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Introduction
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'A story must have a plot, otherwise it's not a story': Anzia Yezierska's Melodramatic Meaning-Making
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Ways of Worldmaking as a Model for the Study of Culture: Theoretical Frameworks, Epistemological Underpinnings, New Horizons
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A ‘Culture-Sensitive Approach’ to Transcultural Literary History
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A “Bit of Orient Set Down in the Heart of a Western Metropolis”: The Chinatown in the United States and Europe
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Introduction
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Discursive Contamination: Terrorism, The Body Politic, and the Virus as Trope
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Introduction
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How to Stay Healthy and Foster Well-Being with Narratives, or: Where Narratology and Salutogenesis Could Meet
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Introduction
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Ritual and Narrative: An Introduction
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On the Narrativity of Rituals: Interfaces between Narratives and Rituals and Their Potential for Ritual Studies
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Herrscherbilder und die Herrschaft der Bilder: Der Kult um Elisabeth I
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Introduction
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Fictions of Collective Memory
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Changes in the Representation of Men and Women in the Second Half of the Eighteenth Century
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Where Literature, Culture and the History of Mentalities Meet: Changes in British National Identity as a Paradigm for a New Kind of Literary/Cultural History
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Neurobiologische, psychologische und kulturwissenschaftliche Aspekte des kreativen Prozesses und ihre praktischen Konsequenzen
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Introduction: Literature and Consumption in Nineteenth-Century America
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Narrativität als interdiziplinäre Schlüsselkategorie
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Erzählen und Identität: Die Bedeutung des Erzählens im Schnittfeld zwischen kulturwissenschaftlicher Narratologie und Psychologie
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"What, Indeed, Is the Matter with (Young Adult) Dystopia?": A Short Introduction
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Coda: Editorial Remarks
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Interfaces between the Sciences and the Humanities
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Introduction: Gender, Violence, and the State in Contemporary Speculative Fiction (II)