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  1. Screening religions in Italy
    contemporary Italian cinema and television in the post-secular public sphere
    Erschienen: [2019]; © 2019
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s development as a contemporary post-secular and multi-religious society is fraught and fascinating. The recent return of religious discourse from the margins of Western society to a central position is a sign of what German philosopher, Jürgen Habermas, has defined as the post-secular condition. Habermas and others have questioned what most people in the West had, up to a few years ago, taken for granted: the unstoppable forward march of secularization and the subsequent marginalization of religion. Instead, one of the greatest global fault-lines in the contemporary world – the divide between absolutist extremist Islamic faith and liberal, but Christian-inflected, secular values – has religious identity at its core. The first book-length study to examine religion in contemporary Italian cinema and television fiction, Screening Religions in Italy identifies two key issues: how Italian filmmaking constructs the continuing position of religion in the public sphere and why religion persists on Italian screens. It spans genres such as horror, comedy, hagiopics, and TV fiction, and explores both commercial and art-house filmmaking. It treats films and television series that range from Moretti’s Habemus Papam to Sorrentino’s The Young Pope

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487518004
    Weitere Identifier:
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Catholicism; Habermas; Islam; Italian cinema; Moretti; Sorrentino; fiction; hagiopic; horror; post-secular; religion; television; PERFORMING ARTS / Film & Video / General; Film; Religion <Motiv>; Öffentlicher Raum; Filmwirtschaft; Postsäkularismus; Fernsehen
    Umfang: 1 Online-Ressource (180 Seiten)
  2. Screening religions in Italy
    contemporary Italian cinema and television in the post-secular public sphere
    Erschienen: [2019]; © 2019
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Coburg, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Religion has had been foundational in shaping Italy. Home to the Vatican State, the Italian peninsula is the religious centre for one billion Catholics globally. It is also increasingly home to those of other faiths, especially Islam. Italy’s development as a contemporary post-secular and multi-religious society is fraught and fascinating. The recent return of religious discourse from the margins of Western society to a central position is a sign of what German philosopher, Jürgen Habermas, has defined as the post-secular condition. Habermas and others have questioned what most people in the West had, up to a few years ago, taken for granted: the unstoppable forward march of secularization and the subsequent marginalization of religion. Instead, one of the greatest global fault-lines in the contemporary world – the divide between absolutist extremist Islamic faith and liberal, but Christian-inflected, secular values – has religious identity at its core. The first book-length study to examine religion in contemporary Italian cinema and television fiction, Screening Religions in Italy identifies two key issues: how Italian filmmaking constructs the continuing position of religion in the public sphere and why religion persists on Italian screens. It spans genres such as horror, comedy, hagiopics, and TV fiction, and explores both commercial and art-house filmmaking. It treats films and television series that range from Moretti’s Habemus Papam to Sorrentino’s The Young Pope

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487518004
    Weitere Identifier:
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Catholicism; Habermas; Islam; Italian cinema; Moretti; Sorrentino; fiction; hagiopic; horror; post-secular; religion; television; PERFORMING ARTS / Film & Video / General; Film; Religion <Motiv>; Öffentlicher Raum; Filmwirtschaft; Postsäkularismus; Fernsehen
    Umfang: 1 Online-Ressource (180 Seiten)
  3. Pirandello
    narrazione - memoria - identità
    Beteiligt: Sorrentino, Alessandra (Hrsg.); Rössner, Michael (Hrsg.)
    Erschienen: 2019; © 2017
    Verlag:  Peter Lang, Oxford ; Bern ; Berlin ; Bruxelles ; New York ; Wien

    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Sorrentino, Alessandra (Hrsg.); Rössner, Michael (Hrsg.)
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    ISBN: 9781788742856; 1788742850
    Weitere Identifier:
    9781788742856
    RVK Klassifikation: IV 40721
    DDC Klassifikation: Italienische, rumänische, rätoromanische Literaturen (850)
    Schriftenreihe: Pirandello in un mondo globalizzato ; 1
    Schlagworte: Kollektives Gedächtnis <Motiv>; Identität <Motiv>
    Weitere Schlagworte: Pirandello, Luigi (1867-1936); Alessandra; Bart; Bossche; Budor; Casella; Claudio; Connell; Corte; Cultural Turns; Daragh; Decoloniale; Della; Doninique; Federico; Global South; globalizzato; Iconic Turn; Identità; Identità; Intertestualità; Letteratura del Mediterraneo; Memoria; Michael; mondo; Narrazione; Nissopoietica; Paola; Pirandello; Postcoloniale; Rössner; Sorrentino; Spatial Turn; Sud Italia; Teorie del comico (Umorismo); Traduzione culturale; Vicentini
    Umfang: xv, 162 Seiten, Illustrationen, 23 cm, 260 g
  4. Pirandello in un mondo globalizzato 1
    Narrazione - Memoria - Identità
    Erschienen: 2019
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  5. Pirandello
    narrazione - memoria - identità
    Beteiligt: Sorrentino, Alessandra (Herausgeber); Rössner, Michael (Herausgeber)
    Erschienen: [2017]
    Verlag:  Peter Lang, Oxford

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  6. Pirandello e un mondo da ri-disegnare
    Beteiligt: Sorrentino, Alessandra (Herausgeber); De Michele, Fausto (Herausgeber); Rössner, Michael (Herausgeber); Caponi, Maria Gabriella (Herausgeber)
    Erschienen: 2018
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford

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    Quelle: Verbundkataloge
    Beteiligt: Sorrentino, Alessandra (Herausgeber); De Michele, Fausto (Herausgeber); Rössner, Michael (Herausgeber); Caponi, Maria Gabriella (Herausgeber)
    Sprache: Italienisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787078291
    Weitere Identifier:
    9781787078291
    Schlagworte: Rezeption; Bearbeitung
    Weitere Schlagworte: Pirandello, Luigi (1867-1936); (Produktform)Electronic book text; (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)FOR007000: FOREIGN LANGUAGE STUDY / English as a Second Language; (BISAC Subject Heading)LIT004020: LITERARY CRITICISM / American / General; (BISAC Subject Heading)LIT004120: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; (BISAC Subject Heading)LIT004150: LITERARY CRITICISM / European / French; (BISAC Subject Heading)LIT004240: LITERARY CRITICISM / Russian & Former Soviet Union; (BISAC Subject Heading)SOC002000: SOCIAL SCIENCE / Anthropology / General; (BISAC Subject Heading)SOC002010: SOCIAL SCIENCE / Anthropology / Cultural; (BISAC Subject Heading)SOC002020: SOCIAL SCIENCE / Anthropology / Physical; (BISAC Subject Heading)SOC005000: SOCIAL SCIENCE / Customs & Traditions; (BISAC Subject Heading)SOC008000: SOCIAL SCIENCE / Ethnic Studies / General; (BIC subject category)DSBH: Literary studies: from c 1900 -; (BIC subject category)DSG: Literary studies: plays & playwrights; (BIC subject category)GTB: Regional studies; (BIC language qualifier (language as subject))2ADT: Italian; disegnare; Global South; Identità; Intertestualità; mondo; Pirandello; Sorrentino; Sud Italia; Teorie del comico; Traduzione culturale; Umorismo; (BISAC Subject Heading)LIT004170; (VLB-WN)9566
    Umfang: Online-Ressource, X, 316 Seiten
    Bemerkung(en):

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  7. Pirandello e un mondo da ri-disegnare
    Beteiligt: Sorrentino, Alessandra (Herausgeber)
    Erschienen: 2017
    Verlag:  Peter Lang, Oxford

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    Quelle: Verbundkataloge
    Beteiligt: Sorrentino, Alessandra (Herausgeber)
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783034322393; 3034322399
    Weitere Identifier:
    9783034322393
    Schlagworte: Rezeption; Bearbeitung
    Weitere Schlagworte: Pirandello, Luigi (1867-1936); (Produktform)Paperback / softback; (Zielgruppe)Fachpublikum/ Wissenschaft; disegnare; mondo; Pirandello; Sorrentino; (VLB-WN)1566: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Romanische Sprachwissenschaft, Literaturwissenschaft; (BISAC Subject Heading)FOR007000: FOREIGN LANGUAGE STUDY / English as a Second Language; (BISAC Subject Heading)LIT004020: LITERARY CRITICISM / American / General; (BISAC Subject Heading)LIT004120: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; (BISAC Subject Heading)LIT004150: LITERARY CRITICISM / European / French; (BISAC Subject Heading)LIT004240: LITERARY CRITICISM / Russian & Former Soviet Union; (BISAC Subject Heading)SOC002000: SOCIAL SCIENCE / Anthropology / General; (BISAC Subject Heading)SOC002010: SOCIAL SCIENCE / Anthropology / Cultural; (BISAC Subject Heading)SOC002020: SOCIAL SCIENCE / Anthropology / Physical; (BISAC Subject Heading)SOC005000: SOCIAL SCIENCE / Customs & Traditions; (BISAC Subject Heading)SOC008000: SOCIAL SCIENCE / Ethnic Studies / General; (BIC subject category)DSBH: Literary studies: from c 1900 -; (BIC subject category)DSG: Literary studies: plays & playwrights; (BIC subject category)GTB: Regional studies; (BIC language qualifier (language as subject))2ADT: Italian; Global South; Identità; Intertestualità; Sud Italia; Teorie del comico; Traduzione culturale; Umorismo; (BISAC Subject Heading)LIT004170
    Umfang: viii, 316 Seiten, 23 cm