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  1. Gender, theatre, and the origins of criticism from Dryden to Manley
    from Dryden to Manley
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, UK

    Frank explores the theoretical and literary legacy of Dryden to a number of prominent women writers of the time. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine... mehr

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    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
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    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Frank explores the theoretical and literary legacy of Dryden to a number of prominent women writers of the time. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley The critical stage -- "Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521818100; 0521818109; 0511021119; 9780511021114; 0511120958; 9780511120954; 9780511483578; 0511483570
    Schlagworte: Criticism; English literature; Criticism; English drama; Sex role in literature; Sex in literature; English literature; Criticism; English drama; Criticism; Criticism; English literature; Criticism; English drama; Sex role in literature; Sex in literature; LITERARY CRITICISM ; Semiotics & Theory; Literature; Criticism; English literature ; Theory, etc; Influence (Literary, artistic, etc.); Sex in literature; Sex role in literature; Criticism, interpretation, etc; History; Literature
    Weitere Schlagworte: Manley 1663-1724; Dryden, John 1631-1700; Dryden, John 1631-1700; Dryden, John (1631-1700); Manley Mrs (1663-1724); Dryden, John (1631-1700); Dryden, John (1631-1700); Manley Mrs (1663-1724); Dryden, John (1631-1700); Manley 1663-1724; Dryden, John 1631-1700; Dryden, John; Manley
    Umfang: Online Ressource (ix, 175 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 163-172) and index. - Description based on print version record

    The critical stage"Equal to ourselves" : John Dryden's national literary history -- Staging criticism, staging Milton : John Dryden's The state of innocence -- Imitating Shakespeare : gender and criticism -- The female playwright and the city lady -- Scandals of a female nature.
  2. Theatre and the novel, from Behn to Fielding
    Autor*in: Widmayer, Anne F.
    Erschienen: [2015]
    Verlag:  Voltaire Foundation, Oxford

    "Ever since Ian Watt's The Rise of the novel (1957), many critics have argued that a constitutive element of the early 'novel' is its embrace of realism. Anne F. Widmayer contends, however, that Restoration and early eighteenth-century prose... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 969130
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2016/557
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2017 A 4040
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signatur:
    ZS
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    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A 2015/5471
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    2016/341
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    X 8186-2015,7
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    65/11617
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    HK 1274 W641
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    F8° 1995:2015,7
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Ever since Ian Watt's The Rise of the novel (1957), many critics have argued that a constitutive element of the early 'novel' is its embrace of realism. Anne F. Widmayer contends, however, that Restoration and early eighteenth-century prose narratives employ techniques that distance the reading audience from an illusion of reality; irony, hypocrisy, and characters who are knowingly acting for an audience are privileged, highlighting the artificial and false in fictional works. Focusing on the works of four celebrated playwright-novelists, Widmayer explores how the increased interiority of their prose characters is ridiculed by the use of techniques drawn from the theatre to throw into doubt the novel's ability to portray an unmediated 'reality'. Aphra Behn's dramatic techniques question the reliability of female narrators, while Delarivier Manley undermines the impact of women's passionate anger by suggesting the self-consciousness of their performances. In his later drama, William Congreve subverts the character of the apparently objective critic that is recurrent in his prose work, whilst Henry Fielding uses the figure of the satirical writer in his rehearsal plays to mock the novelist's aspiration to control the way a reader reads the text. Through analysing how these writers satirize the reading public's desire for clear distinctions between truth and illusion, Anne F. Widmayer also highlights the equally fluid boundaries between prose fiction and drama."--Back cover

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780729411653; 0729411656
    RVK Klassifikation: HK 1075 ; HK 1210 ; HK 1274
    Schriftenreihe: Oxford University studies in the Enlightenment ; 2015,7
    Schlagworte: Authors and theater; Dramatists; Novelists; Literature; Literature; Characters and characteristics in literature; Characters and characteristics in literature; Theater in literature; Theater in literature
    Weitere Schlagworte: Behn, Aphra 1640-1689; Manley 1663-1724; Congreve, William 1670-1729; Fielding, Henry 1707-1754
    Umfang: xii, 263 Seiten
    Bemerkung(en):

    Literaturangaben

    Aphra Behn's dramatic techniques in prosePerformed emotion in Delarivier Manley's works -- Hybrid dramatic-narrative techniques: William Congreve's Incognita and The old batchelor -- Abandoning control over 'reality': author-characters in Henry Fielding's plays -- Self-conscious anti-realism: readers as actor-authors in Henry Fielding's prose.
  3. Theatre and the novel, from Behn to Fielding
    Autor*in: Widmayer, Anne F.
    Erschienen: [2015]
    Verlag:  Voltaire Foundation, Oxford

    "Ever since Ian Watt's The Rise of the novel (1957), many critics have argued that a constitutive element of the early 'novel' is its embrace of realism. Anne F. Widmayer contends, however, that Restoration and early eighteenth-century prose... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Ever since Ian Watt's The Rise of the novel (1957), many critics have argued that a constitutive element of the early 'novel' is its embrace of realism. Anne F. Widmayer contends, however, that Restoration and early eighteenth-century prose narratives employ techniques that distance the reading audience from an illusion of reality; irony, hypocrisy, and characters who are knowingly acting for an audience are privileged, highlighting the artificial and false in fictional works. Focusing on the works of four celebrated playwright-novelists, Widmayer explores how the increased interiority of their prose characters is ridiculed by the use of techniques drawn from the theatre to throw into doubt the novel's ability to portray an unmediated 'reality'. Aphra Behn's dramatic techniques question the reliability of female narrators, while Delarivier Manley undermines the impact of women's passionate anger by suggesting the self-consciousness of their performances. In his later drama, William Congreve subverts the character of the apparently objective critic that is recurrent in his prose work, whilst Henry Fielding uses the figure of the satirical writer in his rehearsal plays to mock the novelist's aspiration to control the way a reader reads the text. Through analysing how these writers satirize the reading public's desire for clear distinctions between truth and illusion, Anne F. Widmayer also highlights the equally fluid boundaries between prose fiction and drama."--Back cover

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780729411653; 0729411656
    RVK Klassifikation: HK 1075 ; HK 1210 ; HK 1274
    Schriftenreihe: Oxford University studies in the Enlightenment ; 2015,7
    Schlagworte: Authors and theater; Dramatists; Novelists; Literature; Literature; Characters and characteristics in literature; Characters and characteristics in literature; Theater in literature; Theater in literature
    Weitere Schlagworte: Behn, Aphra 1640-1689; Manley 1663-1724; Congreve, William 1670-1729; Fielding, Henry 1707-1754
    Umfang: xii, 263 Seiten
    Bemerkung(en):

    Literaturangaben

    Aphra Behn's dramatic techniques in prosePerformed emotion in Delarivier Manley's works -- Hybrid dramatic-narrative techniques: William Congreve's Incognita and The old batchelor -- Abandoning control over 'reality': author-characters in Henry Fielding's plays -- Self-conscious anti-realism: readers as actor-authors in Henry Fielding's prose.