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  1. Posing modernity
    the black model from Manet and Matisse to today
    Autor*in: Murrell, Denise
    Erschienen: [2018]; © 2018
    Verlag:  Yale University Press, New Haven ; London

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical... mehr

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Signatur:
    PJB19781
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Signatur:
    kunk430.m984
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signatur:
    UBKUN/0000300
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitätsbibliothek Wuppertal
    Signatur:
    KBLM1841
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300229066
    RVK Klassifikation: LH 84160 ; LH 85130 ; LH 84160 ; LH 85130
    Schlagworte: Rezeption; Schwarze; Modell <Kunst>; Schwarze <Motiv>; Kunst
    Weitere Schlagworte: Mpane, Aimé (1968-); Thomas, Mickalene (1971-); Matisse, Henri (1869-1954); Ringgold, Faith (1930-); Bearden, Romare (1914-1988); Manet, Edouard (1832-1883): Olympia; Sulter, Maud (1960-2008); Array; Array; Array; Array; Array; Array; Array
    Umfang: XVII, 206 Seiten, 27 cm
    Bemerkung(en):

    "Published on the occasion of the exhibition 'Posing Modernity: The Black Model from Manet and Matisse to Today' [...], The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018-February 10, 2019; Musée d'Orsay, Paris (as the expanded exhibition 'Le Modèle noir de Gericault à Matisse'), March 26-July 14, 2019" - Impressum
  2. Posing modernity
    the black model from Manet and Matisse to today
    Autor*in: Murrell, Denise
    Erschienen: [2018]; © 2018
    Verlag:  Yale University Press, New Haven ; London

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300229066
    RVK Klassifikation: LH 84160 ; LH 85130
    Schlagworte: Schwarze <Motiv>; Schwarze; Modell <Kunst>; Rezeption; Kunst
    Weitere Schlagworte: Ringgold, Faith (1930-2024); Mpane, Aimé (1968-); Manet, Edouard (1832-1883): Olympia; Sulter, Maud (1960-2008); Bearden, Romare (1911-1988); Matisse, Henri (1869-1954); Thomas, Mickalene (1971-); Artists and models in art / Blacks / Exhibitions; Artists' models / Blacks / Exhibitions; African American models / Exhibitions; Modernism (Art) / Europe / Exhibitions; Blacks / France / Paris; Modernism (Art) / United States / Exhibitions; Art / Exhibitions
    Umfang: XVII, 206 Seiten, Illustrationen, Karten, 27 cm
    Bemerkung(en):

    Published on the occasion of the exhibition ... The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018 - February 10, 2019; Musée d'Orsay, Paris (as the expanded exhibition "Le Modèle noir de Gericault à Matisse"), March 26 - July 14, 2019
  3. Posing modernity: the black model from Manet and Matisse to today // The black model from Géricault to Matisse
    Wallach Art Gallery, New York : 24th Otober 2018 - 10th February // Musée d'Orsay, Paris : 26th March - 21st July
    Autor*in: Pullins, David
    Erschienen: 2019

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Übergeordneter Titel: The Burlington magazine / ed. Benedict Nicolson; London, 2019; Volume 161, number 1396 (July 2019), Seite 591-594
    Schlagworte: Schwarze <Motiv>; Schwarze; Modell <Kunst>; Rezeption; Kunst
    Weitere Schlagworte: Ringgold, Faith (1930-2024); Mpane, Aimé (1968-); Manet, Edouard (1832-1883): Olympia; Sulter, Maud (1960-2008); Bearden, Romare (1911-1988); Matisse, Henri (1869-1954); Thomas, Mickalene (1971-)
    Umfang: Illustrationen
  4. Posing modernity
    the black model from Manet and Matisse to today
    Autor*in: Murrell, Denise
    Erschienen: [2018]; © 2018
    Verlag:  Yale University Press, New Haven ; London

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300229066
    RVK Klassifikation: LH 84160 ; LH 85130
    Schlagworte: Schwarze <Motiv>; Schwarze; Modell <Kunst>; Rezeption; Kunst
    Weitere Schlagworte: Ringgold, Faith (1930-2024); Mpane, Aimé (1968-); Manet, Edouard (1832-1883): Olympia; Sulter, Maud (1960-2008); Bearden, Romare (1911-1988); Matisse, Henri (1869-1954); Thomas, Mickalene (1971-); Artists and models in art / Blacks / Exhibitions; Artists' models / Blacks / Exhibitions; African American models / Exhibitions; Modernism (Art) / Europe / Exhibitions; Blacks / France / Paris; Modernism (Art) / United States / Exhibitions; Art / Exhibitions
    Umfang: XVII, 206 Seiten, Illustrationen, Karten, 27 cm
    Bemerkung(en):

    Published on the occasion of the exhibition ... The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, October 24, 2018 - February 10, 2019; Musée d'Orsay, Paris (as the expanded exhibition "Le Modèle noir de Gericault à Matisse"), March 26 - July 14, 2019
  5. Aimé Mpane's "Nude"
    a body that questions
    Autor*in: Cody, Steven J.
    Erschienen: 2023

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Übergeordneter Titel:
    Zeitschrift für Kunstgeschichte; München ; Berlin [u.a.], 2023; 86. Jahrgang, Heft 4 (2023), Seite 533-548
    Schlagworte: Rezeption; Aktdarstellung; Plastik
    Weitere Schlagworte: Fanon, Frantz (1925-1961): Peau noire, masques blancs; Mpane, Aimé (1968-)
    Umfang: Illustrationen