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  1. Poetry on stage
    the theatre of the Italian neo-avant-garde
    Autor*in: Rizzo, Gianluca
    Erschienen: 2020
    Verlag:  University of Toronto Press, Toronto

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify the solutions they were devising to the practical and theoretical problems raised by their stances in politics and poetics. A robust textual analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time, and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field - critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini - conclude the volume, providing an invaluable first-hand testimony that brings back to life the people and controversies discussed."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781487506667; 148750666X
    Schlagworte: Experimental drama, Italian; Italian drama; Experimental drama, Italian; Italian drama; Criticism, interpretation, etc
    Umfang: viii, 462 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Issued also in electronic formats.
  2. Poetry on stage
    the theatre of the Italian neo-avant-garde
    Autor*in: Rizzo, Gianluca
    Erschienen: [2020]
    Verlag:  University of Toronto Press, Toronto

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing... mehr

     

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify the solutions they were devising to the practical and theoretical problems raised by their stances in politics and poetics. A robust textual analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time, and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field - critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini - conclude the volume, providing an invaluable first-hand testimony that brings back to life the people and controversies discussed."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781487506667; 148750666X
    RVK Klassifikation: IV 3335 ; IV 3151 ; IV 3331
    Schlagworte: Italienisch; Drama; Theater; Inszenierung; Neoavantgarde;
    Weitere Schlagworte: Experimental drama, Italian / History and criticism; Italian drama / 20th century / History and criticism; Experimental drama, Italian; Italian drama; Criticism, interpretation, etc
    Umfang: viii, 462 Seiten, 24 cm
    Bemerkung(en):

    Enthält Literaturverzeichnis Seite [425]-439
  3. Early modern bromance
    love, friendship, and marriage in sixteenth-century Italian academies
    Autor*in: Dal Molin, Aria
    Erschienen: [2020]
    Verlag:  Cambria Press, Amherst

    "This book resituates the contemporary genre of the bromance, as well as its surrounding cultural discourse, in the theatrical practices of early-sixteenth-century Italian academies, revealing how a group of early modern Italian academicians... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 115502
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book resituates the contemporary genre of the bromance, as well as its surrounding cultural discourse, in the theatrical practices of early-sixteenth-century Italian academies, revealing how a group of early modern Italian academicians institutionalized alternative friendships between men to prolong male bonding. This study combines New Historicism with Queer Theory and scholarly discourse on film to analyze the early modern influences on the performative practices of masculinity and male friendships in the bromance of contemporary film, television, and media. This book therefore analyzes the lives and friendships of young Italian members of the early-sixteenth-century Accademia degli Intronati and their public theatrical performances that displayed homosocial triangles using women to strengthen the bonds between men, by referring to the work of Claude Lévi-Strauss, Gayle Rubin, and Eve Kosofsky Sedgwick. Taking a new approach to the homosocial triangle, this theory is further applied to theoretical discourses of perfect friendship (amicitia perfecta) as exemplified through the academy members testing its boundaries through narrative and performance. Ultimately, this book newly reveals how early modern Italian bromance narratives interrogate alternative roles of close male friendships, the love between men, and the confines of marriage, thus providing the foundation for the contemporary bromance. Early Modern Bromance: Love, Friendship, and Marriage in Sixteenth-Century Italian Academies is an important work for Italian Studies, Italian American Studies, Comparative Literature, Literature and Language Studies, Theater and Drama Studies, Gender and Sexuality Studies, and Film and Media Studies"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781621965527
    Schlagworte: Italian drama; Italian drama; Theater; Male friendship in literature; Male friendship in motion pictures; Triangles (Interpersonal relations) in literature; Triangles (Interpersonal relations) in motion pictures; Queer theory
    Umfang: 256 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  4. Early modern bromance
    love, friendship, and marriage in sixteenth-century Italian academies
    Autor*in: Dal Molin, Aria
    Erschienen: [2020]
    Verlag:  Cambria Press, Amherst, New York

    "This book resituates the contemporary genre of the bromance, as well as its surrounding cultural discourse, in the theatrical practices of early-sixteenth-century Italian academies, revealing how a group of early modern Italian academicians... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book resituates the contemporary genre of the bromance, as well as its surrounding cultural discourse, in the theatrical practices of early-sixteenth-century Italian academies, revealing how a group of early modern Italian academicians institutionalized alternative friendships between men to prolong male bonding. This study combines New Historicism with Queer Theory and scholarly discourse on film to analyze the early modern influences on the performative practices of masculinity and male friendships in the bromance of contemporary film, television, and media. This book therefore analyzes the lives and friendships of young Italian members of the early-sixteenth-century Accademia degli Intronati and their public theatrical performances that displayed homosocial triangles using women to strengthen the bonds between men, by referring to the work of Claude Lévi-Strauss, Gayle Rubin, and Eve Kosofsky Sedgwick. Taking a new approach to the homosocial triangle, this theory is further applied to theoretical discourses of perfect friendship (amicitia perfecta) as exemplified through the academy members testing its boundaries through narrative and performance. Ultimately, this book newly reveals how early modern Italian bromance narratives interrogate alternative roles of close male friendships, the love between men, and the confines of marriage, thus providing the foundation for the contemporary bromance. Early Modern Bromance: Love, Friendship, and Marriage in Sixteenth-Century Italian Academies is an important work for Italian Studies, Italian American Studies, Comparative Literature, Literature and Language Studies, Theater and Drama Studies, Gender and Sexuality Studies, and Film and Media Studies"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  5. Poetry on stage
    the theatre of the Italian neo-avant-garde
    Autor*in: Rizzo, Gianluca
    Erschienen: [2020]
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing... mehr

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify the solutions they were devising to the practical and theoretical problems raised by their stances in politics and poetics. A robust textual analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time, and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field - critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini - conclude the volume, providing an invaluable first-hand testimony that brings back to life the people and controversies discussed."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781487506667; 148750666X
    RVK Klassifikation: IV 3335 ; IV 3151 ; IV 3331
    Schlagworte: Drama; Inszenierung; Theater; Italienisch; Neoavantgarde
    Weitere Schlagworte: Experimental drama, Italian / History and criticism; Italian drama / 20th century / History and criticism; Experimental drama, Italian; Italian drama; Criticism, interpretation, etc
    Umfang: viii, 462 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  6. Il teatro a Roma prima della "Cortigiana" (1525) di Pietro Aretino
    Beteiligt: Crimi, Giuseppe (HerausgeberIn)
    Erschienen: 2020
    Verlag:  Roma nel Rinascimento, Roma

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Crimi, Giuseppe (HerausgeberIn)
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788885800151
    Schriftenreihe: Array ; 88
    Schlagworte: Italian drama; Italian drama; Theater
    Umfang: 164 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Proceedings of a conference held at the Università degli studi di Roma Tre, Rome, Italy, June 12, 2019

    Includes bibliographical references and indexes
  7. Early modern bromance
    love, friendship, and marriage in sixteenth-century Italian academies
    Autor*in: Dal Molin, Aria
    Erschienen: [2020]
    Verlag:  Cambria Press, Amherst

    "This book resituates the contemporary genre of the bromance, as well as its surrounding cultural discourse, in the theatrical practices of early-sixteenth-century Italian academies, revealing how a group of early modern Italian academicians... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book resituates the contemporary genre of the bromance, as well as its surrounding cultural discourse, in the theatrical practices of early-sixteenth-century Italian academies, revealing how a group of early modern Italian academicians institutionalized alternative friendships between men to prolong male bonding. This study combines New Historicism with Queer Theory and scholarly discourse on film to analyze the early modern influences on the performative practices of masculinity and male friendships in the bromance of contemporary film, television, and media. This book therefore analyzes the lives and friendships of young Italian members of the early-sixteenth-century Accademia degli Intronati and their public theatrical performances that displayed homosocial triangles using women to strengthen the bonds between men, by referring to the work of Claude Lévi-Strauss, Gayle Rubin, and Eve Kosofsky Sedgwick. Taking a new approach to the homosocial triangle, this theory is further applied to theoretical discourses of perfect friendship (amicitia perfecta) as exemplified through the academy members testing its boundaries through narrative and performance. Ultimately, this book newly reveals how early modern Italian bromance narratives interrogate alternative roles of close male friendships, the love between men, and the confines of marriage, thus providing the foundation for the contemporary bromance. Early Modern Bromance: Love, Friendship, and Marriage in Sixteenth-Century Italian Academies is an important work for Italian Studies, Italian American Studies, Comparative Literature, Literature and Language Studies, Theater and Drama Studies, Gender and Sexuality Studies, and Film and Media Studies"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781621965527
    Schlagworte: Italian drama; Italian drama; Theater; Male friendship in literature; Male friendship in motion pictures; Triangles (Interpersonal relations) in literature; Triangles (Interpersonal relations) in motion pictures; Queer theory
    Umfang: 256 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  8. Poetry on stage
    the theatre of the Italian neo-avant-garde
    Autor*in: Rizzo, Gianluca
    Erschienen: [2020]
    Verlag:  University of Toronto Press, Toronto ; Buffalo ; London

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify the solutions they were devising to the practical and theoretical problems raised by their stances in politics and poetics. A robust textual analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time, and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field - critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini - conclude the volume, providing an invaluable first-hand testimony that brings back to life the people and controversies discussed."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781487506667; 148750666X
    RVK Klassifikation: IV 3335 ; IV 3151 ; IV 3331
    Schlagworte: Drama; Inszenierung; Theater; Italienisch; Neoavantgarde
    Weitere Schlagworte: Experimental drama, Italian / History and criticism; Italian drama / 20th century / History and criticism; Experimental drama, Italian; Italian drama; Criticism, interpretation, etc
    Umfang: viii, 462 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  9. Il teatro a Roma prima della "Cortigiana" (1525) di Pietro Aretino
    Beteiligt: Crimi, Giuseppe (HerausgeberIn)
    Erschienen: 2020
    Verlag:  Roma nel Rinascimento, Roma

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 110619
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    F VII o 4/35
    Fernleihe:
    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    2021/5638
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 C 38
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    De 5720
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Deutsches Historisches Institut in Rom, Bibliothek
    Signatur:
    Lb 751 c
    Fernleihe:
    keine Fernleihe

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    72.193
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Crimi, Giuseppe (HerausgeberIn)
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788885800151
    Schriftenreihe: Array ; 88
    Schlagworte: Italian drama; Italian drama; Theater
    Umfang: 164 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Proceedings of a conference held at the Università degli studi di Roma Tre, Rome, Italy, June 12, 2019

    Includes bibliographical references and indexes
  10. Poetry on stage
    the theatre of the Italian neo-avant-garde
    Autor*in: Rizzo, Gianluca
    Erschienen: 2020; © 2020
    Verlag:  University of Toronto Press, Toronto

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 110628
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2021 A 13387
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Signatur:
    6269-800 7
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify the solutions they were devising to the practical and theoretical problems raised by their stances in politics and poetics. A robust textual analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time, and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field - critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini - conclude the volume, providing an invaluable first-hand testimony that brings back to life the people and controversies discussed."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781487506667; 148750666X
    Schlagworte: Experimental drama, Italian; Italian drama; Experimental drama, Italian; Italian drama; Criticism, interpretation, etc
    Umfang: viii, 462 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Issued also in electronic formats.