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  1. First My Dad, Then My iPhone: An Autoethnographic Sketch of Digital Death
    Erschienen: 2020
    Verlag:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim

    Abstract: Potentially lousy singing and research poetry are used to make sense of losing - soon after he died - my iPhone containing video footage of my father singing. Since I did not back up this digital treasure, not only is he now physically... mehr

     

    Abstract: Potentially lousy singing and research poetry are used to make sense of losing - soon after he died - my iPhone containing video footage of my father singing. Since I did not back up this digital treasure, not only is he now physically dead, he is digitally dead (MONCUR, 2016) too. Considering how bereavement is shaped by digital death, in this article I focus on my experience of grief following this double loss. How is a lost video and the device that stored my memories impacting my encounter with loss? Haunting, and being haunted by, digital technology and the lost treasure, I write my way through this combined loss, showing what (im)mortality in a digital context brings me into contact with. I hope this writing connects with and encourages those struggling to persevere with similar technology-based hauntings

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    DDC Klassifikation: Publizistische Medien, Journalismus, Verlagswesen (070)
    Weitere Schlagworte: Autoethnografie; Forschungsgedichte; Kunst; Qual; Vater und Sohn; Verlust; affective writing; affektives Schreiben; autoethnography; creative arts practices; digital death; digitaler Tod; fathers and sons; good enough; hauntings; kreative Praxis; loss; lousy singing; research poetry
    Umfang: Online-Ressource
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    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Forum Qualitative Sozialforschung / Forum: Qualitative Social Research ; 21 (2020) 2 ; 20