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  1. The Decline and Fall of the Lettered City
    Latin America in the Cold War
    Autor*in: Franco, Jean
    Erschienen: [2022]; © 2002
    Verlag:  Harvard University Press, Cambridge, MA

    The cultural Cold War in Latin America was waged as a war of values--artistic freedom versus communitarianism, Western values versus national cultures, the autonomy of art versus a commitment to liberation struggles--and at a time when the prestige... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The cultural Cold War in Latin America was waged as a war of values--artistic freedom versus communitarianism, Western values versus national cultures, the autonomy of art versus a commitment to liberation struggles--and at a time when the prestige of literature had never been higher. The projects of the historic avant-garde were revitalized by an anti-capitalist ethos and envisaged as the opposite of the republican state. The Decline and Fall of the Lettered City charts the conflicting universals of this period, the clash between avant-garde and political vanguard. This was also a twilight of literature at the threshold of the great cultural revolution of the seventies and eighties, a revolution to which the Cold War indirectly contributed. In the eighties, civil war and military rule, together with the rapid development of mass culture and communication empires, changed the political and cultural map. A long-awaited work by an eminent Latin Americanist widely read throughout the world, this book will prove indispensable to anyone hoping to understand Latin American literature and society. Jean Franco guides the reader across minefields of cultural debate and histories of highly polarized struggle. Focusing on literary texts by García Marquez, Vargas Llosa, Roa Bastos, and Juan Carlos Onetti, conducting us through this contested history with the authority of an eyewitness, Franco gives us an engaging overview as involving as it is moving

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674037175
    Weitere Identifier:
    Schriftenreihe: Convergences: Inventories of the Present
    Schlagworte: LITERARY CRITICISM / American / Hispanic American; Latin American literature; Literature and society; Littérature et société; Littérature latino-américaine
    Umfang: 1 online resource (352 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022)
  2. The Decline and Fall of the Lettered City
    Latin America in the Cold War
    Autor*in: Franco, Jean
    Erschienen: [2022]
    Verlag:  Harvard University Press, Cambridge, MA

    Frontmatter -- Contents -- Introduction -- I. Conflicting Universals -- 1. Killing Them Softly: The ColdWar and Culture -- 2. Communist Manifestos -- 3. Liberated Territories -- II. Peripheral Fantasies -- 4. Antistates -- 5. The Black Angel of Lost... mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signatur:
    Initiative E-Books.NRW
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Braunschweig
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    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
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    keine Fernleihe

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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    HafenCity Universität Hamburg, Bibliothek
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    keine Fernleihe

    Standort:
    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signatur:
    ebook deGruyter
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    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    keine Fernleihe

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    Fernleihe:
    keine Fernleihe
    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
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    Standort:
    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
    Signatur:
    eBook de Gruyter
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    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    Frontmatter -- Contents -- Introduction -- I. Conflicting Universals -- 1. Killing Them Softly: The ColdWar and Culture -- 2. Communist Manifestos -- 3. Liberated Territories -- II. Peripheral Fantasies -- 4. Antistates -- 5. The Black Angel of Lost Time -- 6. The Magic of Alterity -- III. A Cultural Revolution -- 7. Cultural Revolutions: Trouble in the City -- 8. The Seduction of Margins -- 9. Bodies in Distress: Narratives of Globalization -- 10. Obstinate Memory: Tainted History -- 11. Inside the Empire -- Notes -- Acknowledgments -- Index The cultural Cold War in Latin America was waged as a war of values--artistic freedom versus communitarianism, Western values versus national cultures, the autonomy of art versus a commitment to liberation struggles--and at a time when the prestige of literature had never been higher. The projects of the historic avant-garde were revitalized by an anti-capitalist ethos and envisaged as the opposite of the republican state. The Decline and Fall of the Lettered City charts the conflicting universals of this period, the clash between avant-garde and political vanguard. This was also a twilight of literature at the threshold of the great cultural revolution of the seventies and eighties, a revolution to which the Cold War indirectly contributed. In the eighties, civil war and military rule, together with the rapid development of mass culture and communication empires, changed the political and cultural map. A long-awaited work by an eminent Latin Americanist widely read throughout the world, this book will prove indispensable to anyone hoping to understand Latin American literature and society. Jean Franco guides the reader across minefields of cultural debate and histories of highly polarized struggle. Focusing on literary texts by García Marquez, Vargas Llosa, Roa Bastos, and Juan Carlos Onetti, conducting us through this contested history with the authority of an eyewitness, Franco gives us an engaging overview as involving as it is moving

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674037175
    Weitere Identifier:
    Schriftenreihe: Convergences: Inventories of the Present
    Schlagworte: Latin American literature; Literature and society; Littérature et société; Littérature latino-américaine; LITERARY CRITICISM / American / Hispanic American
    Umfang: 1 Online-Ressource (352 p)
  3. The Decline and Fall of the Lettered City
    Latin America in the Cold War
    Autor*in: Franco, Jean
    Erschienen: [2022]; © 2002
    Verlag:  Harvard University Press, Cambridge, MA

    The cultural Cold War in Latin America was waged as a war of values--artistic freedom versus communitarianism, Western values versus national cultures, the autonomy of art versus a commitment to liberation struggles--and at a time when the prestige... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The cultural Cold War in Latin America was waged as a war of values--artistic freedom versus communitarianism, Western values versus national cultures, the autonomy of art versus a commitment to liberation struggles--and at a time when the prestige of literature had never been higher. The projects of the historic avant-garde were revitalized by an anti-capitalist ethos and envisaged as the opposite of the republican state. The Decline and Fall of the Lettered City charts the conflicting universals of this period, the clash between avant-garde and political vanguard. This was also a twilight of literature at the threshold of the great cultural revolution of the seventies and eighties, a revolution to which the Cold War indirectly contributed. In the eighties, civil war and military rule, together with the rapid development of mass culture and communication empires, changed the political and cultural map. A long-awaited work by an eminent Latin Americanist widely read throughout the world, this book will prove indispensable to anyone hoping to understand Latin American literature and society. Jean Franco guides the reader across minefields of cultural debate and histories of highly polarized struggle. Focusing on literary texts by García Marquez, Vargas Llosa, Roa Bastos, and Juan Carlos Onetti, conducting us through this contested history with the authority of an eyewitness, Franco gives us an engaging overview as involving as it is moving

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674037175
    Weitere Identifier:
    Schriftenreihe: Convergences: Inventories of the Present
    Schlagworte: LITERARY CRITICISM / American / Hispanic American; Latin American literature; Literature and society; Littérature et société; Littérature latino-américaine
    Umfang: 1 online resource (352 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022)
  4. Consumerism and prestige
    the materiality of literature in the modern age
    Beteiligt: Enns, Anthony (Hrsg.); Metz, Bernhard (Hrsg.)
    Erschienen: 2022
    Verlag:  Anthem Press, London

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Enns, Anthony (Hrsg.); Metz, Bernhard (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781839982767
    Schriftenreihe: Anthem studies in book history, publishing and print culture
    Schlagworte: Inhalt; Abhängigkeit; Literatur; Buchproduktion; Materialität
    Weitere Schlagworte: Literature and society; Literature / Aesthetics / History and criticism; Books / Social aspects; Society in literature; Littérature et société; Littérature / Esthétique / Histoire et critique; Livres / Aspect social; Society in literature; Literature / Aesthetics; Literature and society; Criticism, interpretation, etc
    Umfang: x, 246 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Array: Array
  5. Graphic novels and comics as world literature
    Beteiligt: Hodapp, James (Hrsg.)
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London ; New York

    "Graphic narratives are one of the world’s great art forms, but graphic novels and comics from Europe and the United States dominate scholarly conversations about them. Building upon the little extant scholarship on graphic narratives from the Global... mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Graphic narratives are one of the world’s great art forms, but graphic novels and comics from Europe and the United States dominate scholarly conversations about them. Building upon the little extant scholarship on graphic narratives from the Global South, this collection moves beyond a narrow Western approach to this quickly expanding field. By focusing on texts from the Middle East, Africa, Latin America, and Asia, these essays expand the study of graphic narratives to a global scale. Graphic Novels and Comics as World Literature is also interested in how these texts engage with, fit in with, or complicate notions of World Literature. The larger theoretical framework of World Literature is joined with the postcolonial, decolonial, Global South, and similar approaches that argue explicitly or implicitly for the viability of non-Western graphic narratives on their own terms. Ultimately, this collection explores the ways that the unique formal qualities of graphic narratives from the Global South intersect with issues facing the study of international literatures, such as translation, commodification, circulation, Orientalism, and many others."

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
  6. Graphic novels and comics as world literature
    Beteiligt: Hodapp, James (Hrsg.)
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London ; New York

    "Graphic narratives are one of the world’s great art forms, but graphic novels and comics from Europe and the United States dominate scholarly conversations about them. Building upon the little extant scholarship on graphic narratives from the Global... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Graphic narratives are one of the world’s great art forms, but graphic novels and comics from Europe and the United States dominate scholarly conversations about them. Building upon the little extant scholarship on graphic narratives from the Global South, this collection moves beyond a narrow Western approach to this quickly expanding field. By focusing on texts from the Middle East, Africa, Latin America, and Asia, these essays expand the study of graphic narratives to a global scale. Graphic Novels and Comics as World Literature is also interested in how these texts engage with, fit in with, or complicate notions of World Literature. The larger theoretical framework of World Literature is joined with the postcolonial, decolonial, Global South, and similar approaches that argue explicitly or implicitly for the viability of non-Western graphic narratives on their own terms. Ultimately, this collection explores the ways that the unique formal qualities of graphic narratives from the Global South intersect with issues facing the study of international literatures, such as translation, commodification, circulation, Orientalism, and many others."

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
  7. Consumerism and prestige
    the materiality of literature in the modern age
    Beteiligt: Enns, Anthony (HerausgeberIn); Metz, Bernhard (HerausgeberIn)
    Erschienen: 2022; © 2022
    Verlag:  Anthem Press, London

    "This anthology explores the relationships and interdependencies between literary production and distinctions of taste by examining how the material aspects of literary texts, such as the cover, binding, typography, and paper stock, reflect or even... mehr

     

    "This anthology explores the relationships and interdependencies between literary production and distinctions of taste by examining how the material aspects of literary texts, such as the cover, binding, typography, and paper stock, reflect or even determine their cultural status. In the nineteenth century, for example, the industrialization of printing made possible a wide range of cheap formats, such as dime novels, pulp magazines, and paperbacks, which made literature available to a mass reading public. The increased demand for new content effectively lowered the cultural entrance level, which resulted in a tremendous expansion of popular or trivial fiction. These developments were often perceived as a threat to traditional literary institutions, which increasingly relied on material distinctions as a way of preserving their cultural authority, and some publishers even attempted to mimic the conventions of exclusivity by creating deluxe editions that were designed to preserve the privileged status of so-called “highbrow” texts. In many cases, the distinctions between “highbrow” and “lowbrow” taste actually had little to do with the content of the texts themselves, as books more often functioned as markers of socioeconomic status, like clothing or home décor. At the risk of being provocative, one might even go so far as to say that the concept of literary taste was more closely related to fashion sense than critical judgment. The anthology seeks to address this claim by examining how the tensions between consumerism and prestige reflect fundamental historical changes with regard to the development of technology, literacy, and social power."--Publisher description

     
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    Quelle: Verbundkataloge
    Beteiligt: Enns, Anthony (HerausgeberIn); Metz, Bernhard (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781839982767; 1839982764
    Schriftenreihe: Anthem studies in book history, publishing and print culture
    Schlagworte: Literature and society; Literature; Books; Society in literature; Littérature et société; Littérature - Esthétique - Histoire et critique; Livres - Aspect social; Society in literature; Literature - Aesthetics; Literature and society; Criticism, interpretation, etc
    Umfang: x, 246 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Christoph Rauen: Chapter 1. Devotion and consumption: Ludwig Tieck, literary pocketbooks, and the novella craze,

    Jacob Haubenreich: Chapter 2. Packaging process: Peter Handke's writing for sale,

    Laura Rivas Gagliardi -- Section two: Material distinctions in popular fiction: Chapter 3. Contrasts in the Brazilian book market in the early twenty-first century,

    Kate Roy: Chapter 4. Only the "Outward appearance" of Harem? Reading Memoirs of an Arabian princess as a material text,

    An Goris: Chapter 5. Hidden codes of love: The materiality of the category romance novel,

    Thorsten Bothe -- Section three: Cultural prestige and graphic narratives: Chapter 6. Stephen King's The girl who loved Tom Gordon: A rhetorical reading of the schneekluth edition dust jacket,

    Philipp Venghaus: Chapter 7. The printing of phantasms: The illustrations of nineteenth-century serialized novels and their appropriation in Max Ernst's collage novel Une semaine de bonté,

    Jeff Thoss: Chapter 8. From Penny Dreadful to graphic novel: Alan Moore and Kevin O'Neill's genealogy of comics in The league of extraordinary gentlemen,

    Anthony Enns: Chapter 9. Comic books versus graphic novels: Commodity forms and cultural prestige,

    Bernhard Metz: Chapter 10. The book and the e-book: Footnotes, margins, and typography in The brief wondrous life of Oscar Wao,

    Laura Hatry: Chapter 11. Ebook collections as an opportunity to recover unpublished or forgotten texts,

    Pasqualina Sorrentino and Massimo Salgaro: Chapter 12. How much does the symbolic capital of books cost? Operationalizing the prestige of book in the digital age,