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The other side of the story
structures and strategies of contemporary feminist narrative -
Escaping from the prison-house of language and digging for meanings in texts among texts
metafiction and intertextuality in Margaret Atwood's novels "Lady oracle" and "The blind assassin" -
Lebenskunst in der Literatur
zeitgenössische fiktionale Autobiographien und Dimensionen moderner Ethiken des guten Lebens -
Metafiktion im anglokanadischen Roman der Gegenwart
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The other side of the story
structures and strategies of contemporary feminist narrative -
Self as narrative
subjectivity and community in contemporary fiction -
Self as narrative
subjectivity and community in contemporary fiction -
Lebenskunst in der Literatur
Zeitgenössische fiktionale Autobiographien und Dimensionen moderner Ethiken des guten Lebens -
The other side of the story
structures and strategies of contemporary feminist narrative -
Lebenskunst in der Literatur
zeitgenössische fiktionale Autobiographien und Dimensionen moderner Ethiken des guten Lebens -
The Other Side of the Story
Structures and Strategies of Contemporary Feminist Narratives -
The other side of the story
structures and strategies of contemporary feminist narrative -
Delikate Damen
zur Symptomatik des weiblichen Körpers im Werk von Margaret Atwood -
Metafiktion im anglokanadischen Roman der Gegenwart
-
Self as narrative
subjectivity and community in contemporary fiction -
Escaping from the prison-house of language and digging for meanings in texts among texts
metafiction and intertextuality in Margaret Atwood's novels "Lady oracle" and "The blind assassin" -
The other side of the story
structures and strategies of contemporary feminist narrative -
The other side of the story
structures and strategies of contemporary feminist narrative -
The other side of the story
structures and strategies of contemporary feminist narrative -
The other side of the story
structures and strategies of contemporary feminist narrative