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  1. Irony and idyll
    Jane Austen's 'Pride and Prejudice' and 'Mansfield Park' on screen
    Erschienen: 2014
    Verlag:  Rodopi B.V., Amsterdam

    Jane Austen’s worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television,... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Jane Austen’s worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted by her own qualities. As a novelist, Jane Austen has been particularly recognized for her ironic voice, which dominates all her stories and gives the readers a peculiar perspective on her world. Do film-makers want this, and if so, how do they transmit her attitude of amused distance? In the present book, Marie N. Sørbø investigates the function and targets of irony in two novels and seven films. This is the first book-length study of Austen’s irony since 1952, and the only comparative analysis of all the available screen adaptations of 'Pride and Prejudice' and 'Mansfield Park'. On the bicentenary of their publication, these novels continue to influence modern culture

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789042038462
    RVK Klassifikation: HL 1685
    Schriftenreihe: Costerus : New series ; 203
    Schlagworte: Ironie <Motiv>; Film
    Weitere Schlagworte: Austen, Jane (1775-1817): Pride and prejudice; Austen, Jane (1775-1817): Mansfield Park
    Umfang: 416 S., Ill.
    Bemerkung(en):

    Teilw. zugl.: Oslo, Univ., Diss., 2008 u.d.T.: Sørbø, Marie N.: Jane Austen's irony as received in film adaptations

  2. Irony and idyll
    Jane Austen's Pride and Prejudice and Mansfield Park on screen
    Erschienen: 2014; © 2014
    Verlag:  Rodopi, Amsterdam, Netherlands

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Bergshoeff, Aart Jan
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789042038462; 9789401210898
    Schriftenreihe: Costerus New Series ; 203
    Schlagworte: Literatur; Literature; Literature; Ironie <Motiv>; Film
    Weitere Schlagworte: Austen, Jane (1775-1817): Mansfield Park; Austen, Jane (1775-1817): Pride and prejudice
    Umfang: 1 online resource (423 pages), illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (ebrary, viewed June 26, 2014)

  3. Irony and idyll
    Jane Austen's 'Pride and Prejudice' and 'Mansfield Park' on screen
    Erschienen: 2014
    Verlag:  Rodopi B.V., Amsterdam

    Jane Austen’s worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television,... mehr

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Jane Austen’s worldwide popularity is not least due to the remaking of her novels for the visual media. Of the fifty-odd Austen related productions since 1938, forty-three of them adapt her novels to the various screens of cinema, television, computer and tablet. However, her attraction for film-makers is undoubtedly promoted by her own qualities. As a novelist, Jane Austen has been particularly recognized for her ironic voice, which dominates all her stories and gives the readers a peculiar perspective on her world. Do film-makers want this, and if so, how do they transmit her attitude of amused distance? In the present book, Marie N. Sørbø investigates the function and targets of irony in two novels and seven films. This is the first book-length study of Austen’s irony since 1952, and the only comparative analysis of all the available screen adaptations of 'Pride and Prejudice' and 'Mansfield Park'. On the bicentenary of their publication, these novels continue to influence modern culture

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789042038462
    RVK Klassifikation: HL 1685
    Schriftenreihe: Costerus : New series ; 203
    Schlagworte: Ironie <Motiv>; Film
    Weitere Schlagworte: Austen, Jane (1775-1817): Pride and prejudice; Austen, Jane (1775-1817): Mansfield Park
    Umfang: 416 S., Ill.
    Bemerkung(en):

    Teilw. zugl.: Oslo, Univ., Diss., 2008 u.d.T.: Sørbø, Marie N.: Jane Austen's irony as received in film adaptations