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In the last quarter of the nineteenth century, Xhosa literature was dominated by two writers: William Wellington Gqoba and Jonas Ntsiko. Gqoba's status and reputation are today assured, and he is well known and recognised by authorities who have written on the early history of Xhosa literature. In sharp contrast, Ntsiko's contribution to Xhosa literature is almost entirely overlooked. Very little is known about him and his substantial contribution to early Xhosa literature; not one of the 71 items included here has subsequently been republished. Ntsiko is a ghostly presence, defined by his absence, an ancestral shade invoked by none. Ntsiko (1850-1918) wrote under the pseudonym 'Hadi waseluhlangeni', the National Harp. This volume contains two substantial essays, by Marguerite Poland and Jeff Opland, that offer an account, for the first time, of Ntsiko's life and times, his early schooling in Grahamstown, his three years of study in England, his ordination as a deacon in the Anglican Church and his ten-year career in church service, ending abruptly in the termination of his licence. Thereafter, he grew progressively blind and ended his working life serving the magistrate in the rural village of Tsolo. This book assembles for the first time all the clearly identifiable writings of Ntsiko in English and in Xhosa: journals, narrative and lyrical poetry, obituaries and polemical articles on the bible translation, politics and church affairs. It seeks to claim recognition for him as a major voice in the history of Xhosa literature, as an outspoken social critic and as a leading intellectual in the early formulation of African nationalism
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