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Women's playwriting and the women's movement
1890-1918 -
Collaborative Playwriting
Polyvocal Approaches from the EU Collective Plays Project -
The Routledge anthology of British women playwrights, 1777-1843
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Errol John's Moon on a rainbow shawl
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Edward Albee's Who's afraid of Virginia Woolf?
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Short Plays with Great Roles for Women
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Diversity, inclusion, and representation in contemporary dramaturgy
case studies from the field -
A world elsewhere
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Imitation and contamination of the classics in the comedies of Ben Jonson
guides not commanders -
Eugene O'Neill's philosophy of difficult theatre
pity, fear, and forgiveness -
Playwriting in Europe
mapping ecosystems and practices with fabulamundi -
Martin Crimp's power plays
intertextuality, sexuality, desire -
Writing adaptations and translations for the stage$pa guide and workbook for new and experienced writers
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Playgrounds
Urban theatrical culture in Shakespeare's England and Golden Age Spain -
Notelets of filth
a Morgan Lloyd Malcolm's Emilia companion reader -
To stage or not to stafe Tagore
performing Tagire's plays -
HAKAWATIS
Women of the Arabian Nights -
<<Die>> Drehbuchautorin Thea von Harbou (1888-1954)
eine Biografie -
Images of Otherness
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Representations of Palestine in Egyptian cinema
politics of (in)visibility -
Don Vampiro
de monstruo a amante -
Cine de mujeres y cine queer
cartografías del deseo -
Eugene O'Neill's philosophy of difficult theatre
pity, fear, and forgiveness -
Errol John's Moon on a rainbow shawl
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Edward Albee's Who's afraid of Virginia Woolf?