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  1. Obsolete objects in the literary imagination
    ruins, relics, rarities, rubbish, uninhabited places, and hidden treasures
    Erschienen: c2006
    Verlag:  Yale Univ. Press, New Haven, Conn. [u.a.]

    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    809 O715o
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    Universitätsbibliothek Freiburg
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    Universitätsbibliothek Heidelberg
    2006 A 8768
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Herzog August Bibliothek Wolfenbüttel
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    Quelle: Verbundkataloge
    Beteiligt: Pihas, Gabriel (Übers.); Orlando, Francesco; Orlando, Francesco
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0300108087; 9780300108088
    Weitere Identifier:
    9780300108088
    2005027649
    RVK Klassifikation: EC 6017
    Schlagworte: Exoticism in literature; Picturesque, The, in literature; Ruins in literature; Literature, Modern; Exoticism in literature; Picturesque, The, in architecture; Ruins in literature; Literature, Modern
    Umfang: XVII, 500 S, 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. 407-480) and indexes

  2. Ruins past
    modernity in Italy, 1744-1836
    Autor*in: Ferri, Sabrina
    Erschienen: [2015]; © 2015
    Verlag:  Voltaire Foundation, Oxford

    In an era haunted by its past, modern Europe sought to break with the old; the future and the new became the ideal. In Italy however, where the remains of the past dominated the landscape, ruins were a token both of decadence and of the inspiring... mehr

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    In an era haunted by its past, modern Europe sought to break with the old; the future and the new became the ideal. In Italy however, where the remains of the past dominated the landscape, ruins were a token both of decadence and of the inspiring legacy of tradition. Sabrina Ferri proposes a counter-narrative to the European story of progress by focusing on the often-marginalized and distinctive case of Italy. For Italians, ruins uncovered the creative potential of the past, transforming it into an inexhaustible source of philosophical speculation and poetic invention whilst simultaneously symbolizing decay, loss and melancholy. Focusing on the representation of ruins by Italian writers, scientists, and artists between the mid-eighteenth and early nineteenth centuries, Sabrina Ferri explores the culture of the period and traces Italy's complex relationship with its past. Combining the analysis of major works, from Vico's New science to Leopardi's Canti, with that of archival sources and little-studied materials such as scientific travel journals, letters, and political essays, the author reveals how: the ruin became a figure for Italy's uneasy transition into modernity; the interplay between reflections on the processes of history and speculations on the laws of nature shaped the country's sense of the past and its vision of the future; the convergence of narratives depicting historical and natural change influenced both the creative arts and the emerging sciences of geology, biology, and archaeology; the convergence of narratives depicting historical and natural change influenced both the creative arts and the emerging sciences of geology, biology, and archaeology; the temporal crisis at the dawn of the nineteenth century called into question traditional models for investigating the past and understanding the present

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780729411714
    Weitere Identifier:
    9780729411714
    Schriftenreihe: Oxford University studies in the Enlightenment ; 2015,12
    Schlagworte: Ruins in art; Ruins in literature; Ruins in art; Ruins in literature
    Umfang: xii, 258 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seiten 231-249

    'The great fragments of antiquity': ruins and recovery of the past in Giambattista Vico's New scienceThe ruined cities lie desolate': natural catastrophe and historical change in eighteenth-century Italy -- Time of nature, time of man: ruins and the materiality of the historical imagination -- Melancholies of the modern: nature and history in the late eighteenth-century Picturesque -- The ghostly ruins of Neoclassicism: Alessandro Verri's Roman nights and the posthumous life of the ancient -- The shipwrecks of time: Giacomo Leopardi's poetics of ruins -- Epilogue: a glance back.

  3. The fall of cities in the Mediterranean
    commemoration in literature, folk-song, and liturgy
    Beteiligt: Bachvarova, Mary R. (HerausgeberIn); Dutsch, Dorota (HerausgeberIn); Suter, Ann (HerausgeberIn)
    Erschienen: 2016; © 2016
    Verlag:  Cambridge University Press, Cambridge

    "A body of theory has developed about the role and function of memory in creating and maintaining cultural identity. Yet there has been no consideration of the rich Mediterranean and Near Eastern traditions of laments for fallen cities in... mehr

    Universitätsbibliothek Freiburg
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    "A body of theory has developed about the role and function of memory in creating and maintaining cultural identity. Yet there has been no consideration of the rich Mediterranean and Near Eastern traditions of laments for fallen cities in commemorating or resolving communal trauma. This volume offers new insights into the trope of the fallen city in folk song and a variety of literary genres. These commemorations reveal memories modified by diverse agendas, and contain responses to the narrative structures and motifs in which the meaning of memory-making about fallen cities resided, repurposing them or even denying their meaning or silencing them. Opening a new avenue of research into the Mediterranean genre of city lament, this book examines references to, or re-workings of, otherwise lost texts or ways of commemorating fallen cities in the extant texts, and with greater emphasis than usual on the point of view of the victors"--

     

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    Quelle: Verbundkataloge
    Beteiligt: Bachvarova, Mary R. (HerausgeberIn); Dutsch, Dorota (HerausgeberIn); Suter, Ann (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107031968
    Weitere Identifier:
    9781107031968
    RVK Klassifikation: FB 5875
    Schlagworte: Laments; Ruins in literature; Cities and towns in literature; Laments; Ruins in literature; Cities and towns in literature
    Umfang: xvii, 277 Seiten, Karten, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Foreword / Margaret Alexiou Introduction / Ann Suter -- The city lament genre in the Ancient Near East / John Jacobs -- The destroyed city in ancient 'world history': from Agade to Troy / Mary R. Bachvarova -- Mourning a city 'empty of men': stereotypes of Anatolian communal lament in Aeschylus' Persians / Mary R. Bachvarova and Dorota Dutsch -- Seven Against Thebes, city laments, and Athenian history / Geoffrey Bakewell -- Lament for fallen cities in Early Roman drama: Naevius, Ennius, and Plautus / Seth A. Jeppesen -- City lament in Augustan epic: antitypes of Rome from Troy to Alba / Longa Alison Keith -- The fall of Troy in Seneca's Troades / Jo-Ann Shelton -- How to lament an eternal city: the ambiguous fall of Rome / Catherine Conybeare -- Messengers, angels, and laments for the fall of Constantinople / Andromache Karanika -- 'A sudden longing': remembering the lost city of Smyrna / Gail Holst-Warhaft.

  4. Rising from the ruins
    Roman antiquities in neoclassic literature
    Erschienen: 2009
    Verlag:  Cambridge Scholars, Newcastle upon Tyne

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    Hochschule Aalen, Bibliothek
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  5. Ruins and fragments
    tales of loss and rediscovery
    Erschienen: 2015
    Verlag:  Reaktion Books, London

    For many of us, ruins are alluring, puzzling and endlessly fascinating: this elegant book seeks to explore why. What is it that makes us suspicious of works or histories that are too smooth, too continuous? Is it that urban experience is inherently... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    For many of us, ruins are alluring, puzzling and endlessly fascinating: this elegant book seeks to explore why. What is it that makes us suspicious of works or histories that are too smooth, too continuous? Is it that urban experience is inherently discontinuous and fragmented, or that the only truths we can believe are partial ones? This book guides us through ancient and modern worlds, sharing tales of loss, recovery and rediscovery. Beginning with ancient fragments, this book recounts how later history has recuperated, restored and exhibited them, and even how ruins have been found in unlikely places - such as a Hellenistic fragment from Pergamon located in remote Nottinghamshire. It considers modernist architecture's fragmentary effects, and how concrete made some buildings look prematurely ruined. It also explores architecture that has worked with ruins, from the Castelvecchio in Verona to the reconstruction of the Neues Museum in Berlin. In literature, from T. S. Eliot to Laurence Sterne, writers revel in fragments and create anew from literary rubble. Some people deliberately construct or destroy to create ruin, Gordon Matta-Clark attacking buildings, for example, or dispossessed youth scribbling graffiti

     

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  6. Obsolete Objects in the Literary Imagination
    Ruins, Relics, Rarities, Rubbish, Uninhabited Places, and Hidden Treasures
    Erschienen: 2006; ©2008
    Verlag:  Yale University Press, New Haven

    Intro -- Contents -- Foreword -- Acknowledgments -- Note on the Translation -- Obsolete Objects in the Literary Imagination -- What This Book Is About -- First, Confused Examples -- Making Decisions in Order to Proceed -- A Tree Neither Genealogical... mehr

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Intro -- Contents -- Foreword -- Acknowledgments -- Note on the Translation -- Obsolete Objects in the Literary Imagination -- What This Book Is About -- First, Confused Examples -- Making Decisions in Order to Proceed -- A Tree Neither Genealogical Nor Botanical -- Twelve Categories Not to Be Too Sharply Distinguished -- Some Twentieth-Century Novels -- Praising and Disparaging the Functional -- Notes -- Index of Subjects -- Index of Names and Texts.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780300108088
    Schlagworte: Ruins in literature; Exoticism in literature; Literature, Modern ; History and criticism; Picturesque, The, in literature; Ruins in literature; Electronic books
    Umfang: Online-Ressource (521 p)
    Bemerkung(en):

    Description based upon print version of record

    ""Contents""; ""Foreword""; ""Acknowledgments""; ""Note on the Translation""; ""Obsolete Objects in the Literary Imagination""; ""What This Book Is About""; ""First, Confused Examples""; ""Making Decisions in Order to Proceed""; ""A Tree Neither Genealogical Nor Botanical""; ""Twelve Categories Not to Be Too Sharply Distinguished""; ""Some Twentieth-Century Novels""; ""Praising and Disparaging the Functional""; ""Notes""; ""Index of Subjects""; ""Index of Names and Texts""

  7. The fall of cities in the Mediterranean
    commemoration in literature, folk-song, and liturgy
    Beteiligt: Suter, Ann (HerausgeberIn); Dutsch, Dorota M. (HerausgeberIn); Bachvarova, Mary R. (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Cambridge University Press, Cambridge

    A body of theory has developed about the role and function of memory in creating and maintaining cultural identity. Yet there has been no consideration of the rich Mediterranean and Near Eastern traditions of laments for fallen cities in... mehr

    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    A body of theory has developed about the role and function of memory in creating and maintaining cultural identity. Yet there has been no consideration of the rich Mediterranean and Near Eastern traditions of laments for fallen cities in commemorating or resolving communal trauma. This volume offers new insights into the trope of the fallen city in folk-song and a variety of literary genres. These commemorations reveal memories modified by diverse agendas, and contains narrative structures and motifs that show the meaning of memory-making about fallen cities. Opening a new avenue of research into the Mediterranean genre of city lament, this book examines references to, or re-workings of, otherwise lost texts or ways of commemorating fallen cities in the extant texts, and with greater emphasis than usual on the point of view of the victors Machine generated contents note: Foreword / Margaret Alexiou -- Introduction / Ann Suter -- The city lament genre in the Ancient Near East / John Jacobs -- The destroyed city in ancient 'world history': from Agade to Troy / Mary R. Bachvarova -- Mourning a city 'empty of men': stereotypes of Anatolian communal lament in Aeschylus' Persians / Mary R. Bachvarova and Dorota Dutsch -- Seven Against Thebes, city laments, and Athenian history / Geoffrey Bakewell -- Lament for fallen cities in Early Roman drama: Naevius, Ennius, and Plautus / Seth A. Jeppesen -- City lament in Augustan epic: antitypes of Rome from Troy to Alba / Longa Alison Keith -- The fall of Troy in Seneca's Troades / Jo-Ann Shelton -- How to lament an eternal city: the ambiguous fall of Rome / Catherine Conybeare -- Messengers, angels, and laments for the fall of Constantinople / Andromache Karanika -- 'A sudden longing': remembering the lost city of Smyrna / Gail Holst-Warhaft

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Suter, Ann (HerausgeberIn); Dutsch, Dorota M. (HerausgeberIn); Bachvarova, Mary R. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139424387
    Weitere Identifier:
    RVK Klassifikation: FB 5875
    Schlagworte: Cities and towns in literature; Ruins in literature; Laments; Laments ; Mediterranean Region ; History and criticism; Ruins in literature; Cities and towns in literature
    Umfang: 1 Online-Ressource (xvii, 277 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Feb 2016)

  8. The Poetics of Ruins in Renaissance Literature
    Autor*in: Hui, Andrew
    Erschienen: 2017; ©2017
    Verlag:  Fordham University Press, New York

    The book argues that the Renaissance was the Ruin-naissance, the birth of the ruin as category of discourse that inspired voluminous poetic production. By examining Petrarch, Du Bellay, the Hypnerotomachia Poliphili, Spenser, and Shakespeare, Hui... mehr

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    The book argues that the Renaissance was the Ruin-naissance, the birth of the ruin as category of discourse that inspired voluminous poetic production. By examining Petrarch, Du Bellay, the Hypnerotomachia Poliphili, Spenser, and Shakespeare, Hui explains how writers used the ruin to think about their relationship to classical antiquity Copyright Page -- Dedication -- Contents -- List of Figures and Color Plates -- Introduction: A Japanese Friend -- Part I -- 1. The Rebirth of Poetics -- 2. The Rebirth of Ruins -- Part II -- 3. Petrarch's Vestigia and the Presence of Absence -- 4. The Hypnerotomachia Poliphili and the Erotics of Fragments -- 5. Du Bellay's Cendre and the Formless Signifier -- 6. Spenser's Moniment and the Allegory of Ruins -- Epilogue: Fallen Castles and Summer Grass -- Acknowledgments -- Notes -- Index

     

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    Medientyp: Ebook
    Format: Online
    ISBN: 9780823273362
    Schriftenreihe: Verbal Arts: Studies in Poetics
    Schlagworte: Ruins in literature; European literature ; Renaissance, 1450-1600 ; History and criticism; Electronic books
    Umfang: 1 Online-Ressource (229 pages)
  9. Writing Britain's Ruins
    Beteiligt: Carter, Michael (HerausgeberIn); Lindfield, Peter N. (HerausgeberIn); Townshend, Dale (HerausgeberIn)
    Erschienen: [2017]; © 2017
    Verlag:  British Library, London

    Over the course of the long eighteenth century (1700-1850), Britain's ruined medieval or 'Gothic' abbeys, castles and towers became the objects of intense cultural interest. Turning their attention away from Classical to local and national sites of... mehr

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    Over the course of the long eighteenth century (1700-1850), Britain's ruined medieval or 'Gothic' abbeys, castles and towers became the objects of intense cultural interest. Turning their attention away from Classical to local and national sites of architectural ruin, antiquaries and topographers began to scrutinise and sketch, record and describe the material remains of the British past, an expression of interest in domestic antiquity that was shared by many contemporary painters, poets, writers, politicians and tourists. This new illustrated book traces the ways in which a selection of English, Scottish, Welsh and Irish ruins served as the objects of continuous cultural reflection between 1700 and 1850, drawing together essays on the antiquarian, poetic, visual, oral, fictional, dramatic, political, legal and touristic responses that they engendered. Thoroughly interdisciplinary in its approach, Writing Britain's Ruins provides an accessible and engaging account of the ways in which Britain's ruins inspired writers, artists and thinkers during a period of extraordinary cultural richness

     

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Carter, Michael (HerausgeberIn); Lindfield, Peter N. (HerausgeberIn); Townshend, Dale (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0712309780; 9780712309783
    Schlagworte: Architecture; Architecture, Gothic, in literature; Architecture, Medieval, in literature; Ruins in art; Ruins in literature
    Umfang: 304 Seiten, Illustrationen
  10. The poetics of ruins in Renaissance literature
    Autor*in: Hui, Andrew
    Erschienen: 2016
    Verlag:  Fordham University Press, New York

    The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse, one that inspired voluminous poetic production. For humanists, the ruin became the material sign that marked the rupture between themselves... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Wissenschaftskolleg zu Berlin - Institute for Advanced Study, Bibliothek
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    The Renaissance was the Ruin-naissance, the birth of the ruin as a distinct category of cultural discourse, one that inspired voluminous poetic production. For humanists, the ruin became the material sign that marked the rupture between themselves and classical antiquity. In the first full-length book to document this cultural phenomenon, Andrew Hui explains how the invention of the ruin propelled poets into creating works that were self-aware of their absorption of the past as well as their own survival in the future

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780823274314
    RVK Klassifikation: EC 5410 ; EC 5147
    Auflage/Ausgabe: First edition
    Schriftenreihe: Verbal arts
    Schlagworte: European literature; Ruins in literature
    Umfang: x, 282 Seiten, 8 ungezählte Seiten, Illustrationen
    Bemerkung(en):

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