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  1. Composers in the movies
    studies in musical biography
    Autor*in: Tibbetts, John C.
    Erschienen: [2005]; © 2005
    Verlag:  Yale University Press, New Haven

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0300128037; 9780300128031
    RVK Klassifikation: AP 50300 ; LP 19900 ; LR 53509 ; LR 57255
    Schlagworte: PERFORMING ARTS / Film & Video / Reference; Filmmuziek; Films; Componisten; MUSIC / General; Composers; Motion pictures; Film; Composers in motion pictures; Film; Komponist <Motiv>
    Umfang: 1 Online-Ressource (xvi, 365 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 347-353) and index

    The classical style: composers in the studio era -- A song remembered: Frédéric Chopin goes to war -- The new Tin Pan Alley: Hollywood looks at American popular songwriters -- "Just an innocent bystander": the composer films of Ken Russell -- "A long, dark coda into the night": the composer films of Tony Palmer -- Revisionist portraits: a medley of recent composer biopics

    Even before movies had sound, filmmakers dramatised the lives of composers. Movie biographies - or biopics - have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels. "Every film buff will want to consult this book, as will musicologists and students in film and communication studies." Michael Saffle, Virginia Polytechnic Institute and State University
  2. Imagining native America in music
    Autor*in: Pisani, Michael V.
    Erschienen: c2005
    Verlag:  Yale University Press, New Haven

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0300130732; 1281730858; 9780300130737; 9781281730855
    RVK Klassifikation: LR 57810
    Schlagworte: MUSIC / Instruction & Study / Theory; MUSIC / General; Exoticism in music; Music; Music / Social aspects; Gesellschaft; Musik; Music; Music; Exoticism in music; Geschichte; Musik; Exotismus; Amerika <Motiv>
    Umfang: 1 Online-Ressource (xiv, 422 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 383-414) and index

    Introduction : a language for imagining native America -- New world Americans -- Exotic peoples, exotic sounds -- Nostalgia for a native land -- Americans again -- Conclusion

    This book offers a comprehensive look at musical representations of native America from the pre-colonial past through the American West and up to the present. The discussion covers a wide range of topics from the ballets of Lully in the court of Louis XIV to popular ballads of the 19th century; from 18th-century British-American theatre to the musical theatre of Irving Berlin; from chamber music by Dvorak to film music for Apaches in Hollywood Westerns. Michael Pisani demonstrates how European colonists and their descendents were fascinated by the idea of race and ethnicity in music, and he examines how music contributed to the complex process of cultural mediation. Pisani reveals how certain themes and metaphors changed over the centuries and shows how much of this 'Indian music', which was and continues to be largely imagined, alternately idealised and vilified the peoples of native America
  3. Composers in the movies
    studies in musical biography
    Autor*in: Tibbetts, John C.
    Erschienen: [2005]; © 2005
    Verlag:  Yale University Press, New Haven

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0300128037; 9780300128031
    RVK Klassifikation: AP 50300 ; LP 19900 ; LR 53509 ; LR 57255
    Schlagworte: PERFORMING ARTS / Film & Video / Reference; Filmmuziek; Films; Componisten; MUSIC / General; Composers; Motion pictures; Film; Composers in motion pictures; Film; Komponist <Motiv>
    Umfang: 1 Online-Ressource (xvi, 365 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 347-353) and index

    The classical style: composers in the studio era -- A song remembered: Frédéric Chopin goes to war -- The new Tin Pan Alley: Hollywood looks at American popular songwriters -- "Just an innocent bystander": the composer films of Ken Russell -- "A long, dark coda into the night": the composer films of Tony Palmer -- Revisionist portraits: a medley of recent composer biopics

    Even before movies had sound, filmmakers dramatised the lives of composers. Movie biographies - or biopics - have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels. "Every film buff will want to consult this book, as will musicologists and students in film and communication studies." Michael Saffle, Virginia Polytechnic Institute and State University