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  1. Logic of Experimentation : Reshaping Music Performance in and through Artistic Research
    Autor*in: de Assis, Paulo
    Erschienen: 2018
    Verlag:  Leuven University Press, Leuven

    "Beyond interpretation: a proposal for experimental performance practices Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It... mehr

     

    "Beyond interpretation: a proposal for experimental performance practices

     

    Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance—be it mainstream or historically informed performance practices—Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research. An indispensable contribution to artistic research in music, Logic of Experimentation is compelling reading for music performers, composers, musicologists, philosophers and artist researchers alike."

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789461662507
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: music performance; artistic research; music ontology
    Umfang: 1 electronic resource (260 p.)
  2. Annunciations : Sacred Music for the Twenty-First Century
    Beteiligt: Corbett, George (Hrsg.)
    Erschienen: 2019
    Verlag:  Open Book Publishers

    "Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the... mehr

     

    "Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music.

     

    Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold.

     

    Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today.

     

    This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity."

     

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  3. Virtual Works – Actual Things : Essays in Music Ontology
    Erschienen: 2018
    Verlag:  Leuven University Press, Leuven

    "Beyond musical works: new perspectives on music ontology and performance What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical... mehr

     

    "Beyond musical works: new perspectives on music ontology and performance

    What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? Which alternative, more productive images of musical work can be devised?

     

    Virtual Works – Actual Things addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike.

     

    Contributors: David Davies (McGill University, Montreal), Andreas Dorschel (University of the Arts Graz), Lydia Goehr (Columbia University, New York), Kathy Kiloh (OCAD University, Toronto), Jake McNulty (Columbia University, New York), Gunnar Hindrichs (University of Basel), John Rink (University of Cambridge)"

     

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    Quelle: OAPEN
    Beteiligt: de Assis , Paulo (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462701403; 9789461662521
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: music performance; artistic research; music ontology; Aesthetics; Gilles Deleuze; Musical composition; Paradigm; Theodor W. Adorno
    Umfang: 1 electronic resource (208 p.)
  4. Powers of Divergence : An Experimental Approach to Music Performance
    Autor*in: D'Errico, Lucia
    Erschienen: 2018
    Verlag:  Leuven University Press, Leuven

    "Beyond resemblance: creative divergence in music performance What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art... mehr

     

    "Beyond resemblance: creative divergence in music performance

    What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics."

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789462701397; 9789461662514
    Weitere Identifier:
    Schlagworte: Theory of music & musicology
    Weitere Schlagworte: music performance; artistic research; divergence; Baroque music; Gilles Deleuze; Musical composition; Musical notation; Semiotics
    Umfang: 1 electronic resource (220 p.)