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The divine face in four writers
Shakespeare, Dostoyevsky, Hesse, and C. S. Lewis -
Thomas Mann and Shakespeare
something rich and strange -
Much ado about nothing
a critical reader -
Shakespeare on stage and off
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Sacred and secular transactions in the age of Shakespeare
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Stoicism as performance in Much ado about nothing
acting indifferently -
Architectural rhetoric in Shakespeare and Spenser
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Shakespeare and hospitality
ethics, politics, and exchange -
Shakespeare and the truth-teller
confronting the cynic ideal -
Illyria in Shakespeare's England
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Spiritual Shakespeare
religious subtext in the plays -
Shakespeare and queer theory
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Shakespeare
the theatre of our world -
Enchantment and dis-enchantment in Shakespeare and early modern drama
wonder, the sacred, and the supernatural -
Shakespeare / sense
contemporary readings in sensory culture -
Shakespeare and queer representation
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The Routledge handbook of Shakespeare and animals
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The Cambridge companion to Shakespeare and race
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Rasa theory in Shakespearian tragedies
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Shakespeare's body parts
figuring sovereignty in the history plays -
The Cambridge companion to Shakespeare and race
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About Shakespeare
bodies, spaces and texts -
Shakespeare's freedom
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The Arden research handbook of Shakespeare and social justice
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Shakespeare / sense
contemporary readings in sensory culture