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'Sartor' called 'resartus'
the genesis, structure, and style of Thomas Carlyle's first major work -
'Sartor' called 'resartus'
the genesis, structure, and style of Thomas Carlyle's first major work -
Carlyle and Jean Paul
their spiritual optics -
Carlyle and Jean Paul
their spiritual optics -
Carlyle and Jean Paul
their spiritual optics -
Carlyle and Jean Paul
their spiritual optics -
Carlyle and Jean Paul
their spiritual optics -
Carlyle and Jean Paul
their spiritual optics -
Carlyle and Jean Paul
their spiritual optics -
From romantic irony to postmodernist metafiction
a contribution to the history of literary self-reflexivity in its philosophical context -
From romantic irony to postmodernist metafiction
a contribution to the history of literary self-reflexivity in its philosophical context -
From romantic irony to postmodernist metafiction
a contribution to the history of literary self-reflexivity in its philosophical context -
Introduction & notes to Carlyle's "Sartor resartus"
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Sartor called Resartus
the genesis, structure, and style of Thomas Carlyle's first major work -
Sartor called Resartus
the genesis, structure, and style of Thomas Carlyle's first major work -
Sartor called Resartus
the genesis, structure, and style of Thomas Carlyle's first major work -
Signaturen des Verschwindens
das Bild des Philosophen in Literatur und Philosophie um 1800 -
Signaturen des Verschwindens
das Bild des Philosophen in Literatur und Philosophie um 1800 -
The Pythia's drunken song
Thomas Carlyle's Sartor resartus and the style problem in German idealist philosophy -
The Pythia's drunken song
Thomas Carlyle's Sartor Resartus and the style problem in German idealist philosophy -
The Pythia's drunken song
Thomas Carlyle's Sartor Resartus and the style problem in German idealist philosophy -
The Pythia's drunken song
Thomas Carlyle's Sartor Resartus and the style problem in German idealist philosophy -
The Rhetorical Form of Carlyle's Sartor Resartus
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The esoteric comedies of Carlyle, Newman, and Yeats
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The esoteric comedies of Carlyle, Newman, and Yeats