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  1. Don't look away
    art, nonviolence, and preventive publics in contemporary Europe
    Autor*in: Cohen, Brianne
    Erschienen: 2023
    Verlag:  Duke University Press, Durham

    "In Don't Look Away Brianne Cohen considers the role of contemporary art in developing a public commitment to ending structural violence in Europe. Cohen focuses on art activism after the turn of the twenty-first century that confronts the slow... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Don't Look Away Brianne Cohen considers the role of contemporary art in developing a public commitment to ending structural violence in Europe. Cohen focuses on art activism after the turn of the twenty-first century that confronts the slow violence perpetuated against precarious peoples. Exploring the work of German filmmaker Harun Farocki, Swiss artist Thomas Hirschhorn, and the art collective Henry VIII's Wives, Cohen argues that their recursive art practices offer a more sustained counter to the violence undergirding the public sphere than do artworks premised on immediate rupture. Their art reflects on a variety of flashpoints of violence and vulnerability in Europe, from the legacy of the Holocaust to Islamophobia and rising anti-immigrant sentiment. Because this violence has often cultivated fear-based publics, Cohen contends that art must foster ethical and civic relations between strangers across physical and virtual borders. In contrast to art-critical practices that privilege direct action in contemporary art activism, Cohen advocates for the imaginative, messier, often more elusive potential of art in changing mindsets and fostering a nonviolent social imaginary"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478019466; 9781478016816
    RVK Klassifikation: LH 60240
    Schlagworte: Arts, European; Arts, European; Arts and society; Violence in mass media; Artists; ART / History / Contemporary (1945-)
    Umfang: xii, 242 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Preventing violence in European public spheres -- Harun Farocki, civil imagination, and securitarian publics -- Thomas Hirschhorn, imagined communities, and counterpublics? -- Henry VIII's Wives, populism, and preventive publics.
  2. Male and female violence in popular media
    Autor*in: Giomi, Elisa; Magaraggia, Sveva
    Erschienen: 2023
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  3. Male and female violence in popular media
    Autor*in: Giomi, Elisa; Magaraggia, Sveva
    Erschienen: 2023
    Verlag:  Bloomsbury Academic, London

    "Elisa Giomi and Sveva Magaraggia propose that men engage in violent conduct at a higher rate than women because they are socially and culturally 'programmed' to do so. Popular culture representations play a crucial role in this process: TV series,... mehr

    Standort:
    Universitätsbibliothek Hildesheim
    Signatur:
    FGF 803 : 018
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signatur:
    puz 530.7 DL 0478
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Signatur:
    KB 21 A 2895
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Elisa Giomi and Sveva Magaraggia propose that men engage in violent conduct at a higher rate than women because they are socially and culturally 'programmed' to do so. Popular culture representations play a crucial role in this process: TV series, films, pop music and videos, advertising commercials and tabloids all tend to 'normalise' violence against women as an allegedly natural inclination of males. Violent women, on the other hand, are believed to transgress both criminal and 'natural' laws, according to which they are supposed to give life, not death. By examining popular culture's depiction of men and women in their opposite, yet complementary, roles of perpetrators and victims, the authors show unexplored interconnections, namely that gender 'does' violence and violence 'does' gender. Empirical evidence is presented drawing on the following case studies: - male violence in contemporary Italian pop music - female violence in crime TV series including The Killing (Denmark, 2007-2012),The Fall (UK, 2013-2016) and True Detective (USA, 2015) - the use and abuse of gendered violence in Italian and international advertising images such as billboards and posters - male and female intimate partner violence in factual entertainment (Who the (bleep) Did I Marry? (Investigation Discovery, 2010-2015))"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350168756
    Schriftenreihe: Library of gender and popular culture
    Schlagworte: Violence in mass media; Violence in men; Violence in women; Violence in popular culture
    Umfang: xvi, 238 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seiten 189-230
  4. Don't look away
    art, nonviolence, and preventive publics in contemporary Europe
    Autor*in: Cohen, Brianne
    Erschienen: 2023
    Verlag:  Duke University Press, Durham

    "In Don't Look Away Brianne Cohen considers the role of contemporary art in developing a public commitment to ending structural violence in Europe. Cohen focuses on art activism after the turn of the twenty-first century that confronts the slow... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2023:3307:
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Don't Look Away Brianne Cohen considers the role of contemporary art in developing a public commitment to ending structural violence in Europe. Cohen focuses on art activism after the turn of the twenty-first century that confronts the slow violence perpetuated against precarious peoples. Exploring the work of German filmmaker Harun Farocki, Swiss artist Thomas Hirschhorn, and the art collective Henry VIII's Wives, Cohen argues that their recursive art practices offer a more sustained counter to the violence undergirding the public sphere than do artworks premised on immediate rupture. Their art reflects on a variety of flashpoints of violence and vulnerability in Europe, from the legacy of the Holocaust to Islamophobia and rising anti-immigrant sentiment. Because this violence has often cultivated fear-based publics, Cohen contends that art must foster ethical and civic relations between strangers across physical and virtual borders. In contrast to art-critical practices that privilege direct action in contemporary art activism, Cohen advocates for the imaginative, messier, often more elusive potential of art in changing mindsets and fostering a nonviolent social imaginary"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478019466; 9781478016816
    RVK Klassifikation: LH 60240
    Schlagworte: Arts, European; Arts, European; Arts and society; Violence in mass media; Artists; ART / History / Contemporary (1945-)
    Umfang: xii, 242 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Preventing violence in European public spheres -- Harun Farocki, civil imagination, and securitarian publics -- Thomas Hirschhorn, imagined communities, and counterpublics? -- Henry VIII's Wives, populism, and preventive publics.