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  1. Inventing falsehood, making truth
    Vico and Neapolitan painting
    Autor*in: Bull, Malcolm
    Erschienen: 2013
    Verlag:  Princeton University Press, Princeton, New Jersey

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0691138842; 1400849748; 9780691138848; 9781400849741
    Schlagworte: ART / History / General; PHILOSOPHY / General; Art and philosophy; Painting, Baroque; Painting, Italian; Painting / Philosophy; Truth; Geschichte; Philosophie; Painting; Art and philosophy; Painting, Italian; Painting, Baroque; Truth; Ästhetik; Malerei
    Weitere Schlagworte: Vico, Giambattista / 1668-1744; Vico, Giambattista (1668-1744); Vico, Giambattista (1668-1744)
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on print version record

    "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"--
  2. Rhetoric on the margins of modernity
    Vico, Condillac, Monboddo
    Autor*in: Hobbs, Catherine
    Erschienen: c2002
    Verlag:  Southern Illinois University Press, Carbondale

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt