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  1. Sovetskaja ėpocha v memuarach, dnevnikach, snach
    opyt čtenija
    Autor*in: Paperno, Irina
    Erschienen: 2021
    Verlag:  Novoe literaturnoe obozrenie, Moskva

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9785444815328
    RVK Klassifikation: KK 1305
    Schriftenreihe: Novoe literaturnoe obozrenie ; vyp. 218
    Naučnaja biblioteka
    Schlagworte: Russian prose literature; Autobiography; Autobiographical memory
    Weitere Schlagworte: Array; Autobiography; Array; Array; Array
    Umfang: 317 Seiten
  2. The Gulag in writings of Aleksandr Solzhenitsyn and Varlam Shalamov
    memory, history, testimony
    Beteiligt: Heffermehl, Fabian (HerausgeberIn); Karlson, Irina (HerausgeberIn)
    Erschienen: [2021]
    Verlag:  Brill, Leiden$aBoston

    Part 1.Literary origins.Discontinuities in the evolution of Kolyma Stories and "One Day in the Life of Ivan Denisovich" /Michael A. Nicholson ;Poetry after the Gulag: do Solzhenitsyn and Shalamov have a lyric mindset? /Ulrich Schmid ;More than a cat... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Part 1.Literary origins.Discontinuities in the evolution of Kolyma Stories and "One Day in the Life of Ivan Denisovich" /Michael A. Nicholson ;Poetry after the Gulag: do Solzhenitsyn and Shalamov have a lyric mindset? /Ulrich Schmid ;More than a cat : reflections on Shalamov's and Solzhenitsyn's writings through the perspective of trauma studies /Andrea Gullotta --Part 2.Memory and body.Why did Solzhenitsyn and Shalamov not write the Gulag Archipelago together? /Luba Jurgenson ;Tactility and memory in Shalamov /Fabian Heffermehl ;"Grudge-holding body": body and memory in the works of Varlam Shalamov /Franziska Thun-Hohenstein ;Certain properties of rhyme: poetic language touching abomination /Irina Sandomirskaia --Part 3.History and narrative.Counterfactuals and history in The Gulag Archipelago /Irina Karlsohn ;"The Gulag's Archipelago" : rhetoric of history /Elena Mikhailik ;Telling the stories of others and writing the bodies of others: the representation of women in Shalamov's Kolyma Stories and Solzhenitsyn's The Gulag Archipelago /Josefina Lundblad-Janjić ;The issue of "softening" and the problem of addressivity in Solzhenitsyn and Shalamov /Leona Toker. "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's works, which he describes as "a result of exhaustion after years of hardship and hard labour in the camp". By understanding the text as a "result", Solzhenitsyn critically touched on a concept of evidence, which Shalamov several times emphasized as important to his own works. According to Shalamov, instead of the text being a re-presentation, it should be an extract from or substitute for the real or the factual, by which his Gulag experience became present once again. Concepts such as "document", "thing" and "fact" became important for Shalamov's self-identification as a modernist. At the same time, Solzhenitsyn, viewing his own task as one of restoring historical experiences of the Russian people and trying "to explain the slow course of history and what sort of one it has been", assumed the dual role of writer and historian, which inevitably raises the question of what characterizes the borders between fact and fiction in his works. It also raises question about dichotomies of historical and fictional truth"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Heffermehl, Fabian (HerausgeberIn); Karlson, Irina (HerausgeberIn)
    Sprache: Englisch; Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004468450
    Schriftenreihe: Studies in Slavic literature and poetics ; volume 63
    Schlagworte: Russian prose literature; Penal colonies in literature; Memory in literature
    Weitere Schlagworte: Solzhenit︠s︡yn, Aleksandr Isaevich (1918-2008); Shalamov, Varlam
    Umfang: XI, 296 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

    Text teilweise in kyrillischer Schrift

    The inspiration for this book came from the international conference "The Gulag in Writings of Aleksandr Solzhenitsyn and Varlam Shalamov: Fact, Document, Fiction", Uppsala University, Sweden, April 20-21, 2017. (Acknowledgements)
  3. Goncharov in the Twenty-First Century
    Beteiligt: Balakin, Aleksei (MitwirkendeR); Guskov, Sergei (MitwirkendeR); Ivantsov, Vladimir (MitwirkendeR); Juharyan, Victoria (MitwirkendeR); Kleespies, Ingrid (MitwirkendeR); Kleespies, Ingrid (HerausgeberIn); Kokobobo, Ani (MitwirkendeR); Koroliov, Sonja (MitwirkendeR); McFadden, Devin (MitwirkendeR); Parts, Lyudmila (MitwirkendeR); Parts, Lyudmila (HerausgeberIn); Sobol, Valeria (MitwirkendeR); Zubkov, Kirill (MitwirkendeR)
    Erschienen: [2021]; ©2021
    Verlag:  Academic Studies Press, Boston, MA

    Goncharov in the Twenty-First Century brings together a range of international scholars for a reexamination of Ivan Goncharov’s life and work through a twenty-first century critical lens. Contributions to the volume highlight Goncharov’s service... mehr

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    Universität Potsdam, Universitätsbibliothek
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    Goncharov in the Twenty-First Century brings together a range of international scholars for a reexamination of Ivan Goncharov’s life and work through a twenty-first century critical lens. Contributions to the volume highlight Goncharov’s service career, the complex and understudied manifestation of Realism in his work, the diverse philosophical threads that shape his novels, and the often colliding contexts of writer and imperial bureaucrat in the 1858 travel text Frigate Pallada. Chapters engage with approaches from post-colonial and queer studies, theories of genre and the novel, desire, laughter, technology, and mobility and travel

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Balakin, Aleksei (MitwirkendeR); Guskov, Sergei (MitwirkendeR); Ivantsov, Vladimir (MitwirkendeR); Juharyan, Victoria (MitwirkendeR); Kleespies, Ingrid (MitwirkendeR); Kleespies, Ingrid (HerausgeberIn); Kokobobo, Ani (MitwirkendeR); Koroliov, Sonja (MitwirkendeR); McFadden, Devin (MitwirkendeR); Parts, Lyudmila (MitwirkendeR); Parts, Lyudmila (HerausgeberIn); Sobol, Valeria (MitwirkendeR); Zubkov, Kirill (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781644696996
    Weitere Identifier:
    Schriftenreihe: Studies in Russian and Slavic Literatures, Cultures, and History
    Schlagworte: Authors as employees; Censorship; Russian prose literature; LITERARY CRITICISM / Russian & Former Soviet Union
    Weitere Schlagworte: A Common Story; Derrida; Frigate Pallada; Goncharov; Hegel; Oblomov; Obyknovennaia istoriia; Plato; Russian literature; Schopenhauer; The Precipice; censorship; civil service; desire; gothic; laughter; modernity; queer studies; realism; travelogue
    Umfang: 1 Online-Ressource (264 p.)
  4. Goncharov in the twenty-first century
    Beteiligt: Kleespies, Ingrid (Hrsg.); Parts, Lyudmila (Hrsg.)
    Erschienen: 2021
    Verlag:  Academic Studies Press, Boston

    Part one. The life of service.Writer and chinovnik: the case of I. A. Goncharov /Sergei Gus'kov ;Writer or censor: I. A. Goncharov's service in the departments of censorship, and the evolution of professional ethics for censors and writers in Russia,... mehr

     

    Part one. The life of service.Writer and chinovnik: the case of I. A. Goncharov /Sergei Gus'kov ;Writer or censor: I. A. Goncharov's service in the departments of censorship, and the evolution of professional ethics for censors and writers in Russia, in the 1850s and 1860s /Kirill Zubkov --Part two. The challenges of philosophy."Oblomovskii Platon": platonic subtexts in Oblomov /Vladimir Ivantsov ;Hegel's philosophy of history as the unifying thread of Goncharov's Trilogy /Victoria Juharyan ;Longing, replacement, and anti-economy in Goncharov's Oblomov /Sonja Koroliov --Part three. The challenges of realism: traditions and transgressions."Shadows, dead people, and specters": gothic aesthetics in Ivan Goncharov's The Precipice /Valeria Sobol ;The queer nihilist - queer time, social refusal, and heteronormativity in Goncharov's The Precipice /Ani Kokobobo and Devin McFadden --Part four. Author and imperialist abroad: Frigate Pallada."I avoided the factual side...": fiction and document in Frigate Pallada /Aleksei Balakin ;A Russian observer catches the London Eye: envisioning imperial modernity in Goncharov's Frigate Pallada /Ingrid Kleespies ;Who are you laughing at?: Identity, laughter, and colonial discourse in Goncharov's Frigate Pallada /Lyudmila Parts. "Goncharov in the Twenty-First Century brings together a range of international scholars for a reexamination of Ivan Goncharov's life and work through a twenty-first century critical lens. Contributions to the volume highlight Goncharov's service career, the complex and understudied manifestation of Realism in his work, the diverse philosophical threads that shape his novels, and the often colliding contexts of writer and imperial bureaucrat in the 1858 travel text Frigate Pallada. Chapters engage with approaches from post-colonial and queer studies, theories of genre and the novel, desire, laughter, technology, and mobility and travel"

     
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    Quelle: Verbundkataloge
    Beteiligt: Kleespies, Ingrid (Hrsg.); Parts, Lyudmila (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781644696989
    Schriftenreihe: Studies in Russian and Slavic literatures, cultures, and history
    Schlagworte: Russian prose literature; Authors as employees; Censorship
    Weitere Schlagworte: Goncharov, Ivan Aleksandrovich (1812-1891); Goncharov, Ivan Aleksandrovich (1812-1891)
    Umfang: xxviii, 234 Seiten
    Bemerkung(en):

    Enthält Literaturverzeichnis auf Seite [217]-231
  5. Poėtika russkogo komičeskogo romana XX veka
    Očerki
    Autor*in: Žiličeva, Galina Aleksandrovna
    Erschienen: 2021
    Verlag:  Otkrytaja kafedra, Novosibirsk

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9785604116074
    RVK Klassifikation: KK 2250 ; KK 2470
    Schriftenreihe: Opera aperta
    Schlagworte: Authors, Russian; Russian fiction; Humor in literature; Russian prose literature
    Umfang: 224 Seiten
    Bemerkung(en):

    Enthält Literaturverzeichnis auf Seite 204-220
  6. Goncharov in the Twenty-First Century
    Beteiligt: Balakin, Aleksei (MitwirkendeR); Guskov, Sergei (MitwirkendeR); Ivantsov, Vladimir (MitwirkendeR); Juharyan, Victoria (MitwirkendeR); Kleespies, Ingrid (MitwirkendeR); Kleespies, Ingrid (HerausgeberIn); Kokobobo, Ani (MitwirkendeR); Koroliov, Sonja (MitwirkendeR); McFadden, Devin (MitwirkendeR); Parts, Lyudmila (MitwirkendeR); Parts, Lyudmila (HerausgeberIn); Sobol, Valeria (MitwirkendeR); Zubkov, Kirill (MitwirkendeR)
    Erschienen: [2021]; ©2021
    Verlag:  Academic Studies Press, Boston, MA

    Goncharov in the Twenty-First Century brings together a range of international scholars for a reexamination of Ivan Goncharov’s life and work through a twenty-first century critical lens. Contributions to the volume highlight Goncharov’s service... mehr

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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Zentrale Hochschulbibliothek Flensburg
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Thüringer Universitäts- und Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Goncharov in the Twenty-First Century brings together a range of international scholars for a reexamination of Ivan Goncharov’s life and work through a twenty-first century critical lens. Contributions to the volume highlight Goncharov’s service career, the complex and understudied manifestation of Realism in his work, the diverse philosophical threads that shape his novels, and the often colliding contexts of writer and imperial bureaucrat in the 1858 travel text Frigate Pallada. Chapters engage with approaches from post-colonial and queer studies, theories of genre and the novel, desire, laughter, technology, and mobility and travel

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Balakin, Aleksei (MitwirkendeR); Guskov, Sergei (MitwirkendeR); Ivantsov, Vladimir (MitwirkendeR); Juharyan, Victoria (MitwirkendeR); Kleespies, Ingrid (MitwirkendeR); Kleespies, Ingrid (HerausgeberIn); Kokobobo, Ani (MitwirkendeR); Koroliov, Sonja (MitwirkendeR); McFadden, Devin (MitwirkendeR); Parts, Lyudmila (MitwirkendeR); Parts, Lyudmila (HerausgeberIn); Sobol, Valeria (MitwirkendeR); Zubkov, Kirill (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781644696996
    Weitere Identifier:
    Schriftenreihe: Studies in Russian and Slavic Literatures, Cultures, and History
    Schlagworte: Authors as employees; Censorship; Russian prose literature; LITERARY CRITICISM / Russian & Former Soviet Union
    Weitere Schlagworte: A Common Story; Derrida; Frigate Pallada; Goncharov; Hegel; Oblomov; Obyknovennaia istoriia; Plato; Russian literature; Schopenhauer; The Precipice; censorship; civil service; desire; gothic; laughter; modernity; queer studies; realism; travelogue
    Umfang: 1 Online-Ressource (264 p.)
  7. Goncharov in the twenty-first century
    Beteiligt: Kleespies, Ingrid (HerausgeberIn); Parts, Lyudmila (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Academic Studies Press, Boston

    Part one. The life of service.Writer and chinovnik: the case of I. A. Goncharov /Sergei Gus'kov ;Writer or censor: I. A. Goncharov's service in the departments of censorship, and the evolution of professional ethics for censors and writers in Russia,... mehr

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2021 A 14454
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Part one. The life of service.Writer and chinovnik: the case of I. A. Goncharov /Sergei Gus'kov ;Writer or censor: I. A. Goncharov's service in the departments of censorship, and the evolution of professional ethics for censors and writers in Russia, in the 1850s and 1860s /Kirill Zubkov --Part two. The challenges of philosophy."Oblomovskii Platon": platonic subtexts in Oblomov /Vladimir Ivantsov ;Hegel's philosophy of history as the unifying thread of Goncharov's Trilogy /Victoria Juharyan ;Longing, replacement, and anti-economy in Goncharov's Oblomov /Sonja Koroliov --Part three. The challenges of realism: traditions and transgressions."Shadows, dead people, and specters": gothic aesthetics in Ivan Goncharov's The Precipice /Valeria Sobol ;The queer nihilist - queer time, social refusal, and heteronormativity in Goncharov's The Precipice /Ani Kokobobo and Devin McFadden --Part four. Author and imperialist abroad: Frigate Pallada."I avoided the factual side...": fiction and document in Frigate Pallada /Aleksei Balakin ;A Russian observer catches the London Eye: envisioning imperial modernity in Goncharov's Frigate Pallada /Ingrid Kleespies ;Who are you laughing at?: Identity, laughter, and colonial discourse in Goncharov's Frigate Pallada /Lyudmila Parts. "Goncharov in the Twenty-First Century brings together a range of international scholars for a reexamination of Ivan Goncharov's life and work through a twenty-first century critical lens. Contributions to the volume highlight Goncharov's service career, the complex and understudied manifestation of Realism in his work, the diverse philosophical threads that shape his novels, and the often colliding contexts of writer and imperial bureaucrat in the 1858 travel text Frigate Pallada. Chapters engage with approaches from post-colonial and queer studies, theories of genre and the novel, desire, laughter, technology, and mobility and travel"--

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Kleespies, Ingrid (HerausgeberIn); Parts, Lyudmila (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781644696989
    Schriftenreihe: Studies in Russian and Slavic literatures, cultures, and history
    Schlagworte: Russian prose literature; Authors as employees; Censorship
    Weitere Schlagworte: Goncharov, Ivan Aleksandrovich (1812-1891); Goncharov, Ivan Aleksandrovich (1812-1891)
    Umfang: xxviii, 234 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  8. Sovetskaja ėpocha v memuarach, dnevnikach, snach
    opyt čtenija
    Autor*in: Paperno, Irina
    Erschienen: 2021
    Verlag:  Novoe literaturnoe obozrenie, Moskva

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Russisch
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    ISBN: 9785444815328
    RVK Klassifikation: KK 1305
    Schriftenreihe: Novoe literaturnoe obozrenie ; vyp. 218
    Naučnaja biblioteka
    Schlagworte: Russian prose literature; Autobiography; Autobiographical memory
    Weitere Schlagworte: Array; Autobiography; Array; Array; Array
    Umfang: 317 Seiten
  9. The Gulag in writings of Aleksandr Solzhenitsyn and Varlam Shalamov
    memory, history, testimony
    Beteiligt: Heffermehl, Fabian (HerausgeberIn); Karlson, Irina (HerausgeberIn)
    Erschienen: [2021]
    Verlag:  Brill, Leiden

    Part 1.Literary origins.Discontinuities in the evolution of Kolyma Stories and "One Day in the Life of Ivan Denisovich" /Michael A. Nicholson ;Poetry after the Gulag: do Solzhenitsyn and Shalamov have a lyric mindset? /Ulrich Schmid ;More than a cat... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 129527
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2022 A 1772
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Part 1.Literary origins.Discontinuities in the evolution of Kolyma Stories and "One Day in the Life of Ivan Denisovich" /Michael A. Nicholson ;Poetry after the Gulag: do Solzhenitsyn and Shalamov have a lyric mindset? /Ulrich Schmid ;More than a cat : reflections on Shalamov's and Solzhenitsyn's writings through the perspective of trauma studies /Andrea Gullotta --Part 2.Memory and body.Why did Solzhenitsyn and Shalamov not write the Gulag Archipelago together? /Luba Jurgenson ;Tactility and memory in Shalamov /Fabian Heffermehl ;"Grudge-holding body": body and memory in the works of Varlam Shalamov /Franziska Thun-Hohenstein ;Certain properties of rhyme: poetic language touching abomination /Irina Sandomirskaia --Part 3.History and narrative.Counterfactuals and history in The Gulag Archipelago /Irina Karlsohn ;"The Gulag's Archipelago" : rhetoric of history /Elena Mikhailik ;Telling the stories of others and writing the bodies of others: the representation of women in Shalamov's Kolyma Stories and Solzhenitsyn's The Gulag Archipelago /Josefina Lundblad-Janjić ;The issue of "softening" and the problem of addressivity in Solzhenitsyn and Shalamov /Leona Toker. "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's works, which he describes as "a result of exhaustion after years of hardship and hard labour in the camp". By understanding the text as a "result", Solzhenitsyn critically touched on a concept of evidence, which Shalamov several times emphasized as important to his own works. According to Shalamov, instead of the text being a re-presentation, it should be an extract from or substitute for the real or the factual, by which his Gulag experience became present once again. Concepts such as "document", "thing" and "fact" became important for Shalamov's self-identification as a modernist. At the same time, Solzhenitsyn, viewing his own task as one of restoring historical experiences of the Russian people and trying "to explain the slow course of history and what sort of one it has been", assumed the dual role of writer and historian, which inevitably raises the question of what characterizes the borders between fact and fiction in his works. It also raises question about dichotomies of historical and fictional truth"--

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Heffermehl, Fabian (HerausgeberIn); Karlson, Irina (HerausgeberIn)
    Sprache: Englisch; Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004468450
    Schriftenreihe: Studies in Slavic literature and poetics ; volume 63
    Schlagworte: Russian prose literature; Penal colonies in literature; Memory in literature
    Weitere Schlagworte: Solzhenit︠s︡yn, Aleksandr Isaevich (1918-2008); Shalamov, Varlam
    Umfang: XI, 296 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

    Text teilweise in kyrillischer Schrift

    The inspiration for this book came from the international conference "The Gulag in Writings of Aleksandr Solzhenitsyn and Varlam Shalamov: Fact, Document, Fiction", Uppsala University, Sweden, April 20-21, 2017. (Acknowledgements)
  10. O poėzii i proze
    sbornik statej
    Autor*in: Nevzgljadova, Elena
    Erschienen: 2021
    Verlag:  "Gelikon Pljus", Sankt-Peterburg

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9785000982792
    Schlagworte: Russian poetry; Russian prose literature
    Umfang: 457 Seiten, Porträt, 21 cm
  11. Isčezajuščee literatury
    [ėsse, statʹi]
    Autor*in: Stepanov, Andrej Dmitrievič
    Erschienen: 2021
    Verlag:  Izdatelʹskij domGorodec, Moskva

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9785907358171; 5907358173
    Schriftenreihe: Knižnaja polka Badima Leventalja
    Schlagworte: Authors, Russian; Russian essays; Russian prose literature; Authors, Russian; Russian essays; Russian prose literature; Fiction
    Umfang: 282 Seiten, 22 cm
    Bemerkung(en):

    Includes bibliographical references
  12. The Gulag in writings of Aleksandr Solzhenitsyn and Varlam Shalamov
    memory, history, testimony
    Beteiligt: Heffermehl, Fabian (HerausgeberIn); Karlson, Irina (HerausgeberIn)
    Erschienen: [2021]; © 2021
    Verlag:  Brill, Leiden

    Part 1.Literary origins.Discontinuities in the evolution of Kolyma Stories and "One Day in the Life of Ivan Denisovich" /Michael A. Nicholson ;Poetry after the Gulag: do Solzhenitsyn and Shalamov have a lyric mindset? /Ulrich Schmid ;More than a cat... mehr

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    Part 1.Literary origins.Discontinuities in the evolution of Kolyma Stories and "One Day in the Life of Ivan Denisovich" /Michael A. Nicholson ;Poetry after the Gulag: do Solzhenitsyn and Shalamov have a lyric mindset? /Ulrich Schmid ;More than a cat : reflections on Shalamov's and Solzhenitsyn's writings through the perspective of trauma studies /Andrea Gullotta --Part 2.Memory and body.Why did Solzhenitsyn and Shalamov not write the Gulag Archipelago together? /Luba Jurgenson ;Tactility and memory in Shalamov /Fabian Heffermehl ;"Grudge-holding body": body and memory in the works of Varlam Shalamov /Franziska Thun-Hohenstein ;Certain properties of rhyme: poetic language touching abomination /Irina Sandomirskaia --Part 3.History and narrative.Counterfactuals and history in The Gulag Archipelago /Irina Karlsohn ;"The Gulag's Archipelago" : rhetoric of history /Elena Mikhailik ;Telling the stories of others and writing the bodies of others: the representation of women in Shalamov's Kolyma Stories and Solzhenitsyn's The Gulag Archipelago /Josefina Lundblad-Janjić ;The issue of "softening" and the problem of addressivity in Solzhenitsyn and Shalamov /Leona Toker. "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's works, which he describes as "a result of exhaustion after years of hardship and hard labour in the camp". By understanding the text as a "result", Solzhenitsyn critically touched on a concept of evidence, which Shalamov several times emphasized as important to his own works. According to Shalamov, instead of the text being a re-presentation, it should be an extract from or substitute for the real or the factual, by which his Gulag experience became present once again. Concepts such as "document", "thing" and "fact" became important for Shalamov's self-identification as a modernist. At the same time, Solzhenitsyn, viewing his own task as one of restoring historical experiences of the Russian people and trying "to explain the slow course of history and what sort of one it has been", assumed the dual role of writer and historian, which inevitably raises the question of what characterizes the borders between fact and fiction in his works. It also raises question about dichotomies of historical and fictional truth"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Heffermehl, Fabian (HerausgeberIn); Karlson, Irina (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004468481
    Weitere Identifier:
    Schriftenreihe: Studies in Slavic literature and poetics ; volume 63
    Schlagworte: Russian prose literature; Penal colonies in literature; Memory in literature
    Weitere Schlagworte: Solzhenit︠s︡yn, Aleksandr Isaevich (1918-2008); Shalamov, Varlam
    Umfang: 1 Online-Ressource (XI, 296 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  13. Podarennyj mne denʹ
    zapisi, rasskazy, ėsseistika, kritika, stichi, otkliki
    Autor*in: Goryšin, Gleb Aleksandrovič
    Erschienen: 2021
    Verlag:  "Izdatelʹstvo "Rostok", Sankt-Peterburg

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    Quelle: Verbundkataloge
    Beteiligt: Grodeckaja, Anna Glebovna (HerausgeberIn)
    Sprache: Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9785946683241; 5946683241
    Schlagworte: Russian essays; Russian poetry; Russian prose literature
    Weitere Schlagworte: Goryshin, Gleb
    Umfang: 594 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 21 cm
  14. The Gulag in writings of Aleksandr Solzhenitsyn and Varlam Shalamov
    memory, history, testimony
    Beteiligt: Heffermehl, Fabian (Hrsg.); Karlson, Irina (Hrsg.)
    Erschienen: [2021]; © 2021
    Verlag:  Brill, Leiden ; Boston

    "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's... mehr

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    "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's works, which he describes as "a result of exhaustion after years of hardship and hard labour in the camp". By understanding the text as a "result", Solzhenitsyn critically touched on a concept of evidence, which Shalamov several times emphasized as important to his own works. According to Shalamov, instead of the text being a re-presentation, it should be an extract from or substitute for the real or the factual, by which his Gulag experience became present once again. Concepts such as "document", "thing" and "fact" became important for Shalamov's self-identification as a modernist. At the same time, Solzhenitsyn, viewing his own task as one of restoring historical experiences of the Russian people and trying "to explain the slow course of history and what sort of one it has been", assumed the dual role of writer and historian, which inevitably raises the question of what characterizes the borders between fact and fiction in his works. It also raises question about dichotomies of historical and fictional truth"

     
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  15. The Gulag in writings of Aleksandr Solzhenitsyn and Varlam Shalamov
    memory, history, testimony
    Beteiligt: Heffermehl, Fabian (Hrsg.); Karlson, Irina (Hrsg.)
    Erschienen: [2021]; © 2021
    Verlag:  Brill, Leiden ; Boston

    "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's... mehr

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    "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's works, which he describes as "a result of exhaustion after years of hardship and hard labour in the camp". By understanding the text as a "result", Solzhenitsyn critically touched on a concept of evidence, which Shalamov several times emphasized as important to his own works. According to Shalamov, instead of the text being a re-presentation, it should be an extract from or substitute for the real or the factual, by which his Gulag experience became present once again. Concepts such as "document", "thing" and "fact" became important for Shalamov's self-identification as a modernist. At the same time, Solzhenitsyn, viewing his own task as one of restoring historical experiences of the Russian people and trying "to explain the slow course of history and what sort of one it has been", assumed the dual role of writer and historian, which inevitably raises the question of what characterizes the borders between fact and fiction in his works. It also raises question about dichotomies of historical and fictional truth"

     
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  16. Goncharov in the twenty-first century
    Beteiligt: Kleespies, Ingrid (Hrsg.); Parts, Lyudmila (Hrsg.)
    Erschienen: [2021]; ©2021
    Verlag:  Academic Studies Press, Boston

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Kleespies, Ingrid (Hrsg.); Parts, Lyudmila (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781644696996
    Schriftenreihe: Studies in Russian and Slavic literatures, cultures and history
    Schlagworte: Russian prose literature; Russian prose literature
    Weitere Schlagworte: Goncharov, Ivan Aleksandrovich (1812-1891)
    Umfang: 1 Online-Ressource (264 pages)
    Bemerkung(en):

    Description based on print version record
  17. <<The>> Gulag in writings of Aleksandr Solzhenitsyn and Varlam Shalamov
    memory, history, testimony
    Beteiligt: Heffermehl, Fabian (Hrsg.); Karlson, Irina (Hrsg.)
    Erschienen: [2021]
    Verlag:  Brill, Leiden

    "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's... mehr

     

    "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's works, which he describes as "a result of exhaustion after years of hardship and hard labour in the camp". By understanding the text as a "result", Solzhenitsyn critically touched on a concept of evidence, which Shalamov several times emphasized as important to his own works. According to Shalamov, instead of the text being a re-presentation, it should be an extract from or substitute for the real or the factual, by which his Gulag experience became present once again. Concepts such as "document", "thing" and "fact" became important for Shalamov's self-identification as a modernist. At the same time, Solzhenitsyn, viewing his own task as one of restoring historical experiences of the Russian people and trying "to explain the slow course of history and what sort of one it has been", assumed the dual role of writer and historian, which inevitably raises the question of what characterizes the borders between fact and fiction in his works. It also raises question about dichotomies of historical and fictional truth"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Heffermehl, Fabian (Hrsg.); Karlson, Irina (Hrsg.)
    Sprache: Englisch
    Medientyp: Konferenzschrift
    Format: Druck
    ISBN: 9789004468450; 9004468455
    Körperschaften/Kongresse: International Symposium The Gulag in Writings of Solzhenitsyn and Shalamov: Fact, Document, Fiction (2017, Uppsala)
    Schriftenreihe: Studies in Slavic literature and poetics ; volume 63
    Schlagworte: Solženicyn, Aleksandr Isaevič; Šalamov, Varlam Tichonovič; Straflager <Motiv>;
    Weitere Schlagworte: Solzhenit͡syn, Aleksandr Isaevich / 1918-2008 / Criticism and interpretation; Shalamov, Varlam / Criticism and interpretation; Russian prose literature / 20th century / History and criticism; Penal colonies in literature; Memory in literature; Shalamov, Varlam; Solzhenit͡syn, Aleksandr Isaevich / 1918-2008; Memory in literature; Penal colonies in literature; Russian prose literature; 1900-1999; Criticism, interpretation, etc
    Umfang: XI, 296 Seiten
    Bemerkung(en):

    Enthält Literaturangaben

    In den Acknowledgements: The inspiration for this book came from the international conference "The Gulag in writings of Aleksandr Solzhenitsyn and Varlam Shalamov: Fact, document, fiction", Uppsala University, Sweden, April 20-21, 2017.

    Array: Array
  18. The Gulag in writings of Aleksandr Solzhenitsyn and Varlam Shalamov
    memory, history, testimony
    Beteiligt: Heffermehl, Fabian (Hrsg.); Karlson, Irina (Hrsg.)
    Erschienen: [2021]; © 2021
    Verlag:  Brill, Leiden ; Boston

    "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's works, which he describes as "a result of exhaustion after years of hardship and hard labour in the camp". By understanding the text as a "result", Solzhenitsyn critically touched on a concept of evidence, which Shalamov several times emphasized as important to his own works. According to Shalamov, instead of the text being a re-presentation, it should be an extract from or substitute for the real or the factual, by which his Gulag experience became present once again. Concepts such as "document", "thing" and "fact" became important for Shalamov's self-identification as a modernist. At the same time, Solzhenitsyn, viewing his own task as one of restoring historical experiences of the Russian people and trying "to explain the slow course of history and what sort of one it has been", assumed the dual role of writer and historian, which inevitably raises the question of what characterizes the borders between fact and fiction in his works. It also raises question about dichotomies of historical and fictional truth"

     
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  19. O poėzii i proze
    sbornik statej
    Autor*in: Nevzgljadova, Elena
    Erschienen: 2021
    Verlag:  "Gelikon Pljus", Sankt-Peterburg

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9785000982792
    Schlagworte: Russian poetry; Russian prose literature
    Umfang: 457 Seiten, Porträt, 21 cm
  20. Goncharov in the twenty-first century
    Beteiligt: Kleespies, Ingrid (HerausgeberIn); Parts, Lyudmila (HerausgeberIn)
    Erschienen: 2021
    Verlag:  Academic Studies Press, Boston

    Part one. The life of service.Writer and chinovnik: the case of I. A. Goncharov /Sergei Gus'kov ;Writer or censor: I. A. Goncharov's service in the departments of censorship, and the evolution of professional ethics for censors and writers in Russia,... mehr

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    Part one. The life of service.Writer and chinovnik: the case of I. A. Goncharov /Sergei Gus'kov ;Writer or censor: I. A. Goncharov's service in the departments of censorship, and the evolution of professional ethics for censors and writers in Russia, in the 1850s and 1860s /Kirill Zubkov --Part two. The challenges of philosophy."Oblomovskii Platon": platonic subtexts in Oblomov /Vladimir Ivantsov ;Hegel's philosophy of history as the unifying thread of Goncharov's Trilogy /Victoria Juharyan ;Longing, replacement, and anti-economy in Goncharov's Oblomov /Sonja Koroliov --Part three. The challenges of realism: traditions and transgressions."Shadows, dead people, and specters": gothic aesthetics in Ivan Goncharov's The Precipice /Valeria Sobol ;The queer nihilist - queer time, social refusal, and heteronormativity in Goncharov's The Precipice /Ani Kokobobo and Devin McFadden --Part four. Author and imperialist abroad: Frigate Pallada."I avoided the factual side...": fiction and document in Frigate Pallada /Aleksei Balakin ;A Russian observer catches the London Eye: envisioning imperial modernity in Goncharov's Frigate Pallada /Ingrid Kleespies ;Who are you laughing at?: Identity, laughter, and colonial discourse in Goncharov's Frigate Pallada /Lyudmila Parts. "Goncharov in the Twenty-First Century brings together a range of international scholars for a reexamination of Ivan Goncharov's life and work through a twenty-first century critical lens. Contributions to the volume highlight Goncharov's service career, the complex and understudied manifestation of Realism in his work, the diverse philosophical threads that shape his novels, and the often colliding contexts of writer and imperial bureaucrat in the 1858 travel text Frigate Pallada. Chapters engage with approaches from post-colonial and queer studies, theories of genre and the novel, desire, laughter, technology, and mobility and travel"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Kleespies, Ingrid (HerausgeberIn); Parts, Lyudmila (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schriftenreihe: Studies in Russian and Slavic literatures, cultures, and history
    Schlagworte: Russian prose literature; Authors as employees; Censorship
    Weitere Schlagworte: Goncharov, Ivan Aleksandrovich (1812-1891); Goncharov, Ivan Aleksandrovich (1812-1891)
    Umfang: 1 Online-Ressource (xxviii, 234 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  21. Introduction to Russian Realism
    Pushkin, Gogol, Dostoevsky, Tolstoy, Chekhov, Sholokhov
    Autor*in: Simmons, Ernest J.
    Erschienen: 2021
    Verlag:  Project Muse, Baltimore, Maryland

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    ISBN: 9780253060938
    Schlagworte: Realism in literature; Russian prose literature; Realism in literature; Russian prose literature ; History and criticism
    Umfang: 1 Online-Ressource (1 EPUB unpaged)
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    Issued as part of book collections on Project MUSE. - Includes bibliographical references and index. - Description based on print version record
  22. S ljubovʹju, Mara ili očenʹ alma-atinskaja istorija
    Autor*in: Noruzova, Adilja
    Erschienen: 2021
    Verlag:  "Meloman Publishing", Almaty

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    Beteiligt: Artykova, Akmaral (GefeierteR); Noruzova, Adilja
    Sprache: Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9786017910334; 6017910337
    Schlagworte: Russian prose literature; Russian prose literature
    Umfang: 420 Seiten, 17 cm
  23. Isčezajuščee literatury
    [ėsse, statʹi]
    Autor*in: Stepanov, Andrej Dmitrievič
    Erschienen: 2021
    Verlag:  Izdatelʹskij domGorodec, Moskva

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9785907358171; 5907358173
    Schriftenreihe: Knižnaja polka Badima Leventalja
    Schlagworte: Authors, Russian; Russian essays; Russian prose literature; Authors, Russian; Russian essays; Russian prose literature; Fiction
    Umfang: 282 Seiten, 22 cm
    Bemerkung(en):

    Includes bibliographical references
  24. The Gulag in writings of Aleksandr Solzhenitsyn and Varlam Shalamov
    memory, history, testimony
    Beteiligt: Heffermehl, Fabian (HerausgeberIn); Karlson, Irina (HerausgeberIn)
    Erschienen: [2021]; © 2021
    Verlag:  Brill, Leiden

    Part 1.Literary origins.Discontinuities in the evolution of Kolyma Stories and "One Day in the Life of Ivan Denisovich" /Michael A. Nicholson ;Poetry after the Gulag: do Solzhenitsyn and Shalamov have a lyric mindset? /Ulrich Schmid ;More than a cat... mehr

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    Part 1.Literary origins.Discontinuities in the evolution of Kolyma Stories and "One Day in the Life of Ivan Denisovich" /Michael A. Nicholson ;Poetry after the Gulag: do Solzhenitsyn and Shalamov have a lyric mindset? /Ulrich Schmid ;More than a cat : reflections on Shalamov's and Solzhenitsyn's writings through the perspective of trauma studies /Andrea Gullotta --Part 2.Memory and body.Why did Solzhenitsyn and Shalamov not write the Gulag Archipelago together? /Luba Jurgenson ;Tactility and memory in Shalamov /Fabian Heffermehl ;"Grudge-holding body": body and memory in the works of Varlam Shalamov /Franziska Thun-Hohenstein ;Certain properties of rhyme: poetic language touching abomination /Irina Sandomirskaia --Part 3.History and narrative.Counterfactuals and history in The Gulag Archipelago /Irina Karlsohn ;"The Gulag's Archipelago" : rhetoric of history /Elena Mikhailik ;Telling the stories of others and writing the bodies of others: the representation of women in Shalamov's Kolyma Stories and Solzhenitsyn's The Gulag Archipelago /Josefina Lundblad-Janjić ;The issue of "softening" and the problem of addressivity in Solzhenitsyn and Shalamov /Leona Toker. "Alexander Solzhenitsyn and Varlam Shalamov are two of the best-known Gulag writers. After a short period of personal acquaintance, their lives and views on literature took different paths. Solzhenitsyn did not see a literary program in Shalamov's works, which he describes as "a result of exhaustion after years of hardship and hard labour in the camp". By understanding the text as a "result", Solzhenitsyn critically touched on a concept of evidence, which Shalamov several times emphasized as important to his own works. According to Shalamov, instead of the text being a re-presentation, it should be an extract from or substitute for the real or the factual, by which his Gulag experience became present once again. Concepts such as "document", "thing" and "fact" became important for Shalamov's self-identification as a modernist. At the same time, Solzhenitsyn, viewing his own task as one of restoring historical experiences of the Russian people and trying "to explain the slow course of history and what sort of one it has been", assumed the dual role of writer and historian, which inevitably raises the question of what characterizes the borders between fact and fiction in his works. It also raises question about dichotomies of historical and fictional truth"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Heffermehl, Fabian (HerausgeberIn); Karlson, Irina (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004468481
    Weitere Identifier:
    Schriftenreihe: Studies in Slavic literature and poetics ; volume 63
    Schlagworte: Russian prose literature; Penal colonies in literature; Memory in literature
    Weitere Schlagworte: Solzhenit︠s︡yn, Aleksandr Isaevich (1918-2008); Shalamov, Varlam
    Umfang: 1 Online-Ressource (XI, 296 Seiten)
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    Includes bibliographical references and index
  25. Introduction to Russian Realism
    Pushkin, Gogol, Dostoevsky, Tolstoy, Chekhov, Sholokhov
    Autor*in: Simmons, Ernest J.
    Erschienen: 2021
    Verlag:  Project Muse, Baltimore, Maryland ; Project MUSE, Baltimore, Md.

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780253060938
    Schlagworte: Realism in literature; Russian prose literature
    Umfang: 1 Online-Ressource (1 EPUB unpaged)
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    Issued as part of book collections on Project MUSE

    Includes bibliographical references and index