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Sung Birds
Music, Nature, and Poetry in the Later Middle Ages -
Osmin's Rage
Philosophical Reflections on Opera, Drama, and Text -
Music as cultural practice
1800 - 1900 -
When machines play Chopin
musical spirit and automation in nineteenth-century german literature -
The influence of music on American literature since 1890
a history of aesthetic counterpoint -
Music writing literature, from Sand via Debussy to Derrida
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Hermeneutics and music criticism
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Luther’s theology of music
spiritual beauty and pleasure -
Music and literature in German romanticism
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The tooth that nibbles at the soul
essays on music and poetry -
Sung birds
music, nature, and poetry in the later Middle Ages -
When machines play Chopin
musical spirit and automation in nineteenth-century German literature -
Hermeneutics and music criticism
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Böse Macht Musik
zur Ästhetik des Bösen in der Musik -
When machines play Chopin
musical spirit and automation in nineteenth-century German literature -
Sound and sense
music and musical metaphor in the thought and writing of Goethe and his age -
On Composition and the Arts
An Arabic Critical Edition and English Translation of Epistles 6-8. = ar-Risāla al-qism al-awwal fī al-ʻulūm al-riyāḍīyah al-taʻlīmīyah -
Osmin's rage
philosophical reflections on opera, drama, and text -
Changing aesthetic views of instrumental music in 18th century Germany
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The emancipation of music from language
departure from mimesis in Eighteenth-Century aesthetics -
Grand illusion
phantasmagoria in nineteenth-century opera -
Stravinsky
his thoughts and music -
Transformation as creation
essays in the history, theory and aesthetics of Indian music, dance and theatre -
Changing aesthetic views of instrumental music in eighteenth century Germany
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Changing aesthetic views of instrumental music in 18th-century Germany