftenreihe: Stanford text technologies
    Schlagworte: Authors, English; English literature; Literary form; Englisch; Literatur; Literaturgattung; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Weitere Schlagworte: Victorian literature; book history; formalism; genre; literary fragments; notebooks; notes; style
    Umfang: 1 Online-Ressource (ix, 238 Seiten), Illustrationen
  2. Notework
    Victorian Literature and Nonlinear Style
    Autor*in: Reader, Simon
    Erschienen: [2021]
    Verlag:  Stanford University Press, Stanford, California

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- NOTEWORK AN INTRODUCTION -- PART I .USELESSNESS -- CHAPTER 1 STYLES OF INCONSEQUENCE -- CHAPTER 2 THINKING PIECES -- PART II COLLECTIVE -- CHAPTER 3 GERARD MANLEY HOPKINS AND MICROSOCIAL FORM -- CHAPTER 4... mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- NOTEWORK AN INTRODUCTION -- PART I .USELESSNESS -- CHAPTER 1 STYLES OF INCONSEQUENCE -- CHAPTER 2 THINKING PIECES -- PART II COLLECTIVE -- CHAPTER 3 GERARD MANLEY HOPKINS AND MICROSOCIAL FORM -- CHAPTER 4 A COMPUTER PROGRAM CALLED “WILDE” -- PART III SWELLS -- CHAPTER 5 UNRECOVERING VERNON LEE -- CONCLUSION A SYMMETRY -- NOTES -- BIBLIOGRAPHY -- INDEX Notework begins with a striking insight: the writer's notebook is a genre in itself. Simon Reader pursues this argument in original readings of unpublished writing by prominent Victorians, offering a more expansive approach to literary formalism for the twenty-first century. Neither drafts nor diaries, the notes of Charles Darwin, Oscar Wilde, Gerard Manley Hopkins, Vernon Lee, and George Gissing record ephemeral and nonlinear experiences, revealing each author's desire to leave their fragments scattered and unused. Presenting notes in terms of genre allows Reader to suggest inventive new accounts of key Victorian texts, including The Picture of Dorian Gray, On the Origin of Species, and Hopkins's devotional lyrics, and to reinterpret these works as meditations on the ethics of compiling and using data. In this way, Notework recasts information collection as a personal and expressive activity that comes into focus against large-scale systems of knowledge organization. Finding resonance between today's digital culture and its nineteenth-century precursors, Reader honors our most disposable, improvised, and fleeting textual gestures

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781503627970
    Weitere Identifier:
    RVK Klassifikation: HL 1401
    Schriftenreihe: Stanford text technologies
    Schlagworte: Authors, English; English literature; Literary form; Englisch; Literatur; Literaturgattung; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Weitere Schlagworte: Victorian literature; book history; formalism; genre; literary fragments; notebooks; notes; style
    Umfang: 1 Online-Ressource (ix, 238 Seiten), Illustrationen
  3. Adding a Cubit to Bible Understanding
    A Study of Notes in the Chinese Union Version Bible and the Sigao Bible
    Autor*in: Xu, Xiaojun
    Erschienen: 2021

    The note as a paratextual element has played an important role in Bible translation. This article collects the translational notes from the New Testament in the Chinese Protestant Union Version Bible (CUV) and the Chinese Catholic Sigao Bible (SBV)... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe
    Fernleihe:
    keine Fernleihe

     

    The note as a paratextual element has played an important role in Bible translation. This article collects the translational notes from the New Testament in the Chinese Protestant Union Version Bible (CUV) and the Chinese Catholic Sigao Bible (SBV) to uncover the ideological leanings of translators as well as the types and functions of translational notes in these versions. With a quantitative and qualitative analysis of eight selected notes, the article shows that: (1) CUV followed the “without note or comment” principle for unbiased comments and thus employed more linguistic notes, but SBV followed the Catholic tradition in writing exegetical comments; (2) the notes help readers understand the reasons for textual variations and the problem of selectivity in translating; and (3) CUV translators took account of the Chinese literati’s taste, whereas SBV aimed to reach the common people. Further research is needed for a more in-depth interpretation.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: The Bible translator; London : Sage, 1950; 72(2021), 1, Seite 31-49

    Schlagworte: notes; Chinese Sigao Bible; Chinese Union Version Bible; Bible translation