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  1. A fictional commons
    Natsume Sōseki & the properties of modern literature
    Autor*in: Bourdaghs, Michael K.
    Erschienen: 2021
    Verlag:  Duke University Press, Durham

    Introduction: Owning up to Sōseki -- Fables of property : nameless cats, stray sheep, trickster badgers -- House under a shadow : disowning the psychology of possessive individualism in the gate -- Property and sociological knowledge : Sōseki and the... mehr

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    6: E-910.26/178
    Fernleihe:
    keine Fernleihe

     

    Introduction: Owning up to Sōseki -- Fables of property : nameless cats, stray sheep, trickster badgers -- House under a shadow : disowning the psychology of possessive individualism in the gate -- Property and sociological knowledge : Sōseki and the gift of narrative -- The tragedy of the market : women, younger brothers, and colonial subjects in Kokoro -- Epilogue: Who owns Sōseki? Or, how not to belong to world literature. "In A Fictional Commons, Michael K. Bourdaghs explores the fiction and literary theory of Natsume Sōseki as a critical and creative response to new forms of property ownership in Japan. Reading Sōseki in relation to both theorists from his era (for example, William James) and from today (for example, Kojin Karatani), Bourdaghs explores how Sōseki's stories exploited the contradictions and ambiguities that haunted the new system, as well as imagined alternative modes of owning and sharing. This includes a consideration of Sōseki's attempt to construct a universally valid, scientifically grounded theory of literature. Taking up a number of Sōseki's most famous works as well as some of his less-read writings, the book explores how his literature disrupts the emerging common sense of ownership through his depictions of animals, colonial subjects, women, and other figures who were treated as incompetent for ownership under the new system. It also explores how he both appropriated and rejected the notions of ownership that emerged under the modern disciplines of psychology and sociology, and how he proposed literature as an alternative mode for knowing and being in the world"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478014621
    Schlagworte: Japanese fiction; Property in literature; Right of property
    Weitere Schlagworte: Natsume, Sōseki (1867-1916)
    Umfang: [xi], 223 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  2. A Fictional Commons
    Natsume Soseki and the Properties of Modern Literature
    Autor*in: Bourdaghs, Michael K.
    Erschienen: [2021]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Note on Usage -- Acknowledgments -- Introduction. Owning Up to Sōseki -- Chapter One. Fables of Property -- Chapter Two. House under a Shadow -- Chapter Three. Property and Sociological Knowledge -- Chapter Four. The... mehr

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    Verlag (lizenzpflichtig)
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    Standort:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signatur:
    Initiative E-Books.NRW
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Braunschweig
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    Standort:
    HafenCity Universität Hamburg, Bibliothek
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Standort:
    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Standort:
    Technische Universität Hamburg, Universitätsbibliothek
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    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    ebook deGruyter
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    eBook Duke University Press
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Frontmatter -- Contents -- Note on Usage -- Acknowledgments -- Introduction. Owning Up to Sōseki -- Chapter One. Fables of Property -- Chapter Two. House under a Shadow -- Chapter Three. Property and Sociological Knowledge -- Chapter Four. The Tragedy of the Market -- Conclusion. Who Owns Sōseki? Or, How Not to Belong in World Literature -- Notes -- Bibliography -- Index Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867–1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through—and beyond—private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan’s first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478021926
    Weitere Identifier:
    Schlagworte: Japanese fiction; Property in literature; Right of property; LITERARY CRITICISM / Asian / Japanese
    Umfang: 1 Online-Ressource (235 p)
  3. A fictional commons
    Natsume Sōseki and the properties of modern literature
    Autor*in: Bourdaghs, Michael K.
    Erschienen: [2021]; © 2021
    Verlag:  Duke University Press, Durham ; London

    Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867-1916), widely celebrated as Japan's greatest modern... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478021926
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Asian / Japanese; Japanese fiction; Property in literature; Right of property
    Weitere Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (223 Seiten)
  4. A fictional commons
    Natsume Sōseki and the properties of modern literature
    Autor*in: Bourdaghs, Michael K.
    Erschienen: 2021
    Verlag:  Duke University Press, Durham

    Introduction: Owning up to Sōseki -- Fables of property : nameless cats, stray sheep, trickster badgers -- House under a shadow : disowning the psychology of possessive individualism in the gate -- Property and sociological knowledge : Sōseki and the... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    Introduction: Owning up to Sōseki -- Fables of property : nameless cats, stray sheep, trickster badgers -- House under a shadow : disowning the psychology of possessive individualism in the gate -- Property and sociological knowledge : Sōseki and the gift of narrative -- The tragedy of the market : women, younger brothers, and colonial subjects in Kokoro -- Epilogue: Who owns Sōseki? Or, how not to belong to world literature. "Michael K. Bourdaghs presents a radical reframing of the works of Natsume Sōseki--widely considered to be Japan's greatest modern novelist--as critical and creative responses to the emergence of new forms of property ownership in nineteenth-century Japan."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478021926; 1478021926
    Schlagworte: Japanese fiction; Property in literature; Right of property; Japanese fiction ; Meiji period; Property in literature; Right of property; LITERARY CRITICISM / Asian / Japanese; Criticism, interpretation, etc; History
    Weitere Schlagworte: Natsume, Sōseki (1867-1916); Natsume, Sōseki
    Umfang: 1 Online-Ressource (223 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references and index
  5. A Fictional Commons
    Natsume Soseki and the Properties of Modern Literature
    Autor*in: Bourdaghs, Michael K.
    Erschienen: [2021]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Note on Usage -- Acknowledgments -- Introduction. Owning Up to Sōseki -- Chapter One. Fables of Property -- Chapter Two. House under a Shadow -- Chapter Three. Property and Sociological Knowledge -- Chapter Four. The... mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Frontmatter -- Contents -- Note on Usage -- Acknowledgments -- Introduction. Owning Up to Sōseki -- Chapter One. Fables of Property -- Chapter Two. House under a Shadow -- Chapter Three. Property and Sociological Knowledge -- Chapter Four. The Tragedy of the Market -- Conclusion. Who Owns Sōseki? Or, How Not to Belong in World Literature -- Notes -- Bibliography -- Index Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867–1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through—and beyond—private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan’s first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478021926
    Weitere Identifier:
    Schlagworte: Japanese fiction; Property in literature; Right of property; LITERARY CRITICISM / Asian / Japanese
    Umfang: 1 Online-Ressource (235 p)
  6. A fictional commons
    Natsume Sōseki and the properties of modern literature
    Autor*in: Bourdaghs, Michael K.
    Erschienen: [2021]; © 2021
    Verlag:  Duke University Press, Durham ; London

    Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867-1916), widely celebrated as Japan's greatest modern... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867-1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through-and beyond-private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan's first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478021926
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / Asian / Japanese; Japanese fiction; Property in literature; Right of property
    Weitere Schlagworte: Electronic books
    Umfang: 1 Online-Ressource (223 Seiten)