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  1. A philosophy of cinematic art
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "A Philosophy of cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film,... mehr

    Lehrstuhl für Theoretische Philosophie und Philosophisches Institut, Bibliothek
    601:CC 6800 0005
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "A Philosophy of cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film, realism in cinema, cinematic authorship, intentionalist and constructivist theories of interpretation, cinematic narration, the role of emotions in responses to films, the possibility of identification with characters, and the nature of the cinematic medium." "Groundbreaking in its coverage of a wide range of contemporary cinematic media, it analyses not only traditional photographic films, but also digital cinema, and a variety of interactive cinematic works, including videogames, written in a clear and accessible style, the book examines the work of leading film theorists and philosophers of film, and develops a powerful framework with which to think about cinema as an art."--BOOK JACKET.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780521529648
    RVK Klassifikation: CC 6800 ; AP 45400
    Auflage/Ausgabe: 2. ed.
    Schlagworte: Motion pictures and the arts; Motion pictures; Ästhetik; Film; Philosophie
    Umfang: XIII, 324 S., Ill., 24 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliogr. references and index

  2. Framing pictures
    film and the visual arts
    Autor*in: Jacobs, Steven
    Erschienen: 2012
    Verlag:  Edinburgh Univ. Press, Edinburgh

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780748668762; 9780748640171
    RVK Klassifikation: AP 47500
    Schriftenreihe: Edinburgh Studies in Film
    Schlagworte: Motion pictures and the arts; Art and motion pictures; Motion pictures; Motion pictures
    Umfang: XIV, 210 S, Ill
    Bemerkung(en):

    Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema.

  3. <<A>> philosophy of cinematic art
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "A Philosophy of cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film,... mehr

    Universitätsbibliothek der RWTH Aachen
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "A Philosophy of cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film, realism in cinema, cinematic authorship, intentionalist and constructivist theories of interpretation, cinematic narration, the role of emotions in responses to films, the possibility of identification with characters, and the nature of the cinematic medium." "Groundbreaking in its coverage of a wide range of contemporary cinematic media, it analyses not only traditional photographic films, but also digital cinema, and a variety of interactive cinematic works, including videogames, written in a clear and accessible style, the book examines the work of leading film theorists and philosophers of film, and develops a powerful framework with which to think about cinema as an art."--BOOK JACKET

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521529648
    RVK Klassifikation: AP 45400 ; CC 6800
    Auflage/Ausgabe: 2. ed.
    Schlagworte: Motion pictures and the arts; Motion pictures
    Umfang: XIII, 324 S., Ill, 24 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliogr. references and index

  4. Framing pictures
    film and the visual arts
    Autor*in: Jacobs, Steven
    Erschienen: 2012
    Verlag:  Edinburgh Univ. Press, Edinburgh

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Institut für Museumsforschung, Bibliothek
    E.2.5.Jaco
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
    a tea 842.5/399
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule für Bildende Künste Dresden, Bibliothek
    2022/3105
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Heidelberg
    2022 C 3496
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule für Grafik und Buchkunst, Bibliothek
    keine Fernleihe
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    KoM 2188.011
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780748668762; 9780748640171
    RVK Klassifikation: AP 47500
    Schriftenreihe: Edinburgh Studies in Film
    Schlagworte: Motion pictures and the arts; Art and motion pictures; Motion pictures; Motion pictures
    Umfang: XIV, 210 S, Ill
    Bemerkung(en):

    Camera and canvas: Emmer, Storck, Resnais and the post-war art film -- Vasari in Hollywood: artists and biopics -- Galleries of the gaze: the museum in Rossellini's Viaggio in Italia and Hitchcock's Vertigo -- Tableaux vivants 1: painting, film, death and passion plays in Pasolini and Godard -- Tableaux vivants 2: film stills and contemporary photography -- The video that knew too much: Hitchcock, contemporary art and post-cinema.