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  1. Ugliness
    a cultural history
    Erschienen: 2015
    Verlag:  Reaktion Books, London

    "'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    2018/1084
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2015:6503:
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2017/6368
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2015 C 6184
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Badische Landesbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    Bx 4804
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    soz 553 DD 6806
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Saarländische Universitäts- und Landesbibliothek
    2017-1626
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Württembergische Landesbibliothek
    66/14548
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    CC 6900 H496
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    66.100
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Uglydolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781780235240
    RVK Klassifikation: EC 5410
    Schlagworte: Ugliness; Ugliness; Ugliness / History
    Umfang: 240 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 197-226

    Introduction : Pretty ugly: a question of culture -- Ugly ones: uncomfortable anomalies : Polyphemus: 'a monster of a man' ; Dame Ragnell: 'She was a loathly one!' ; A grotesque old woman: 'the ugly duchess' ; William Hay: 'never was, nor will be, a member of the ugly club' ; Julia Pastrana: 'the ugliest woman in the world' ; Orlan: 'a beautiful woman who is deliberately becoming ugly' ; Ugly ones: uncomfortably grouped -- Ugly groups: resisting classification : Monsters and monstrosities: bordering uglies ; Outcasts and outward signs: signifying uglies ; Primitives and Venuses: colonizing uglies ; Broken faces and degenerate bodies: militarizing uglies ; Ugly laws and ugly dolls: legislating uglies ; Uglies united?: Commercializing ugly groups -- Ugly senses: transgressing perceived borders : Ugly sight: seeing is believing ; ugly sound: do you hear what I hear? ; Ugly smell: a nose for trouble ; Ugly taste: are you what you eat? ; Ugly touch: do not touch? ; Sixth sense: feeling is believing -- Epilogue : Ugly us: a cultural quest?

  2. Ugliness
    a cultural history
    Erschienen: 2015
    Verlag:  Reaktion Books, London

    "'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Uglydolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781780235240
    RVK Klassifikation: EC 5410
    Schlagworte: Ugliness; Ugliness
    Umfang: 240 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 197-226

    Introduction : Pretty ugly: a question of culture -- Ugly ones: uncomfortable anomalies : Polyphemus: 'a monster of a man' ; Dame Ragnell: 'She was a loathly one!' ; A grotesque old woman: 'the ugly duchess' ; William Hay: 'never was, nor will be, a member of the ugly club' ; Julia Pastrana: 'the ugliest woman in the world' ; Orlan: 'a beautiful woman who is deliberately becoming ugly' ; Ugly ones: uncomfortably grouped -- Ugly groups: resisting classification : Monsters and monstrosities: bordering uglies ; Outcasts and outward signs: signifying uglies ; Primitives and Venuses: colonizing uglies ; Broken faces and degenerate bodies: militarizing uglies ; Ugly laws and ugly dolls: legislating uglies ; Uglies united?: Commercializing ugly groups -- Ugly senses: transgressing perceived borders : Ugly sight: seeing is believing ; ugly sound: do you hear what I hear? ; Ugly smell: a nose for trouble ; Ugly taste: are you what you eat? ; Ugly touch: do not touch? ; Sixth sense: feeling is believing -- Epilogue : Ugly us: a cultural quest?

  3. Histoire de la laideur féminine
    Erschienen: [2015]
    Verlag:  Auzas éditeurs Imago, Paris

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    ISBN: 9782849528174
    Schlagworte: Feminine beauty (Aesthetics) / History; Ugliness / History; Women / Social conditions; Feminine beauty (Aesthetics); Ugliness; Women / Social conditions; Frau; Geschichte; Frau; Das Hässliche
    Umfang: 260 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 243-253) and index

  4. Ugliness
    a cultural history
    Erschienen: 2015
    Verlag:  Reaktion Books, London

    "'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    2018/1084
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2015:6503:
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2017/6368
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    Bx 4804
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    soz 553 DD 6806
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    CC 6900 H496
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    66.100
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Uglydolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781780235240
    RVK Klassifikation: EC 5410
    Schlagworte: Ugliness; Ugliness
    Umfang: 240 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 197-226

    Introduction : Pretty ugly: a question of culture -- Ugly ones: uncomfortable anomalies : Polyphemus: 'a monster of a man' ; Dame Ragnell: 'She was a loathly one!' ; A grotesque old woman: 'the ugly duchess' ; William Hay: 'never was, nor will be, a member of the ugly club' ; Julia Pastrana: 'the ugliest woman in the world' ; Orlan: 'a beautiful woman who is deliberately becoming ugly' ; Ugly ones: uncomfortably grouped -- Ugly groups: resisting classification : Monsters and monstrosities: bordering uglies ; Outcasts and outward signs: signifying uglies ; Primitives and Venuses: colonizing uglies ; Broken faces and degenerate bodies: militarizing uglies ; Ugly laws and ugly dolls: legislating uglies ; Uglies united?: Commercializing ugly groups -- Ugly senses: transgressing perceived borders : Ugly sight: seeing is believing ; ugly sound: do you hear what I hear? ; Ugly smell: a nose for trouble ; Ugly taste: are you what you eat? ; Ugly touch: do not touch? ; Sixth sense: feeling is believing -- Epilogue : Ugly us: a cultural quest?

  5. Ugliness
    a cultural history
    Erschienen: 2015
    Verlag:  Reaktion Books, London

    "'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Uglydolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781780235240
    RVK Klassifikation: EC 5410
    Schlagworte: Ugliness; Ugliness; Ugliness / History
    Umfang: 240 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 197-226

    Introduction : Pretty ugly: a question of culture -- Ugly ones: uncomfortable anomalies : Polyphemus: 'a monster of a man' ; Dame Ragnell: 'She was a loathly one!' ; A grotesque old woman: 'the ugly duchess' ; William Hay: 'never was, nor will be, a member of the ugly club' ; Julia Pastrana: 'the ugliest woman in the world' ; Orlan: 'a beautiful woman who is deliberately becoming ugly' ; Ugly ones: uncomfortably grouped -- Ugly groups: resisting classification : Monsters and monstrosities: bordering uglies ; Outcasts and outward signs: signifying uglies ; Primitives and Venuses: colonizing uglies ; Broken faces and degenerate bodies: militarizing uglies ; Ugly laws and ugly dolls: legislating uglies ; Uglies united?: Commercializing ugly groups -- Ugly senses: transgressing perceived borders : Ugly sight: seeing is believing ; ugly sound: do you hear what I hear? ; Ugly smell: a nose for trouble ; Ugly taste: are you what you eat? ; Ugly touch: do not touch? ; Sixth sense: feeling is believing -- Epilogue : Ugly us: a cultural quest?

  6. Aesthetics of Ugliness
    A Critical Edition
    Erschienen: 2015
    Verlag:  Bloomsbury Publishing, London

    In this key text in the history of art and aesthetics, Karl Rosenkranz shows ugliness to be the negation of beauty without being reducible to evil, materiality, or other negative terms used it's conventional condemnation. This insistence on the... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    In this key text in the history of art and aesthetics, Karl Rosenkranz shows ugliness to be the negation of beauty without being reducible to evil, materiality, or other negative terms used it's conventional condemnation. This insistence on the specificity of ugliness, and on its dynamic status as a process afflicting aesthetic canons, reflects Rosenkranz's interest in the metropolis - like Walter Benjamin, he wrote on Paris and Berlin - and his voracious collecting of caricature and popular prints. Rosenkranz, living and teaching, like Kant, in remote Königsberg, reflects on phenomena of mode

     

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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472568854
    RVK Klassifikation: CC 6900 ; CG 6384 ; CG 6380
    Schlagworte: Ugliness; Aesthetics; Electronic books
    Umfang: Online-Ressource (345 p)
    Bemerkung(en):

    Description based upon print version of record

    Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Figures; Guide to Frequently Translated Words; Approaching Ugliness; Introduction; Rosenkranz's life and work; Realism in aesthetics; Problems of ugliness; Ugliness today; A note on the text; Aesthetics of Ugliness Karl RosenkranzTranslated by Andrei Pop and Mechtild Widrich; Foreword; Contents; Introduction; The Negative in General; The Imperfect; [15] The Naturally Ugly; The Intellectually Ugly 22; The Aesthetically Ugly; Ugliness in Relation to the Individual Arts; [52] The Pleasure in Ugliness

    [53] Division of the Work[67] Part One Formlessness; A. Amorphism; B. Asymmetry; [99] C. Disharmony; [115] Part Two Incorrectness; A. Incorrectness in General; B. Incorrectness in the Particular Styles; C. Incorrectness in the Individual Arts; [164] Part Three Disfiguration, or Deformation; A. The Mean; I. The Petty; II. The Feeble; III. The Low; a) The Ordinary; b) The Accidental and the Arbitrary; c) The Crude; B. The Repulsive; I. The Clumsy; II. The Dead and the Empty; III. The Hideous; a) The Tasteless; b) The Disgusting; c) Evil; α ) The Criminal; β ) The Ghastly 213

    γ ) The DiabolicalC. Caricature; Additional Texts on Aesthetics; Bibliography; Index