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  1. Fascist spectacle
    the aesthetics of power in Mussolini's Italy
    Autor*in: Falasca-Zamponi, Simonetta
    Erschienen: ©1997
    Verlag:  University of California Press, Berkeley

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0520206231; 0520926153; 0585081476; 9780520926158; 9780585081472
    Schriftenreihe: Studies on the history of society and culture ; 28
    Schlagworte: POLITICAL SCIENCE / Political Ideologies / Fascism & Totalitarianism; Aesthetics, Italian; Fascism; Fascism and culture; Political science; Fascisme; Machtsvertoon; Theatraliteit; Faschismus; Politische Wissenschaft; Fascism; Fascism and culture; Aesthetics, Italian; Politik; Ästhetik; Faschismus; Kunst
    Weitere Schlagworte: Mussolini, Benito; Mussolini, Benito (1883-1945)
    Umfang: 1 Online-Ressource (xi, 303 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 267-293) and index
  2. Romantic theatricality
    gender, poetry, and spectatorship
    Autor*in: Pascoe, Judith
    Erschienen: 1997
    Verlag:  Cornell Univ. Press, Ithaca u.a.

    In a significant reinterpretation of early romanticism, Judith Pascoe shows how English literary culture in the 1790s came to be shaped by the theater and by the public's fascination with it. Pascoe focus on several intriguing historical occurrences... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In a significant reinterpretation of early romanticism, Judith Pascoe shows how English literary culture in the 1790s came to be shaped by the theater and by the public's fascination with it. Pascoe focus on several intriguing historical occurrences of the late eighteenth and early nineteenth centuries, emphasizing how writers in all areas of public life relied on theatrical modes of self-representation. Pascoe adduces the theatrical posturing of the Della Cruscan poets, the staginess of the Marie Antoinette depicted in women's poetry, and the histrionic maneuverings of participants in the 1794 treason trials. Such public events as the trials also linked the newly powerful role of female theatrical spectator to that of political spectator. New forms of self-representation and dramatization arose as a result of that synthesis. Although its focus is on the substantial debt that romantic literature owes women writers, Romantic Theatrically also provides a new lens for viewing the creative endeavors of male romantic writers. Thus Pascoe documents William Wordsworth's strategic participation in the theatricality of early romantic culture.

     
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  3. Romantic theatricality
    gender, poetry, and spectatorship
    Autor*in: Pascoe, Judith
    Erschienen: 1997
    Verlag:  Cornell Univ. Press, Ithaca, NY [u.a.]

    In a significant reinterpretation of early romanticism, Judith Pascoe shows how English literary culture in the 1790s came to be shaped by the theater and by the public's fascination with it. Pascoe focus on several intriguing historical occurrences... mehr

     

    In a significant reinterpretation of early romanticism, Judith Pascoe shows how English literary culture in the 1790s came to be shaped by the theater and by the public's fascination with it. Pascoe focus on several intriguing historical occurrences of the late eighteenth and early nineteenth centuries, emphasizing how writers in all areas of public life relied on theatrical modes of self-representation. Pascoe adduces the theatrical posturing of the Della Cruscan poets, the staginess of the Marie Antoinette depicted in women's poetry, and the histrionic maneuverings of participants in the 1794 treason trials. Such public events as the trials also linked the newly powerful role of female theatrical spectator to that of political spectator. New forms of self-representation and dramatization arose as a result of that synthesis. Although its focus is on the substantial debt that romantic literature owes women writers, Romantic Theatrically also provides a new lens for viewing the creative endeavors of male romantic writers. Thus Pascoe documents William Wordsworth's strategic participation in the theatricality of early romantic culture.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0801433045
    RVK Klassifikation: HL 1267
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Engels <gtt>; Letterkunde <gtt>; Theatraliteit <gtt>; Authors and readers; Authorship; English poetry; English poetry; Feminism and literature; Performing arts in literature; Romanticism; Self in literature; Women and literature
    Weitere Schlagworte: Robinson, Mary <1758-1800>; Wordsworth, William <1770-1850>
    Umfang: XVII, 251 S., Ill., 24 cm