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  1. The work of wind
    air, land, sea
    Beteiligt: Springer, Anna-Sophie (HerausgeberIn)
    Erschienen: 2018-
    Verlag:  K. Verlag, Berlin ; Blackwood Gallery, University of Toronto, Mississauga, Ontario

    "Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work... mehr

    Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur, Bibliothek
    BK3e Kanada/Ontario/Blackwood Gallery BG-Hb 0189/2022K-1-
    keine Fernleihe
    Hochschule für Bildende Künste Braunschweig, Bibliothek
    bestellt
    keine Fernleihe
    UB Weimar
    keine Fernleihe

     

    "Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work of Wind: Air, Land, Sea appropriates the Beaufort Scale of Wind Force as a readymade index for curating a site specific exhibition in the Southdown industrial area of Mississauga, Ontario, Canada, and a publication divided into three conjoining volumes. The project is extended by the Society of the Diffusion of Useful Knowledge, a public program and broadcast series. While the title might suggest a weather project, it is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resilience."-- Page v

     

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    Quelle: Verbundkataloge
    Beteiligt: Springer, Anna-Sophie (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    Schlagworte: Human ecology in art; Climatic changes; Global environmental change; Nature; Winds in art; Weather in art; Ecology in art; Nature in art; Landscapes in art; Beaufort scale; Beaufort scale; Weather; Winds; Winds ; Measurement; Exhibition catalogs
    Umfang: 25 cm
    Bemerkung(en):

    "A three-part exhibition and publication series. Opening perspectives on climate change, environmental crisis, and resilience. Presented by the Blackwood Gallery, the University of Toronto Mississauga in partnership with the City of Mississauga." --Website: workofwind.ca

    "While the title might suggest a weather project. It is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resillience." -- Page v

  2. The work of wind
    air, land, sea
    Beteiligt: Springer, Anna-Sophie (HerausgeberIn)
    Erschienen: 2018-
    Verlag:  K. Verlag, Berlin ; Blackwood Gallery, University of Toronto, Mississauga, Ontario

    "Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work... mehr

    Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur, Bibliothek
    keine Fernleihe

     

    "Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work of Wind: Air, Land, Sea appropriates the Beaufort Scale of Wind Force as a readymade index for curating a site specific exhibition in the Southdown industrial area of Mississauga, Ontario, Canada, and a publication divided into three conjoining volumes. The project is extended by the Society of the Diffusion of Useful Knowledge, a public program and broadcast series. While the title might suggest a weather project, it is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resilience."-- Page v

     

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    Quelle: Verbundkataloge
    Beteiligt: Springer, Anna-Sophie (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    Übergeordneter Titel:
    Schlagworte: Human ecology in art; Climatic changes; Global environmental change; Nature; Winds in art; Weather in art; Ecology in art; Nature in art; Landscapes in art; Beaufort scale; Beaufort scale; Weather; Winds; Winds ; Measurement; Exhibition catalogs
    Umfang: 25 cm
    Bemerkung(en):

    "A three-part exhibition and publication series. Opening perspectives on climate change, environmental crisis, and resilience. Presented by the Blackwood Gallery, the University of Toronto Mississauga in partnership with the City of Mississauga." --Website: workofwind.ca

    "While the title might suggest a weather project. It is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resillience." -- Page v

  3. Max Ernst
    Vegetationen
    Autor*in: Nolden, Herbert
    Erschienen: [2018]
    Verlag:  Wienand Verlag, Köln

    "Vegetationen von Max Ernst, das in der Reihe Zoom vorgestellt wird, gilt als bedeutendes frühes Werk und nimmt einen wichtigen Stellenwert im OEuvre ein. Die Arbeit entstand 1916 und gehört damit zu Ernsts Frühwerk, welches bisher von der Forschung... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Vegetationen von Max Ernst, das in der Reihe Zoom vorgestellt wird, gilt als bedeutendes frühes Werk und nimmt einen wichtigen Stellenwert im OEuvre ein. Die Arbeit entstand 1916 und gehört damit zu Ernsts Frühwerk, welches bisher von der Forschung meist vernachlässigt wurde. Zu Unrecht, wie die Publikation herausarbeitet. Bereits 1916 wandte Ernst in diesem Werk Gestaltungsmittel an, die in seinen späteren Schaffensphasen immanent wichtig werden sollten. Die Arbeit zeigt Motive aus der Natur wie die Pflanze, den Vogel und den Schmetterling, die im gesamten Werk des Künstlers von herausragender Bedeutung sind, ebenso wie die Synthese von Lebewesen und Natur als Gestaltungsprinzip"--Publisher's website

     

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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ernst, Max (KünstlerIn); Nebenführ, Julia (HerausgeberIn, VerfasserIn)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3868324321; 9783868324327
    Weitere Identifier:
    9783868324327
    RVK Klassifikation: LI 28350
    Schriftenreihe: Zoom ; #6
    Schlagworte: Nature in art
    Weitere Schlagworte: Ernst, Max (1891-1976)
    Umfang: 70 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Impressum: "Dieser Katalog erscheint anlässlich der Ausstellung 'Zoom #6 - Max Ernst. Vegetationen' Wilhelm-Hack-Museum, Ludwigshafen 23. März-8. Juli 2018"

  4. The lost words
    a spell book
    Erschienen: 2018
    Verlag:  Anansi, [Toronto] Canada

    "All over the country, there are words disappearing from children's lives. These are the words of the natural world--dandelion, otter, bramble and acorn, all gone. The rich landscape of wild imagination and wild play is rapidly fading from our... mehr

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "All over the country, there are words disappearing from children's lives. These are the words of the natural world--dandelion, otter, bramble and acorn, all gone. The rich landscape of wild imagination and wild play is rapidly fading from our children's minds. The Lost Words stands against the disappearance of wild childhood. It is a joyful celebration of nature words and the natural world they invoke. With acrostic spell-poems by award-winning writer Robert Macfarlane and hand-painted illustration by Jackie Morris, this enchanting book captures the irreplaceable magic of language and nature for all ages."--

     

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  5. Whistler and nature
    Erschienen: [2018]; © 2018
    Verlag:  Paul Holberton, London

    This innovative and compelling study reconsiders Whistler?s work from the context of his military service and his relationship with ?nature at the margins?. Whistler came from a family of soldiers and engineers; his father, Major George Washington... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    This innovative and compelling study reconsiders Whistler?s work from the context of his military service and his relationship with ?nature at the margins?. Whistler came from a family of soldiers and engineers; his father, Major George Washington Whistler, was originally a US military engineer. Drawing and mapmaking were important components of the military training that Whistler acquired as an officer cadet at West Point Academy in 1851-4 and subsequently in the Drawing Department at the US Coast and Geodetic Survey, where he attempted to realise his father?s hopes that he would make engineering or architecture his profession. These influences in turn shaped Whistler?s attitude towards nature, as expressed in works ranging from his celebrated London ?Nocturnes? to his French coastal scenes ? all of which were created after Whistler moved permanently to Europe in 1855.00Exhibition: Compton Verney Art Gallery and Park, UK (20.10.-16.12.2018) / The Fitzwilliam Museum, Cambridge, UK (08.01.-17.03.2019) / Laing Art Gallery, Newcastle upon Tyne, UK (30.03.-16.06.2019)

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Whistler, James McNeill
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1911300490; 9781911300496
    Schlagworte: Landschaft <Motiv>; Natur <Motiv>
    Weitere Schlagworte: Whistler, James McNeill (1834-1903); Whistler, James McNeill / 1834-1903 / Criticism and interpretation; Nature in art
    Umfang: 119 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    Published to accompany the exhibition ... Compton Verney Art Gallery and Park, 20 October-16 December 2018, The Fitzwilliam Museum, Cambridge, 8 January-17 March 2019, Laing Art Gallery, Newcastele upon Tyne, 30 March-16 June 2019, The Hunterian, University of Glasgow, spring 2020

  6. Nature's nation
    American art and environment
    Erschienen: [2018]; © 2018
    Verlag:  Princeton University Art Museum, Princeton, NJ ; Yale University Press, New Haven ; London

    Public awareness of environmental issues has never been greater, nor has the need for imagining more sustainable and ethical habits of human action and thought, including environmentally informed ways of understanding art history. This... mehr

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Public awareness of environmental issues has never been greater, nor has the need for imagining more sustainable and ethical habits of human action and thought, including environmentally informed ways of understanding art history. This multidisciplinary book offers the first broad ecocritical review of American art and examines the environmental contexts of artistic practice from the colonial period to the present day. Tracing how visions of the environment have changed from the Native-European encounter to the emergence of modern ecological activism, more than a dozen scholars and practitioners discuss how artists have both responded to and actively instigated changes in ecological understanding. Far-reaching in its interpretive approach, Nature's Nation looks at artworks across genres and media--including painting, sculpture, prints, photography, decorative arts, and video--revealing important new discoveries about creative encounters with environmental history and politics through materials, techniques, subjects, and ideas. The book features work by more than one hundred artists, from Charles Willson Peale, Thomas Cole, and Winslow Homer to Georgia O'Keeffe, Jacob Lawrence, and Jaune Quick-to-See Smith

     

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780943012544; 9780300237009
    RVK Klassifikation: LO 94000 ; LO 96670 ; LH 61100
    Schlagworte: Landschaft <Motiv>; Kunst; Naturdarstellung; Landschaftsmalerei; Bildnismalerei; Naturverständnis
    Weitere Schlagworte: Nature in art / Exhibitions; Art / United States / Exhibitions; Art; Nature in art; United States; Exhibition catalogs; Exhibition catalogs
    Umfang: 447 Seiten, 28 cm
    Bemerkung(en):

    "This book is published on the occasion of the exhibition Nature's Nation: American Art and Environment; Princeton University Art Museum, Princeton, New Jersey, October 13, 2018-January 6, 2019; Peabody Essex Museum, Salem, Massachusetts, February 2-May 5, 2019; Crystal Bridges Museum of American Art, Bentonville, Arkansas, May 25-September 9, 2019"--Colophon

    Nature's Nation: American Art and Environment offers a compelling new vision of American art, examining for the first time how artists have both reflected and shaped environmental understanding while contributing to the development of modern ecological thought. Reframing more than three centuries of diverse artistic practice in North America, this timely volume traces evolving ideas about the environment - and our place in it - from colonial encounters between Indigenous beliefs and European natural theology through nineteenth-century notions of progress and Manifest Destiny to the emergence of contemporary ecological ethics. Far-reaching and multidisciplinary in its interpretive approach, Nature's Nation looks at works of art across genres and media - including painting, sculpture, prints, drawings, photography, decorative arts, and video - revealing important new discoveries about creative encounters with environmental history and politics through materials, techniques, subjects, and ideas, With essays and commentary by both scholars and artists, the book offers the first broad ecocritical review of American art and features work by more than one hundred artists, from Charles Willson Peale, Thomas Cole, and Winslow Homer to Georgia O'Keeffe, Jacob Lawrence, and Jaune Quick-to-See Smith"--Book jacket flap

    Introduction / Alan C. Braddock and Karl Kusserow -- Colonization and Empire. The Order of Things / Alan C. Braddock -- Ordering the Land / Karl Kusserow -- The Trouble with Empire / Karl Kusserow -- Creative Matter: Tracing the Environmental Context of Materials in American Art / Laura Turner Igoe -- "A Knot of Species": Raphaelle Peale's 'Still Life with Steak' and the Ecology of Food / Jeffrey Richmond-Moll -- Wearing the Wealth of the Land: Chilkat Robes and Their Connection to Place / Miranda Belarde-Lewis -- An Interview with Mark Dion / Alan C. Braddock and Karl Kusserow -- Industrialization and Conservation. "Man and Nature": Visualizing Human Impacts / Alan C. Braddock -- Icon of Extinction and Resilience / Alan C. Braddock -- On Being Still in Eden: Mesopotamia Once More, With Feeling / Timothy Morton -- Ghostscapes from the Forever War / Anne McClintock -- Horner Dodge Martin's Landscapes in Reverse / Rachael Z. DeLue -- Entanglements of Land and Water: Picturing Contingency in Martin Johnson HEade's 'Newburyport Marshes: Approaching Strom / Kimia Shahi -- Turning Around / Jaune Quick-to-See Smith -- Ecology and Environmentalism. Vital Forms: Modernist Biocentrism / Alan C. Braddock -- The Big Picture: American Art and Planetary Ecology / Alan C. Braddock and Karl Kusserow -- Photography and the Ecological Imagination / Robin Kelsey -- Three Islands: An Environmental Justice Archipelago / Rob Nixon -- Citizenship Culture and the Transnational Environmental Commons / Fonna Forman and Teddy Cruz -- Selected Bibliography -- Contributors -- Lenders to the Exhibition -- Index

  7. The work of wind
    air, land, sea
    Beteiligt: Springer, Anna-Sophie (Hrsg.)
    Erschienen: 2018-
    Verlag:  K. Verlag, Berlin ; Blackwood Gallery, University of Toronto, Mississauga, Ontario

    "Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work... mehr

     

    "Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work of Wind: Air, Land, Sea appropriates the Beaufort Scale of Wind Force as a readymade index for curating a site specific exhibition in the Southdown industrial area of Mississauga, Ontario, Canada, and a publication divided into three conjoining volumes. The project is extended by the Society of the Diffusion of Useful Knowledge, a public program and broadcast series. While the title might suggest a weather project, it is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resilience."-- Page v

     

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    Quelle: Verbundkataloge
    Beteiligt: Springer, Anna-Sophie (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schlagworte: Wetter <Motiv>; Humanökologie; Anthropozän; Künste; Klimaänderung; Wind <Motiv>
    Weitere Schlagworte: Human ecology in art / Exhibitions; Climatic changes / Philosophy / Exhibitions; Global environmental change / Exhibitions; Nature / Effect of human beings on / Exhibitions; Winds in art / Exhibitions; Weather in art / Exhibitions; Ecology in art / Exhibitions; Nature in art; Landscapes in art; Beaufort scale; Beaufort scale; Weather; Winds; Winds ; Measurement; Exhibition catalogs
    Umfang: 25 cm
    Bemerkung(en):

    "A three-part exhibition and publication series. Opening perspectives on climate change, environmental crisis, and resilience. Presented by the Blackwood Gallery, the University of Toronto Mississauga in partnership with the City of Mississauga." --Website: workofwind.ca

    "While the title might suggest a weather project. It is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resillience." -- Page v

  8. La natura dipinta
    piante, fiori e animali nelle rappresentazioni di Palazzo Vecchio a Firenze
    Beteiligt: Signorini, Maria Adele (HerausgeberIn); Zucchi, Valentina (HerausgeberIn)
    Erschienen: [2018]
    Verlag:  Aboca, Sansepolcro (AR)

    Universitätsbibliothek Heidelberg
    2018 C 1514
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Signorini, Maria Adele (HerausgeberIn); Zucchi, Valentina (HerausgeberIn)
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788898881598
    Schlagworte: Painting, Italian; Nature in art; Painting; Landscape painting, Italian
    Umfang: 143 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references (pages 135-137) and index

  9. Nature's nation
    American art and environment
    Erschienen: [2018]; © 2018
    Verlag:  Princeton University Art Museum, Princeton, NJ ; Yale University Press, New Haven ; London

    Public awareness of environmental issues has never been greater, nor has the need for imagining more sustainable and ethical habits of human action and thought, including environmentally informed ways of understanding art history. This... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Public awareness of environmental issues has never been greater, nor has the need for imagining more sustainable and ethical habits of human action and thought, including environmentally informed ways of understanding art history. This multidisciplinary book offers the first broad ecocritical review of American art and examines the environmental contexts of artistic practice from the colonial period to the present day. Tracing how visions of the environment have changed from the Native-European encounter to the emergence of modern ecological activism, more than a dozen scholars and practitioners discuss how artists have both responded to and actively instigated changes in ecological understanding. Far-reaching in its interpretive approach, Nature's Nation looks at artworks across genres and media--including painting, sculpture, prints, photography, decorative arts, and video--revealing important new discoveries about creative encounters with environmental history and politics through materials, techniques, subjects, and ideas. The book features work by more than one hundred artists, from Charles Willson Peale, Thomas Cole, and Winslow Homer to Georgia O'Keeffe, Jacob Lawrence, and Jaune Quick-to-See Smith

     

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    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780943012544; 9780300237009
    RVK Klassifikation: LO 94000 ; LO 96670 ; LH 61100
    Schlagworte: Landschaft <Motiv>; Kunst; Naturdarstellung; Landschaftsmalerei; Bildnismalerei; Naturverständnis
    Weitere Schlagworte: Nature in art / Exhibitions; Art / United States / Exhibitions; Art; Nature in art; United States; Exhibition catalogs; Exhibition catalogs
    Umfang: 447 Seiten, 28 cm
    Bemerkung(en):

    "This book is published on the occasion of the exhibition Nature's Nation: American Art and Environment; Princeton University Art Museum, Princeton, New Jersey, October 13, 2018-January 6, 2019; Peabody Essex Museum, Salem, Massachusetts, February 2-May 5, 2019; Crystal Bridges Museum of American Art, Bentonville, Arkansas, May 25-September 9, 2019"--Colophon

    Nature's Nation: American Art and Environment offers a compelling new vision of American art, examining for the first time how artists have both reflected and shaped environmental understanding while contributing to the development of modern ecological thought. Reframing more than three centuries of diverse artistic practice in North America, this timely volume traces evolving ideas about the environment - and our place in it - from colonial encounters between Indigenous beliefs and European natural theology through nineteenth-century notions of progress and Manifest Destiny to the emergence of contemporary ecological ethics. Far-reaching and multidisciplinary in its interpretive approach, Nature's Nation looks at works of art across genres and media - including painting, sculpture, prints, drawings, photography, decorative arts, and video - revealing important new discoveries about creative encounters with environmental history and politics through materials, techniques, subjects, and ideas, With essays and commentary by both scholars and artists, the book offers the first broad ecocritical review of American art and features work by more than one hundred artists, from Charles Willson Peale, Thomas Cole, and Winslow Homer to Georgia O'Keeffe, Jacob Lawrence, and Jaune Quick-to-See Smith"--Book jacket flap

    Introduction / Alan C. Braddock and Karl Kusserow -- Colonization and Empire. The Order of Things / Alan C. Braddock -- Ordering the Land / Karl Kusserow -- The Trouble with Empire / Karl Kusserow -- Creative Matter: Tracing the Environmental Context of Materials in American Art / Laura Turner Igoe -- "A Knot of Species": Raphaelle Peale's 'Still Life with Steak' and the Ecology of Food / Jeffrey Richmond-Moll -- Wearing the Wealth of the Land: Chilkat Robes and Their Connection to Place / Miranda Belarde-Lewis -- An Interview with Mark Dion / Alan C. Braddock and Karl Kusserow -- Industrialization and Conservation. "Man and Nature": Visualizing Human Impacts / Alan C. Braddock -- Icon of Extinction and Resilience / Alan C. Braddock -- On Being Still in Eden: Mesopotamia Once More, With Feeling / Timothy Morton -- Ghostscapes from the Forever War / Anne McClintock -- Horner Dodge Martin's Landscapes in Reverse / Rachael Z. DeLue -- Entanglements of Land and Water: Picturing Contingency in Martin Johnson HEade's 'Newburyport Marshes: Approaching Strom / Kimia Shahi -- Turning Around / Jaune Quick-to-See Smith -- Ecology and Environmentalism. Vital Forms: Modernist Biocentrism / Alan C. Braddock -- The Big Picture: American Art and Planetary Ecology / Alan C. Braddock and Karl Kusserow -- Photography and the Ecological Imagination / Robin Kelsey -- Three Islands: An Environmental Justice Archipelago / Rob Nixon -- Citizenship Culture and the Transnational Environmental Commons / Fonna Forman and Teddy Cruz -- Selected Bibliography -- Contributors -- Lenders to the Exhibition -- Index

  10. The lost words
    a spell book
    Erschienen: 2018
    Verlag:  Anansi, [Toronto] Canada

    "All over the country, there are words disappearing from children's lives. These are the words of the natural world--dandelion, otter, bramble and acorn, all gone. The rich landscape of wild imagination and wild play is rapidly fading from our... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "All over the country, there are words disappearing from children's lives. These are the words of the natural world--dandelion, otter, bramble and acorn, all gone. The rich landscape of wild imagination and wild play is rapidly fading from our children's minds. The Lost Words stands against the disappearance of wild childhood. It is a joyful celebration of nature words and the natural world they invoke. With acrostic spell-poems by award-winning writer Robert Macfarlane and hand-painted illustration by Jackie Morris, this enchanting book captures the irreplaceable magic of language and nature for all ages."--

     

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  11. Max Ernst
    Vegetationen
    Autor*in: Nolden, Herbert
    Erschienen: [2018]
    Verlag:  Wienand Verlag, Köln

    "Vegetationen von Max Ernst, das in der Reihe Zoom vorgestellt wird, gilt als bedeutendes frühes Werk und nimmt einen wichtigen Stellenwert im OEuvre ein. Die Arbeit entstand 1916 und gehört damit zu Ernsts Frühwerk, welches bisher von der Forschung... mehr

    Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur, Bibliothek
    BK2 Ernst, Max BG-Hb 0231/2018T
    keine Fernleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2018:2078:
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 180140
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    LVR-LandesMuseum Bonn, Bibliothek
    X 20/6096
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Kunsthalle Bremen
    Kat. Ausst. Ludwigshafen 2018
    keine Fernleihe
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Museum für Moderne Kunst, Bibliothek
    18/267
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Städtische Museen Freiburg, Augustinermuseum/Museum für Neue Kunst, Bibliothek
    M/Ernst,M/10/707
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Kulturstiftung Sachsen-Anhalt, Zentralbibliothek Halle (Saale)
    Mo 12362
    keine Fernleihe
    Universitätsbibliothek Heidelberg
    2018 S 88
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Institut für Europäische Kunstgeschichte der Universität, Bibliothek
    M 2145/30
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Badische Landesbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Akademie der Bildenden Künste Karlsruhe, Bibliothek
    Ernst Max 2018
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Ernst, Max 2018
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    "Vegetationen von Max Ernst, das in der Reihe Zoom vorgestellt wird, gilt als bedeutendes frühes Werk und nimmt einen wichtigen Stellenwert im OEuvre ein. Die Arbeit entstand 1916 und gehört damit zu Ernsts Frühwerk, welches bisher von der Forschung meist vernachlässigt wurde. Zu Unrecht, wie die Publikation herausarbeitet. Bereits 1916 wandte Ernst in diesem Werk Gestaltungsmittel an, die in seinen späteren Schaffensphasen immanent wichtig werden sollten. Die Arbeit zeigt Motive aus der Natur wie die Pflanze, den Vogel und den Schmetterling, die im gesamten Werk des Künstlers von herausragender Bedeutung sind, ebenso wie die Synthese von Lebewesen und Natur als Gestaltungsprinzip"--Publisher's website

     

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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Ernst, Max (KünstlerIn); Nebenführ, Julia (HerausgeberIn, VerfasserIn)
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3868324321; 9783868324327
    Weitere Identifier:
    9783868324327
    RVK Klassifikation: LI 28350
    Schriftenreihe: Zoom ; #6
    Schlagworte: Nature in art
    Weitere Schlagworte: Ernst, Max (1891-1976)
    Umfang: 70 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Impressum: "Dieser Katalog erscheint anlässlich der Ausstellung 'Zoom #6 - Max Ernst. Vegetationen' Wilhelm-Hack-Museum, Ludwigshafen 23. März-8. Juli 2018"