Ergebnisse für *

Zeige Ergebnisse 1 bis 4 von 4.

  1. Losing the plot
    film and feeling in the modern novel
    Autor*in: Dabashi, Pardis
    Erschienen: 2023
    Verlag:  The University of Chicago Press, Chicago ; London

    "It is widely understood that the modernist novel sought to escape what Virginia Woolf called the "tyranny" of plot. Yet even as twentieth-century writers pushed against the constraints of Victorian, plot-driven novels, Pardis Dabashi shows that plot... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "It is widely understood that the modernist novel sought to escape what Virginia Woolf called the "tyranny" of plot. Yet even as twentieth-century writers pushed against the constraints of Victorian, plot-driven novels, Pardis Dabashi shows that plot kept its hold on them through the influence of another medium: the cinema. Focusing on the novels of Nella Larsen, Djuna Barnes, and William Faulkner-writers known for their moviegoing affinities and connections to early film-Dabashi uses the relationship between literature and the cinema to reveal a profound longing for plot in modernist fiction. Dabashi links the moviegoing practices of Larsen, Barnes, and Faulkner to the tensions in their works, tensions between the formal properties of the novels and the characters in them. In making a distinction between what the novel is doing and what their characters desire, these authors ponder how it is one thing to withhold plot as a gesture of modernist aesthetics, and quite another to be denied the comfort of plot's architecture in one's living and breathing existence"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  2. Dirk Lauwaert
    selected writings, 1983-2008
    Autor*in: Lauwaert, Dirk
    Erschienen: [2023]
    Verlag:  Leuven University Press, Leuven (Belgium)

    The first introduction of the seminal writings of a key Belgian writer and critic to an English-speaking audience. Radically subjective. Radically unapologetic. Radically demanding. These are the hallmarks of Dirk Lauwaert’s skill, attitude, and... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    The first introduction of the seminal writings of a key Belgian writer and critic to an English-speaking audience. Radically subjective. Radically unapologetic. Radically demanding. These are the hallmarks of Dirk Lauwaert’s skill, attitude, and sensitivity, which are the result of radical attention. Belgian writer and critic Dirk Lauwaert (1944–2013) wrote about images, be they moving or still, historical or contemporary, overfamiliar or unseen. He experienced them intensely, studied them attentively, and connected them to ethical, philosophical, or social issues in texts that invited readers to do the same, whether they were leaving the movie theater, browsing a photo book, or visiting an exhibition. This selection presents the depth and scope of Lauwaert’s immense output through 15 key texts in which the Belgian author unfolds his central ideas and motifs, displaying his kaleidoscopic thinking and essayistic ability. The texts span 25 years – from 1983 to 2008 – and were originally published in various contexts over the course of three decades.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Asselberghs, Herman (Hrsg.); Desmet, Robbrecht (Hrsg.); Meuleman, Bart (Hrsg.); Perquy, Peter Jan (Hrsg.); Matthé, Sis; Perri, Trevor
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9789462703858
    Schriftenreihe: Lieven Gevaert series ; vol. 33
    Schlagworte: Kunstkritik; Filmtheorie; Ästhetik
    Weitere Schlagworte: Lauwaert, Dirk (1944-2013); Motion pictures / History; Art criticism
    Umfang: 205 Seiten, 23 cm
  3. Transforming Faces for the Screen
    Horror and Romance in the 1920s
    Erschienen: 2023
    Verlag:  Springer International Publishing, Cham ; Palgrave Macmillan

    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031400292
    Weitere Identifier:
    RVK Klassifikation: AP 59783
    Auflage/Ausgabe: 1st ed. 2023
    Schlagworte: Film and TV History; Medical Humanities; Motion pictures / History; Medicine and the humanities; Gesichtschirurgie; Stummfilm; Literatur
    Umfang: 1 Online-Ressource (XVII, 139 p. 44 illus., 1 illus. in color)
  4. Transforming Faces for the Screen
    Horror and Romance in the 1920s
    Erschienen: 2023
    Verlag:  Springer International Publishing, Cham ; Palgrave Macmillan

    Zugang:
    Resolving-System (lizenzpflichtig)
    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783031400292
    Weitere Identifier:
    RVK Klassifikation: AP 59783
    Auflage/Ausgabe: 1st ed. 2023
    Schlagworte: Film and TV History; Medical Humanities; Motion pictures / History; Medicine and the humanities; Gesichtschirurgie; Stummfilm; Literatur
    Umfang: 1 Online-Ressource (XVII, 139 p. 44 illus., 1 illus. in color)