The purpose of this paper is to analyze the configurations of history and memory in some works of Christa Wolf, relating these with the historical period that culminated with the downfall of the Berliner Wall in 1989 and with the end of the socialist...
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The purpose of this paper is to analyze the configurations of history and memory in some works of Christa Wolf, relating these with the historical period that culminated with the downfall of the Berliner Wall in 1989 and with the end of the socialist regime in the former German Democratic Republic. Taking into account Aleida Assmanns studies on culture of memories, we intend to verify aspects related to the limits and functions of memory in some works of Christa Wolf, among them "Was bleibt" and "Leibhaftig". O objetivo deste trabalho é analisar as configurações de história e memória em obras de Christa Wolf, relacionando-as com o período histórico que culminou com a queda do Muro de Berlim em 1989 e consequentemente com o fim do regime socialista na República Democrática Alemã (RDA). Levando em consideração os estudos sobre cultura da memória realizados por Aleida Assmann, pretende-se verificar aspectos concernentes aos limites e funções da memória em algumas obras de Christa Wolf, entre as quais "Was bleibt" e "Leibhaftig".
In:
Pandaemonium Germanicum;
São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-;
Band 17 (2011), Seite 50-61;
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