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  1. Postcolonial film
    history, empire, resistance
    Beteiligt: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Erschienen: 2014
    Verlag:  Routledge, New York ; London

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... mehr

    Standort:
    Englisches Seminar der Universität, Bibliothek
    Signatur:
    PAA 330:42
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "..

     
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    Quelle: Verbundkataloge
    Beteiligt: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415716147
    RVK Klassifikation: AP 44900
    Schriftenreihe: Routledge advances in film studies ; 30
    Schlagworte: Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism; Postkolonialismus; Film; Kolonialismus
    Umfang: x, 316 Seiten, Illustrationen
  2. Cine y frontera
    territorios ilimitados de la mirada
    Erschienen: 2014
    Verlag:  CISAN, México, D.F.

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9786078348138; 6078348132
    RVK Klassifikation: AP 50300
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Pública cultura ; 1
    Schlagworte: Borderlands in motion pictures; Nationalism in motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures
    Umfang: 320 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references and filmographies
  3. Postcolonial film
    history, empire, resistance
    Erschienen: 2014
    Verlag:  Routledge, New York [u.a.]

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "..

     
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  4. Cine y frontera
    territorios ilimitados de la mirada
    Beteiligt: Vargas, Juan Carlos (Hrsg.); Martinez Zalce, Graciela (Hrsg.)
    Erschienen: [2014]; ©2014
    Verlag:  Bonilla Artigas editores, Mexico City, Mexico

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Vargas, Juan Carlos (Hrsg.); Martinez Zalce, Graciela (Hrsg.)
    Sprache: Spanisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9786078348299
    RVK Klassifikation: AP 50300
    Schlagworte: Nationalism in motion pictures; Borderlands in motion pictures; Grenze <Motiv>; Film
    Umfang: 1 Online-Ressource (216 pages), illustrations
    Bemerkung(en):

    Description based on print version record
  5. Postcolonial film
    history, empire, resistance
    Erschienen: 2014
    Verlag:  Routledge, New York [u.a.]

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 912802
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a tea 774.3/135
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2015 A 3577
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    KMW:KG:1000:Weav::2014
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Signatur:
    AP 44900 WEA
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780415716147
    RVK Klassifikation: AP 44900
    Schriftenreihe: Routledge advances in film studies ; 30
    Schlagworte: Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures
    Umfang: X, 316 S., Ill.
    Bemerkung(en):

    Literaturangaben

    Nicholas HarrisonThe Sound of Broken Memory: Assia Djebar's The Nuba of the Women of Mount Chenoua (1977) / Sarah E. Mosher: New Readings of Twentieth Century Anti-Colonial Resistance Narratives. Yesterday's Mujahiddin: Gillo Pontecorvo's The Battle of Algiers (1966)

    Jerod Ra' Del Hollyfield: Approximate Others: Peter Weir's The Last Wave (1977)

    Stephen Spence: Life as an Ocean: Hou Hsiao-hsien's The Puppetmaster (1993)

    Jehanne-Marie Gavarini: Millennial Tropes of NeoEmpire. Shifting Sands, Imaginary Space, and National Identity: Cédric Klapisch's Peut-être (1999)

    Meredith Robinson: No Chains on Feet or Mind: Jean-Claude Flamand Barny's Nèg Maron (2005)

    Corinn Columpar: A Cinema of Conviviality: Ray Lawrence's Jindabyne (2006)

    Cynthia Sugars: Déjà vu All Over Again: Guy Maddin's My Winnipeg (2007)

    Vuslat Demirkoparan: New Imaginations of Neo-Postcolonialism. Identity and The Politics of Space: Fatih Akin's The Edge of Heaven (2007)

    Yu-wen Fu: Space and Cultural Memory: Te-Shen Wei's Cape No.7 (2008)

    Rebecca Weaver-Hightower: The Postcolonial Hybrid: Neill Blomkamp's District 9 (2009)

    Henry Schwarz: The Marginal Interventionist Cinema of Budhan Theatre: Dakxin Bajrange Chhara's The Lost Water (2008/2010)

    Ella Shohat and Robert Stam.: Afterword: History, Empire, Resistance
  6. Postcolonial film
    history, empire, resistance
    Beteiligt: Weaver-Hightower, Rebecca (HerausgeberIn); Hulme, Peter (HerausgeberIn)
    Erschienen: 2014
    Verlag:  Routledge, Taylor & Francis Group, New York

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 912802
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a tea 774.3/135
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2015 A 3577
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signatur:
    AP 44900 100
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    KMW:KG:1000:Weav::2014
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    2016 A 2955
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Signatur:
    AP 44900 WEA
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Weaver-Hightower, Rebecca (HerausgeberIn); Hulme, Peter (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780415716147
    RVK Klassifikation: AP 44900
    Schriftenreihe: Routledge advances in film studies ; 30
    Schlagworte: Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; ART; SOCIAL SCIENCE; POLITICAL SCIENCE; Imperialism in motion pictures; Motion pictures; Nationalism in motion pictures; Politics in motion pictures; Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures
    Umfang: x, 316 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Nicholas Harrison: New Readings of Twentieth Century Anti-Colonial Resistance Narratives. Yesterday's Mujahiddin: Gillo Pontecorvo's The Battle of Algiers (1966)

    Sarah E. Mosher: The Sound of Broken Memory: Assia Djebar's The Nuba of the Women of Mount Chenoua (1977)

    Jerod Ra' Del Hollyfield: Approximate Others: Peter Weir's The Last Wave (1977)

    Stephen Spence: Life as an Ocean: Hou Hsiao-Hsien's The Puppetmaster (1993)

    Jehanne-Marie Gavarini: Millennial Tropes of NeoEmpire. Shifting Sands, Imaginary Space, and National Identity: Cédric Klapisch's Peut-être (1999)

    Meredith Robinson: No Chains on Feet or Mind: Jean-Claude Flamand Barny's Nèg Maron (2005)

    Corinn Columpar: A Cinema of Conviviality: Ray Lawrence's Jindabyne (2006)

    Cynthia Sugars: Déjà vu All Over Again: Guy Maddin's My Winnipeg (2007)

    Vuslat Demirkoparan: New Imaginations of Neo-Postcolonialism. Identity and The Politics of Space: Fatih Akin's The Edge of Heaven (2007)

    Yu-wen Fu: Space and Cultural Memory: Te-Shen Wei's Cape No. 7 (2008)

    Rebecca Weaver-Hightower: The Postcolonial Hybrid: Neill Blomkamp's District 9 (2009)

    Henry Schwarz: The Marginal Interventionist Cinema of Budhan Theatre: Dakxin Bajrange Chhara's The Lost Water (2010)

    Robert Stam and Ella Shohat: Afterword: History, Empire, Resistance

    Nicholas HarrisonThe Sound of Broken Memory: Assia Djebar's The Nuba of the Women of Mount Chenoua (1977) / Sarah E. Mosher: New Readings of Twentieth Century Anti-Colonial Resistance Narratives. Yesterday's Mujahiddin: Gillo Pontecorvo's The Battle of Algiers (1966)

    Jerod Ra' Del Hollyfield: Approximate Others: Peter Weir's The Last Wave (1977)

    Stephen Spence: Life as an Ocean: Hou Hsiao-hsien's The Puppetmaster (1993)

    Jehanne-Marie Gavarini: Millennial Tropes of NeoEmpire. Shifting Sands, Imaginary Space, and National Identity: Cédric Klapisch's Peut-être (1999)

    Meredith Robinson: No Chains on Feet or Mind: Jean-Claude Flamand Barny's Nèg Maron (2005)

    Corinn Columpar: A Cinema of Conviviality: Ray Lawrence's Jindabyne (2006)

    Cynthia Sugars: Déjà vu All Over Again: Guy Maddin's My Winnipeg (2007)

    Vuslat Demirkoparan: New Imaginations of Neo-Postcolonialism. Identity and The Politics of Space: Fatih Akin's The Edge of Heaven (2007)

    Yu-wen Fu: Space and Cultural Memory: Te-Shen Wei's Cape No.7 (2008)

    Rebecca Weaver-Hightower: The Postcolonial Hybrid: Neill Blomkamp's District 9 (2009)

    Henry Schwarz: The Marginal Interventionist Cinema of Budhan Theatre: Dakxin Bajrange Chhara's The Lost Water (2008/2010)

    Ella Shohat and Robert Stam.: Afterword: History, Empire, Resistance
  7. Postcolonial film
    history, empire, resistance
    Erschienen: 2014
    Verlag:  Routledge, New York [u.a.]

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "..

     
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415716147
    RVK Klassifikation: AP 44900
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Routledge advances in film studies ; 30
    Schlagworte: ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism; Film; Politik; Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism; Postkolonialismus; Film; Kolonialismus
    Umfang: X, 316 S., Ill.
  8. Postcolonial film
    history, empire, resistance
    Beteiligt: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Erschienen: 2014
    Verlag:  Routledge, New York

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... mehr

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. ".

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780415716147
    RVK Klassifikation: AP 44900
    Schriftenreihe: Routledge advances in film studies ; 30
    Schlagworte: Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism
    Umfang: x, 316 Seiten, Illustrationen
  9. Cine y frontera
    territorios ilimitados de la mirada
    Erschienen: 2014
    Verlag:  CISAN, México, D.F.

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Signatur:
    A 14 / 17906
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentrale Hochschulbibliothek Flensburg
    Signatur:
    IP 10430 V297
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    VG/240/2544
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9786078348138; 6078348132
    RVK Klassifikation: AP 50300
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Pública cultura ; 1
    Schlagworte: Borderlands in motion pictures; Nationalism in motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures
    Umfang: 320 S., Ill., 23 cm
    Bemerkung(en):

    Includes bibliographical references and filmographies