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  1. Decolonising African Divine Episteme: A Critical Analysis of the Akan Divine Name of God (Twereduampon Kwame)
    Autor*in: Prempeh, Charles
    Erschienen: 2022

    The goal of this paper is to decolonise Akan divine episteme from undue Euro-Christian influence. Since the 1920s, cultural anthropologists have argued that the Akan concept of Twereduampon Kwame is because God either revealed himself to the Akan on... mehr

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
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    The goal of this paper is to decolonise Akan divine episteme from undue Euro-Christian influence. Since the 1920s, cultural anthropologists have argued that the Akan concept of Twereduampon Kwame is because God either revealed himself to the Akan on a Saturday or the Akan worshipped God on that day. Employing in-depth interviews and a secondary data research approach that incorporates analysis of extant literature, I challenge this assumption by arguing that the name of God as Twereduampon Kwame is based on the significance of day names. This is because the name intermeshes with the enigma of death and God’s positionality as the source of the answer to the disruption caused by death. Contrary to the assumption of revelation or Sabbath observance in the Akan religion, the name Twereduampon Kwame points to God’s appellation as the greatest herbalist.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: Journal of religion in Africa; Leiden : Brill, 1967; 52(2022), 3/4, Seite 269-291; Online-Ressource

    Schlagworte: Saturday; decolonisation; Twereduampon; Kwame; Akan
  2. Transatlantic fictions of 9/11 and the War on Terror
    images of insecurity, narratives of captivity
    Autor*in: Araújo, Susana
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, London ; [Bloomsbury Publishing], New York

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    Standort:
    Universität Mainz, Zentralbibliothek
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  3. Deceptive fictions
    narrating trauma and violence in contemporary writing
    Autor*in: Tancke, Ulrike
    Erschienen: 2015
    Verlag:  Cambridge Scholars Publ., Newcastle upon Tyne

    Deceptive Fictions: Narrating Trauma and Violence in Contemporary Writing explores the widespread narrative concern with trauma and violence, and their interactions with identity, meaning, ethics, history, memory and various other related issues in a... mehr

    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    Deceptive Fictions: Narrating Trauma and Violence in Contemporary Writing explores the widespread narrative concern with trauma and violence, and their interactions with identity, meaning, ethics, history, memory and various other related issues in a selection of novels by prolific contemporary British and Irish writers. Interrogating the strategic functions of trauma and violence, the book argues that these texts can be read as counter-narratives to, or a backlash against, still-prevalent critical paradigms informed by … Show morepoststructuralist and postmodern thought. Trauma and violence are invoked as narrative tools to communicate the centrality of the body and of biological and material constraints on human actions. ...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781443872706; 9781443878753 (Sekundärausgabe)
    RVK Klassifikation: HN 1331
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Englisch; Literatur; Gewalt <Motiv>; Roman; Psychisches Trauma <Motiv>
    Weitere Schlagworte: McEwan, Ian (1948-): Saturday
    Umfang: 166 S.
    Bemerkung(en):

    Literaturverz. S. [155] - 166

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