As performative and political acts, translation, intervention, and participation are movements that take place across, along, and between borders. Such movements traverse geographic boundaries, affect social distinctions, and challenge conceptual...
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As performative and political acts, translation, intervention, and participation are movements that take place across, along, and between borders. Such movements traverse geographic boundaries, affect social distinctions, and challenge conceptual categorizations - while shifting and transforming lines of separation themselves. This book brings together choreographers, movement practitioners, and theorists from various fields and disciplines to reflect upon such dynamics of difference. From their individual cultural backgrounds, they ask how these movements affect related fields such as corporeality, perception, (self-)representation, and expression.
Frontmatter -- -- Contents -- -- Introduction: Moving (Across) Borders -- -- Translating Differences -- -- Human, Animal, Thing -- -- Dance as Image – Image as Dance -- -- Performing “Africa” -- -- The Global Politics of Faustin Linyekula’s Dance Theater -- -- “But you know I don’t think in words.” -- -- A New War on Borders -- -- Institutions, Interventions, and Participartion -- -- An Artist/Activist Moving (Across) Borders -- -- Indian Idealism -- -- Risk Taking Bodies and Their Choreographies of Protest -- -- The Archiving Body in Dance -- -- Questions of Participation: Implementing the German Dance Congress as an Artistic, Reflective, and Political Project -- -- “Tea Times” -- -- Contributors