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  1. Renaissance porticoes and painted pergolas
    nature and culture in early modern Italy
    Autor*in: Nonaka, Natsumi
    Erschienen: 2017
    Verlag:  Routledge, Taylor & Francis Group, London

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2017:2375:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 178183
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2017 C 1417
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden--the pergola--became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden-the pergola-became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472460530; 1472460537
    RVK Klassifikation: LN 83220
    Schriftenreihe: Visual culture in early modernity
    Schlagworte: Porticoes; Porticoes; Porticoes; Pergolas in art; Architecture, Renaissance; Art, Renaissance; Buildings in art; Porticoes; Porticoes; Liminality; Architecture, Renaissance; Art, Renaissance; Pergolas in art; Architecture, Renaissance; Art, Renaissance; Pergolas in art; Porticoes; Porticoes; Porticoes
    Umfang: xiii, 226 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 26 cm
    Bemerkung(en):

    Includes bibliographical references (pages 200-222) and index
  2. Permanent liminality and modernity
    analysing the sacrificial carnival through novels
    Autor*in: Szakolczai, Arpad
    Erschienen: 2017
    Verlag:  Routledge,, New York

    Part I. Before World War I : waiting for the storm -- 1. Empires and their collapse : fin-de-siecle vienna in context -- 2. Hugo von Hofmannstha l: promises and realities -- 3. Novel origins : Rilke's Notebooks of Malte and Hofmannsthal's Andreas --... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    Part I. Before World War I : waiting for the storm -- 1. Empires and their collapse : fin-de-siecle vienna in context -- 2. Hugo von Hofmannstha l: promises and realities -- 3. Novel origins : Rilke's Notebooks of Malte and Hofmannsthal's Andreas -- Part II. Suspended in the in-between : Franz Kafka -- 4. Kafka's sources and insights : theatre and other modes of distorted communication -- 5. Kafka's novels : in between theatre, theology and prophecy -- 6. The Zurau notebooks : the indestructible and the way -- Part III. After World War I : hypermodernity as sacrificial carnival -- 7. Thomas Mann : Death in venice and magic mountain -- 8. Karen Blixen : Carnival and angelic avengers -- 9. Hermann Broch : Sleepwalkers -- 10. Mikhail Bulgakov : Master and margarita -- 11. Heimito von Doderer : Demons -- 12. Bela Hamvas : Carnival.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315600055; 9781317082163
    Weitere Identifier:
    Schriftenreihe: Contemporary liminality
    Schlagworte: Liminality; Liminality in literature; Rites and ceremonies; Civilization, Modern; Liminality; Liminality in literature; Rites and ceremonies; Civilization, Modern
    Umfang: 1 online resource
    Bemerkung(en):

    Includes bibliographical references (pages [240]-249) and index
  3. Renaissance porticoes and painted pergolas
    nature and culture in early modern Italy
    Autor*in: Nonaka, Natsumi
    Erschienen: 2017
    Verlag:  Routledge, Taylor & Francis Group, London and New York

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden--the pergola--became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden-the pergola-became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1472460537; 9781472460530
    RVK Klassifikation: LN 83220
    Schriftenreihe: Visual Culture in Early Modernity
    Schlagworte: Buildings in art; Porticoes; Porticoes; Liminality; Architecture, Renaissance; Art, Renaissance; Pergolas in art; Architecture, Renaissance; Art, Renaissance; Pergolas in art; Porticoes; Porticoes; Porticoes
    Umfang: xiii, 226 Seiten, 16 ungezählte Seiten, Illustrationen, Pläne, Karten
  4. Permanent liminality and modernity
    analysing the sacrificial carnival through novels
    Autor*in: Szakolczai, Árpád
    Erschienen: 2017
    Verlag:  Routledge, New York

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472473882; 9781317082170
    Schlagworte: Liminality; Liminality in literature; Rites and ceremonies; Civilization, Modern; Literatur; Moderne; Karneval; Grenzüberschreitung
    Umfang: 1 online resource (316 pages)
    Bemerkung(en):

    Description based on print version record
  5. Liminality and communitas in the Beat Generation
    Autor*in: Mitchell, Aaron Christopher
    Erschienen: [2017]
    Verlag:  Peter Lang Edition, Frankfurt am Main

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783631727690; 3631727690
    Weitere Identifier:
    9783631727690
    Schlagworte: Beatgeneration; Literatur; Liminalität
    Weitere Schlagworte: (Produktform)Hardback; (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)LIT004120; (DDC-Sachgruppen der Deutschen Nationalbibliografie)420; (BISAC Subject Heading)LIT003000: LITERARY CRITICISM / Feminist; (BISAC Subject Heading)LIT004020: LITERARY CRITICISM / American / General; (BISAC Subject Heading)LIT004110: LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union); (BISAC Subject Heading)LIT004130: LITERARY CRITICISM / European / General; (BISAC Subject Heading)LIT004150: LITERARY CRITICISM / European / French; (BISAC Subject Heading)LIT004170: LITERARY CRITICISM / European / German; (BISAC Subject Heading)LIT004200: LITERARY CRITICISM / European / Italian; (BISAC Subject Heading)LIT004240: LITERARY CRITICISM / Russian & Former Soviet Union; (BISAC Subject Heading)LIT004290: LITERARY CRITICISM / Women Authors; (BISAC Subject Heading)PSY000000: PSYCHOLOGY / General; (BISAC Subject Heading)SOC002000: SOCIAL SCIENCE / Anthropology / General; (BISAC Subject Heading)SOC002010: SOCIAL SCIENCE / Anthropology / Cultural; (BIC subject category)1KBB: USA; (BIC subject category)2ABM: American English; (BIC subject category)DSBH: Literary studies: from c 1900 -; (BIC subject category)DSK: Literary studies: fiction, novelists & prose writers; (BIC subject category)JFC: Cultural studies; «Communitas»; Aaron; Allen Ginsberg; Beat; Christopher; Counterculture; Generation; Hippie; Jack Kerouac; Liminality; Michael; Mitchell; Rücker; Victor Turner; William Burroughs; (BISAC Subject Heading)LIT004120; (VLB-WN)1564: Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft
    Umfang: 316 Seiten, 22 cm, 500 g
    Bemerkung(en):

    Dissertation, Vechta, Univ., 2016
  6. Liminality and «Communitas» in the Beat Generation
    Autor*in: Mitchell, Aaron Christopher
    Erschienen: 2017
    Verlag:  Peter Lang GmbH, Internationaler Verlag der Wissenschaften, Frankfurt a.M.

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783631727966
    Weitere Identifier:
    9783631727966
    Schlagworte: Beatgeneration; Literatur; Liminalität
    Weitere Schlagworte: (Produktform)Electronic book text; (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)LIT003000: LITERARY CRITICISM / Feminist; (BISAC Subject Heading)LIT004020: LITERARY CRITICISM / American / General; (BISAC Subject Heading)LIT004110: LITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union); (BISAC Subject Heading)LIT004130: LITERARY CRITICISM / European / General; (BISAC Subject Heading)LIT004150: LITERARY CRITICISM / European / French; (BISAC Subject Heading)LIT004170: LITERARY CRITICISM / European / German; (BISAC Subject Heading)LIT004200: LITERARY CRITICISM / European / Italian; (BISAC Subject Heading)LIT004240: LITERARY CRITICISM / Russian & Former Soviet Union; (BISAC Subject Heading)LIT004290: LITERARY CRITICISM / Women Authors; (BISAC Subject Heading)PSY000000: PSYCHOLOGY / General; (BISAC Subject Heading)SOC002000: SOCIAL SCIENCE / Anthropology / General; (BISAC Subject Heading)SOC002010: SOCIAL SCIENCE / Anthropology / Cultural; (BIC subject category)1KBB: USA; (BIC subject category)2ABM: American English; (BIC subject category)DSBH: Literary studies: from c 1900 -; (BIC subject category)DSK: Literary studies: fiction, novelists & prose writers; (BIC subject category)JFC: Cultural studies; «Communitas»; Aaron; Allen Ginsberg; Beat; Christopher; Counterculture; Generation; Hippie; Jack Kerouac; Liminality; Michael; Mitchell; Rücker; Victor Turner; William Burroughs; (BISAC Subject Heading)LIT004120; (VLB-WN)9564; (DDC-Sachgruppen der Deutschen Nationalbibliografie)420
    Umfang: Online-Ressourcen, 316 Seiten, 3 Illustrationen
    Bemerkung(en):

    Lizenzpflichtig

    Dissertation, ,
  7. Gendered masks of liminality and race
    black female trickster’s subversion of hegemonic discourse in African American women literature
    Autor*in: Saber, Yomna
    Erschienen: [2017]
    Verlag:  Peter Lang, Bern

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  8. Renaissance porticoes and painted pergolas
    nature and culture in early modern Italy
    Autor*in: Nonaka, Natsumi
    Erschienen: 2017
    Verlag:  Routledge, Taylor & Francis Group, London and New York

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2017:2375:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 178183
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden--the pergola--became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden-the pergola-became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1472460537; 9781472460530
    RVK Klassifikation: LN 83220
    Schriftenreihe: Visual Culture in Early Modernity
    Schlagworte: Buildings in art; Porticoes; Porticoes; Liminality; Architecture, Renaissance; Art, Renaissance; Pergolas in art; Architecture, Renaissance; Art, Renaissance; Pergolas in art; Porticoes; Porticoes; Porticoes
    Umfang: xiii, 226 Seiten, 16 ungezählte Seiten, Illustrationen, Pläne, Karten
  9. Renaissance porticoes and painted pergolas
    nature and culture in early modern Italy
    Autor*in: Nonaka, Natsumi
    Erschienen: 2017
    Verlag:  Routledge, Taylor & Francis Group, London

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden--the pergola--became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden-the pergola-became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472460530; 1472460537
    RVK Klassifikation: LN 83220
    Schriftenreihe: Visual culture in early modernity
    Schlagworte: Porticoes; Porticoes; Porticoes; Pergolas in art; Architecture, Renaissance; Art, Renaissance; Buildings in art; Porticoes; Porticoes; Liminality; Architecture, Renaissance; Art, Renaissance; Pergolas in art; Architecture, Renaissance; Art, Renaissance; Pergolas in art; Porticoes; Porticoes; Porticoes
    Umfang: xiii, 226 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 26 cm
    Bemerkung(en):

    Includes bibliographical references (pages 200-222) and index
  10. Permanent liminality and modernity
    analysing the sacrificial carnival through novels
    Autor*in: Szakolczai, Arpad
    Erschienen: 2017
    Verlag:  Routledge,, New York

    Part I. Before World War I : waiting for the storm -- 1. Empires and their collapse : fin-de-siecle vienna in context -- 2. Hugo von Hofmannstha l: promises and realities -- 3. Novel origins : Rilke's Notebooks of Malte and Hofmannsthal's Andreas --... mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Part I. Before World War I : waiting for the storm -- 1. Empires and their collapse : fin-de-siecle vienna in context -- 2. Hugo von Hofmannstha l: promises and realities -- 3. Novel origins : Rilke's Notebooks of Malte and Hofmannsthal's Andreas -- Part II. Suspended in the in-between : Franz Kafka -- 4. Kafka's sources and insights : theatre and other modes of distorted communication -- 5. Kafka's novels : in between theatre, theology and prophecy -- 6. The Zurau notebooks : the indestructible and the way -- Part III. After World War I : hypermodernity as sacrificial carnival -- 7. Thomas Mann : Death in venice and magic mountain -- 8. Karen Blixen : Carnival and angelic avengers -- 9. Hermann Broch : Sleepwalkers -- 10. Mikhail Bulgakov : Master and margarita -- 11. Heimito von Doderer : Demons -- 12. Bela Hamvas : Carnival.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315600055; 9781317082163
    Weitere Identifier:
    Schriftenreihe: Contemporary liminality
    Schlagworte: Liminality; Liminality in literature; Rites and ceremonies; Civilization, Modern; Liminality; Liminality in literature; Rites and ceremonies; Civilization, Modern
    Umfang: 1 online resource
    Bemerkung(en):

    Includes bibliographical references (pages [240]-249) and index
  11. Permanent liminality and modernity
    analysing the sacrificial carnival through novels
    Autor*in: Szakolczai, Árpád
    Erschienen: 2017
    Verlag:  Routledge, Taylor &Francis Group, London

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 983083
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    271822 - A
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472473882
    RVK Klassifikation: EC 5410
    Auflage/Ausgabe: First published
    Schriftenreihe: Contemporary liminality ; 1
    Schlagworte: Liminality; Liminality in literature; Rites and ceremonies; Civilization, Modern
    Umfang: ix, 271 Seiten, 24 cm
  12. Gendered Masks of Liminality and Race
    Black Female Trickster’s Subversion of Hegemonic Discourse in African American Women Literature
    Autor*in: Saber, Yomna
    Erschienen: 2017
    Verlag:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

  13. Permanent liminality and modernity
    analysing the sacrificial carnival through novels
    Autor*in: Szakolczai, Árpád
    Erschienen: 2017
    Verlag:  Routledge, Taylor &Francis Group, London

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472473882
    RVK Klassifikation: EC 5410
    Auflage/Ausgabe: First published
    Schriftenreihe: Contemporary liminality ; 1
    Schlagworte: Liminality; Liminality in literature; Rites and ceremonies; Civilization, Modern
    Umfang: ix, 271 Seiten, 24 cm