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  1. Victorian discourses on sexuality and religion
    Autor*in: Maynard, John
    Erschienen: 1993
    Verlag:  Univ. Presss, Cambridge

    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    L/II/3 M 9 I
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    Universität Marburg, Universitätsbibliothek
    F 93/444
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0521332540
    RVK Klassifikation: HL 1101
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Englisch; Religion; Erotik <Motiv>; Sexualität; Religion <Motiv>; Literatur
    Weitere Schlagworte: Patmore, Coventry (1823-1896); Clough, Arthur Hugh (1819-1861); Hardy, Thomas (1840-1928): Jude the obscure
    Umfang: XII, 394 S.
  2. Church, city, and labyrinth in Bronte͏̈, Dickens, Hardy, and Butor
    Erschienen: 1993
    Verlag:  Lang, New York [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    85.342.57
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    Universität Mainz, Zentralbibliothek
    179.819
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    L/V/2 F 12 I
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0820420581
    RVK Klassifikation: HL 1101
    Schriftenreihe: American university studies. Series 3, Comparative literature ; 50
    Schlagworte: Stadt; Kirche; Labyrinth
    Weitere Schlagworte: Brontë, Charlotte (1816-1855): Villette; Dickens, Charles (1812-1870): The mystery of Edwin Drood; Hardy, Thomas (1840-1928): Jude the obscure; Butor, Michel (1926-2016): L'@emploi du temps
    Umfang: VI, 147 S.
    Bemerkung(en):

    Literaturverz. S. 139 - 143

  3. Church, city, and labyrinth in Brontë, Dickens, Hardy, and Butor
    Erschienen: 1993
    Verlag:  Lang, New York u.a.

    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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  4. Victorian discourses on sexuality and religion
    Autor*in: Maynard, John
    Erschienen: 1993
    Verlag:  Cambridge Univ. Pr., Cambridge u.a.

    John Maynard's original and provocative study looks at sexuality and religion as alike creations of language, regularly connected in discourses that give them a single origin and mingled significance. In the elaborate and varied systems of... mehr

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    John Maynard's original and provocative study looks at sexuality and religion as alike creations of language, regularly connected in discourses that give them a single origin and mingled significance. In the elaborate and varied systems of sexual-religious interrelation in the Western Jewish/Christian tradition, Victorian writers found a central vocabulary for debate over sexual issues and for their individual refocussing of sexuality and religion. After a wide-ranging introduction (drawing on myth, anthropology, comparative religion, and the history of sexuality), Maynard goes on to articulate and interpret the strikingly complex and varied ways in which the earnest skeptic, Arthur Hugh Clough, the Protestant clergyman, Charles Kingsley, and the Catholic convert, Coventry Patmore, placed the relation of sexuality and religion at the center of their work In Clough, where inherited sexual and religious truths were tested and often burlesqued or overwritten by his skeptical intelligence, Maynard finds a foil to the simplicities of his age - and of our century's attempts to reduce Victorian sexual thinking to one thing, whether medical myth or a leaden prudishness. Kingsley by contrast attempts to unify and construct one new view, a variation on Christian marriage that places very unascetic espousal embraces at the center of the universe. Patmore, unknown in his experimental early poems and almost as ignored in his great odes, moves from Kingsleyan celebration of married love to a profound exploration of desire's failure and the creative absence that replaces it with human sexual relation to God. A final chapter on Thomas Hardy's Jude the Obscure returns to the universal questions of the Introduction by showing one Victorian literally disintegrating into (body) parts the constructive visions of his predecessors This implosion of language and meaning illuminates - as fiction, myth, mere human discourse - the tradition it destroys: capable of being thus deconstructed but, in Hardy's successors in the modern age, also subject to renewal

     

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  5. Victorian discourses on sexuality and religion
    Autor*in: Maynard, John
    Erschienen: 1993
    Verlag:  Cambridge Univ. Pr., Cambridge u.a.

    John Maynard's original and provocative study looks at sexuality and religion as alike creations of language, regularly connected in discourses that give them a single origin and mingled significance. In the elaborate and varied systems of... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    TU Berlin, Universitätsbibliothek
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    John Maynard's original and provocative study looks at sexuality and religion as alike creations of language, regularly connected in discourses that give them a single origin and mingled significance. In the elaborate and varied systems of sexual-religious interrelation in the Western Jewish/Christian tradition, Victorian writers found a central vocabulary for debate over sexual issues and for their individual refocussing of sexuality and religion. After a wide-ranging introduction (drawing on myth, anthropology, comparative religion, and the history of sexuality), Maynard goes on to articulate and interpret the strikingly complex and varied ways in which the earnest skeptic, Arthur Hugh Clough, the Protestant clergyman, Charles Kingsley, and the Catholic convert, Coventry Patmore, placed the relation of sexuality and religion at the center of their work In Clough, where inherited sexual and religious truths were tested and often burlesqued or overwritten by his skeptical intelligence, Maynard finds a foil to the simplicities of his age - and of our century's attempts to reduce Victorian sexual thinking to one thing, whether medical myth or a leaden prudishness. Kingsley by contrast attempts to unify and construct one new view, a variation on Christian marriage that places very unascetic espousal embraces at the center of the universe. Patmore, unknown in his experimental early poems and almost as ignored in his great odes, moves from Kingsleyan celebration of married love to a profound exploration of desire's failure and the creative absence that replaces it with human sexual relation to God. A final chapter on Thomas Hardy's Jude the Obscure returns to the universal questions of the Introduction by showing one Victorian literally disintegrating into (body) parts the constructive visions of his predecessors This implosion of language and meaning illuminates - as fiction, myth, mere human discourse - the tradition it destroys: capable of being thus deconstructed but, in Hardy's successors in the modern age, also subject to renewal

     

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  6. Church, city, and labyrinth in Brontë, Dickens, Hardy, and Butor
    Erschienen: 1993
    Verlag:  Lang, New York u.a.