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  1. The dramaturgy of the spectator
    Italian theatre and the public sphere, 1600-1800
    Autor*in: Korneeva, Tatiana
    Erschienen: [2019]
    Verlag:  University of Toronto Press, Toronto

    "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and critics. This study argues for a gradual change in the self-conception of the spectatorship during the two"golden" centuries of Italian dramatic literature, outlining the dramatic strategies by which theatre called into being an adjusting audience capable of both aesthetics and political analysis. The author shows that, contrary to expectations, the public's progressive centrality to the theatre helped to create rather than hinder the playwrights's self-assertion and expression. At the same time, the discussion moves beyond spectatorship per se to consider a range of cultural assumptions and practices. These include the emergent public sphere, the power structures and social and cultural politics in Italy."--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781487505356; 1487505353
    RVK Klassifikation: IU 7580
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Theater audiences; Theater audiences; Theater audiences; Theater audiences; Spectators; Spectators; Italian drama; Italian drama; Italian drama; Spectators; Theater audiences; Theater audiences ; Psychology; Italy; Criticism, interpretation, etc; History
    Umfang: xii, 261 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  2. Poetry on stage
    the theatre of the Italian neo-avant-garde
    Autor*in: Rizzo, Gianluca
    Erschienen: 2020
    Verlag:  University of Toronto Press, Toronto

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify the solutions they were devising to the practical and theoretical problems raised by their stances in politics and poetics. A robust textual analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time, and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field - critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini - conclude the volume, providing an invaluable first-hand testimony that brings back to life the people and controversies discussed."--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781487506667; 148750666X
    Schlagworte: Experimental drama, Italian; Italian drama; Experimental drama, Italian; Italian drama; Criticism, interpretation, etc
    Umfang: viii, 462 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Issued also in electronic formats.
  3. A history of Italian theatre
    Beteiligt: Farrell, Joseph (Hrsg.); Puppa, Paolo
    Erschienen: 2006
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Farrell, Joseph (Hrsg.); Puppa, Paolo
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0521802652; 9780521802659
    Weitere Identifier:
    2007296011
    RVK Klassifikation: AP 64939 ; IT 2975 ; IT 2872
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Theater; Italian drama; Theater
    Umfang: XIV, 418 S., Ill.
    Bemerkung(en):

    Literaturangaben
  4. The theater of narration
    from the peripheries of history to the main stages of Italy
    Autor*in: Guzzetta, Juliet
    Erschienen: 2021
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction: The Past and the Players -- Origins of a Practice -- The Cultural Laborer -- A Language of One's Own -- Locating Community -- Experiments with Media -- Conclusion: Politicizing History. "This is the first book in English to focus on the... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: The Past and the Players -- Origins of a Practice -- The Cultural Laborer -- A Language of One's Own -- Locating Community -- Experiments with Media -- Conclusion: Politicizing History. "This is the first book in English to focus on the Theater of Narration, a genre characterized by narrators who write and perform works that revisit historical events of national importance from local perspectives"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810143869; 9780810143876
    Schlagworte: Italian drama; Italian drama; Historical drama, Italian; Historical drama, Italian
    Umfang: xvi, 239 pages, illustrations
    Bemerkung(en):

    Includes bibliographical references and index
  5. Renaissance Italian theater
    Joseph Regenstein Library of the University of Chicago
    Autor*in: Bregoli-Russo, Mauda
    Erschienen: 1984
    Verlag:  Olschki, Firenze

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 8822232143
    Schriftenreihe: Biblioteca di bibliografia italiana ; 100
    Schlagworte: Italienisch; Drama; Geschichte 1420-1600;
    Weitere Schlagworte: Array; Array; Array
    Umfang: XV, 219 p., [56] p. of plates, ill, 26 cm
    Bemerkung(en):

    Bibliography: p. ix-x

    Includes indexes
  6. Cleopatra in Italian and English Renaissance drama
    Autor*in: Montanari, Anna Maria
    Erschienen: [2019]
    Verlag:  Amsterdam University Press, Amsterdam

    This book considers some of the main adaptations of the character of Cleopatra for the Renaissance stage, travelling from Italy to England to arrive finally to Shakespeare. It shows how each reading of the story of Cleopatra is unique to and... mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Universität Potsdam, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book considers some of the main adaptations of the character of Cleopatra for the Renaissance stage, travelling from Italy to England to arrive finally to Shakespeare. It shows how each reading of the story of Cleopatra is unique to and expressive of the culture which produced it, even as writers drew from the same sources from Antiquity. For the first time texts belonging to different cultures, rigorously presented, are brought into dialogue on such questions as moral standpoint, gender and the representation of the exotic. Moreover, through the fascinating figure of Cleopatra, the reader is able to explore the development of Renaissance tragedy, in its commercial and non-commercial versions. Ultimately both questions at the heart of this study - concerning Cleopatra's identity and her translation into theatre - converge to be (dis)solved by Shakespeare

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048537235
    Weitere Identifier:
    Schriftenreihe: Renaissance history, art and culture
    Schlagworte: English drama; English drama; Italian drama; LITERARY CRITICISM / Drama; HISTORY / Renaissance
    Umfang: 1 Online-Ressource (309 Seiten), Illustrationen
  7. Renaissance Comedy
    The Italian Masters - Volume 1
    Autor*in: Beecher, Don
    Erschienen: [2016]; © 2008
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442688988
    Weitere Identifier:
    Schlagworte: Geschichte; Italian drama (Comedy); Italian drama (Comedy); Italian drama; Italian drama
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  8. Renaissance Comedy
    The Italian Masters - Volume 2
    Autor*in: Beecher, Don
    Erschienen: [2016]; © 2009
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442697386
    Weitere Identifier:
    Schlagworte: Italian drama (Comedy); Italian drama (Comedy); Italian drama; Italian drama
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  9. Lelia's Kiss
    Imagining Gender, Sex, and Marriage in Italian Renaissance Comedy
    Autor*in: Giannetti, Laura
    Erschienen: [2016]; © 2009
    Verlag:  University of Toronto Press, Toronto

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442697539
    Weitere Identifier:
    Schlagworte: Gender identity in literature; Italian drama (Comedy); Italian drama; Sex role in literature; Geschlechterverhältnis; Geschlechterrolle; Geschlechtsunterschied; Italienisch; Komödie
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :
  10. The Poetics of Imitation in the Italian Theatre of the Renaissance
    Autor*in: Di Maria, Salvatore
    Erschienen: [2017]; © 2013
    Verlag:  University of Toronto Press, Toronto

    The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations – incuding Machiavelli’s Mandragola and Clizia, Cecchi’s Assiuolo, Groto’s Emilia, and Dolce’s Marianna – and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely.DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442667334
    Weitere Identifier:
    Schlagworte: DISCOUNT-B.; Classical drama; Imitation in literature; Italian drama; Adaption <Literatur>; Antike; Drama; Theater
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017)
  11. The Drama of Luigi Pirandello
    Autor*in: Vittorini, Domenico
    Erschienen: [2018]; © 1935
    Verlag:  University of Pennsylvania Press, Philadelphia

    Pirandello, winner of the Nobel Prize in Literature, is a little known to most English readers. Too few of his plays and stories have been translated. This hook, therefore, serves the double purpose of introducing the Italian genius through a summary... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Pirandello, winner of the Nobel Prize in Literature, is a little known to most English readers. Too few of his plays and stories have been translated. This hook, therefore, serves the double purpose of introducing the Italian genius through a summary of all his dramatic work and interpreting his accomplishments fron an artistic viewpoint.As a background for his criticism, the Domenico Vittorini shows first how Pirandello's compassionate pessimism and tragic mockery resulted from his own tortured existence and in what way his art is relates to Italian literary tradition and contemporary thought. Proceeding chronologically, Pirandello's growth is traced from the elementary naturalism of his early writing, through his more reflective plays, to the crowning achievements of later years in which dramatic situations are approached from a highly intellectualized point of view

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781512819144
    Weitere Identifier:
    Schlagworte: Cultural Studies; Literature; LITERARY CRITICISM / European / Italian; Italian drama
    Weitere Schlagworte: Pirandello, Luigi (1867-1936)
    Umfang: 1 online resource, 1
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mrz 2019)
  12. Partenia, a pastoral play
    a bilingual edition
    Autor*in: Torelli Benedetti, Barbara
    Erschienen: 2013
    Verlag:  Iter Inc, Toronto

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    F8° 4619:22
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780772721365; 077272136X
    Schriftenreihe: Array ; 22
    Schlagworte: Italian drama; Pastoral drama, Italian
    Weitere Schlagworte: Torelli Benedetti, Barbara (1546-)
    Umfang: xiii, 359 pages, colour illustrations, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Co-published by Centre for Reformation and Renaissance Studies

    Issued also in electronic format.
  13. Poetry on stage
    the theatre of the Italian neo-avant-garde
    Autor*in: Rizzo, Gianluca
    Erschienen: [2020]
    Verlag:  University of Toronto Press, Toronto

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing... mehr

     

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify the solutions they were devising to the practical and theoretical problems raised by their stances in politics and poetics. A robust textual analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time, and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field - critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini - conclude the volume, providing an invaluable first-hand testimony that brings back to life the people and controversies discussed."--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781487506667; 148750666X
    RVK Klassifikation: IV 3335 ; IV 3151 ; IV 3331
    Schlagworte: Italienisch; Drama; Theater; Inszenierung; Neoavantgarde;
    Weitere Schlagworte: Experimental drama, Italian / History and criticism; Italian drama / 20th century / History and criticism; Experimental drama, Italian; Italian drama; Criticism, interpretation, etc
    Umfang: viii, 462 Seiten, 24 cm
    Bemerkung(en):

    Enthält Literaturverzeichnis Seite [425]-439
  14. Lelia's Kiss
    Imagining Gender, Sex, and Marriage in Italian Renaissance Comedy
    Autor*in: Giannetti, Laura
    Erschienen: 2016; ©2009
    Verlag:  University of Toronto Press, Toronto

    Lelia's Kiss analyzes gender roles, sexuality, and marriage in the Italian Renaissance through the lens of a large number of comedies from the period, ranging well beyond the traditional canon mehr

    Standort:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signatur:
    Initiative E-Books.NRW
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    keine Fernleihe

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    Universitätsbibliothek Braunschweig
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    Universitätsbibliothek der Eberhard Karls Universität
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    Lelia's Kiss analyzes gender roles, sexuality, and marriage in the Italian Renaissance through the lens of a large number of comedies from the period, ranging well beyond the traditional canon

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442697539
    Weitere Identifier:
    Schlagworte: Sex role in literature; Italian drama; Gender identity in literature; Italian drama (Comedy); Italian drama (Comedy); Italian drama; Sex role in literature; Gender identity in literature; Gender identity in literature.; Italian drama (Comedy).; Italian drama.; Sex role in literature.
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publishers Web site, viewed Jan. 06, 2016)

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction: Lelia’s Kiss and Renaissance Comedy -- -- 1. Women in Men’s Clothing: Female Cross- Dressing Plays and the Construction of Feminine Identity -- -- 2. Woman with Woman: ‘Ma che potrà succedermi se io donna amo una Donna?’ -- -- 3. Men in Women’s Clothing: Male Cross- Dressing Plays and the Construction of Masculine Identity -- -- 4. Pedants, Candlemakers, and Boys: Sodomy and Comedy -- -- 5. The Playing of Matrimony -- -- Notes -- -- Bibliography -- -- Index
  15. Renaissance Comedy
    The Italian Masters - Volume 1
    Autor*in: Beecher, Don.
    Erschienen: [2016]; ©2008
    Verlag:  University of Toronto Press, Toronto

    A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies... mehr

    Standort:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signatur:
    Initiative E-Books.NRW
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    Standort:
    Universitätsbibliothek Braunschweig
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    Universitätsbibliothek Osnabrück
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    Universitätsbibliothek der Eberhard Karls Universität
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    A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies representative of the principal styles of writing that define the genre. Proceeding from early, ?erudite? imitations of Plautus and Terence to satires, sentimental plays of the middle years, and later, more experimental works, the development of Italian Renaissance comedy is here dissected in a fascinating and vivid light.This first of two volumes boasts five of the best-known plays of the period, each with its own historical and critical introduction. Also included is a general introduction by the editor, which discusses the features of Italian Renaissance comedy, as well as examines the stage histories of the plays and what little is known, in many cases, of the circumstances surrounding their original performances. The introduction raises questions concerning the nature of audiences, the festival occasions during which the plays were performed, and the academies which sponsored many of their creations.As a much-needed reappraisal of these comedic plays, Renaissance Comedy is an invaluable look at the performance history of the Renaissance and Italian culture in general.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442688988
    Weitere Identifier:
    Schlagworte: Italian drama; Italian drama; Italian drama (Comedy); Italian drama (Comedy); Italian drama (Comedy); Italian drama; Italian drama; Italian drama (Comedy); Italian drama (Comedy).; Italian drama (Comedy).; Italian drama.; Italian drama.
    Umfang: 1 online resource
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- Introduction: ‘Erudite’ Comedy in Renaissance Italy -- -- The Pretenders / I suppositi -- -- Cortigiana / La cortigiana -- -- The Ragged Brothers / Gli straccioni -- -- Alessandro / L’alessandro -- -- The Sister / La sorella
  16. Italian tragedy in the renaissance
    Autor*in: Herrick, Marvin Theodore
    Erschienen: (1965)
    Verlag:  Univ. of Illinois Pr.), (Urbana

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    Quelle: Staatsbibliothek zu Berlin
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    Medientyp: Buch (Monographie)
    Format: Druck
    Schlagworte: Italian drama; Italian drama (Tragedy)
    Umfang: VI, 315 S. 8"
  17. Commedia dell'arte scenarios
    Beteiligt: Costola, Sergio (HerausgeberIn); Crick, Olly (MitwirkendeR)
    Erschienen: 2021
    Verlag:  Routledge, Abingdon, Oxon

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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Costola, Sergio (HerausgeberIn); Crick, Olly (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003100676; 1003100678; 9781000471489; 1000471489; 9781000471465; 1000471462
    Schlagworte: Commedia dell'arte; Italian drama (Comedy); Italian drama; PERFORMING ARTS / Theater / History & Criticism; PERFORMING ARTS / General
    Umfang: 1 online resource
  18. Motherhood and patriarchal masculinities in sixteenth-century Italian comedy
    Autor*in: Manes, Yael.
    Erschienen: 2016
    Verlag:  Routledge,, London

    1. What is a mother's worth? : the negotiation of motherhood and virtu in Machiavelli's La mandragola (1518) -- 2. Replacing the father : negotiating motherhood and the battle for authority in Machiavelli's Clizia (1525) -- 3. Prescribing the ideal... mehr

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    1. What is a mother's worth? : the negotiation of motherhood and virtu in Machiavelli's La mandragola (1518) -- 2. Replacing the father : negotiating motherhood and the battle for authority in Machiavelli's Clizia (1525) -- 3. Prescribing the ideal mother in the discourse of humanism and Antonio Landi's Il commodo (1539) -- 4. The father-son conflict and the dysfunction of fatherhood in Giovan Maria Cecchi's La stiava (1546) and Ludovico Ariosto's I suppositi (1509).

     
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    Format: Online
    ISBN: 9781315596105; 9781317094012; 9781317094029
    Weitere Identifier:
    Schriftenreihe: Studies in performance and early modern drama
    Schlagworte: Italian drama (Comedy); Italian drama; Motherhood in literature; Masculinity in literature; Mothers in literature; Renaissance
    Umfang: 1 online resource
  19. Pastoral drama and healing in early modern Italy
    Autor*in: Schneider, Federico.
    Erschienen: 2016
    Verlag:  Routledge,, London

    1. the art of purging -- 2. The art of teaching -- 3. The blueprint : the Aminta -- 4. The healing. mehr

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    1. the art of purging -- 2. The art of teaching -- 3. The blueprint : the Aminta -- 4. The healing.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315599656; 9781317083368; 9781317083375
    Weitere Identifier:
    Schlagworte: Pastoral drama, Italian; Italian drama; Healing in literature
    Umfang: 1 online resource (236 pages)
    Bemerkung(en):

    Includes bibliographical references and indexes
  20. The perfect genre
    drama and painting in Renaissance Italy
    Autor*in: Phillips-Court, Kristin.
    Erschienen: 2016
    Verlag:  Routledge,, London

    1. Delighting the spirit : Belcari's Rappresentazione Quando la Nostra Donna Vergine Maria fu annunziata dall'Angelo Gabriello (1469) -- 2. Writing for the eyes : Trissino's Sofonisba (1514-15) -- 3. The arts of monument : Caro's Comedia degli... mehr

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    1. Delighting the spirit : Belcari's Rappresentazione Quando la Nostra Donna Vergine Maria fu annunziata dall'Angelo Gabriello (1469) -- 2. Writing for the eyes : Trissino's Sofonisba (1514-15) -- 3. The arts of monument : Caro's Comedia degli straccioni (1543) -- 4. The interpreter's tale : Tasso's Aminta (1573) -- 5. Perspective's end : Bruno's Candelaio (1582).

     
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    Format: Online
    ISBN: 9781315237886; 9781351884372
    Weitere Identifier:
    Schlagworte: Italian drama; Art and literature; Art and literature; Painting, Renaissance
    Umfang: 1 online resource (xvii, 260 pages)
  21. Commedia dell'arte scenarios
    Beteiligt: Costola, Sergio (HerausgeberIn); Crick, Olly (MitwirkendeR)
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, London

    "Commedia dell'Arte Scenarios gathers together a collection of scenarios from some of the most important Commedia dell'Arte manuscripts, many of which have never been published in English before. Each script is accompanied by an editorial commentary... mehr

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    Herzog August Bibliothek Wolfenbüttel
    Signatur:
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    "Commedia dell'Arte Scenarios gathers together a collection of scenarios from some of the most important Commedia dell'Arte manuscripts, many of which have never been published in English before. Each script is accompanied by an editorial commentary that sets out its historical context and the backstory of its composition and dramaturgical strategies, as well as scene summaries, and character and properties lists. These supplementary materials not only create a comprehensive picture of each script's performance methods but also offer a blueprint for readers looking to perform the scenarios as part of their own study or professional practice. This collection offers scholars, performers and students a wealth of original performance texts that brig to life one of the most foundational performance genres in world theatre"--

     
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    Beteiligt: Costola, Sergio (HerausgeberIn); Crick, Olly (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367608361; 9780367608385
    Schriftenreihe: Drama and theatre studies
    Schlagworte: Commedia dell'arte; Italian drama (Comedy); Italian drama
    Umfang: xix, 273 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references (p. 260-268) and index
  22. Early modern bromance
    love, friendship, and marriage in sixteenth-century Italian academies
    Autor*in: Dal Molin, Aria
    Erschienen: [2020]
    Verlag:  Cambria Press, Amherst

    "This book resituates the contemporary genre of the bromance, as well as its surrounding cultural discourse, in the theatrical practices of early-sixteenth-century Italian academies, revealing how a group of early modern Italian academicians... mehr

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    "This book resituates the contemporary genre of the bromance, as well as its surrounding cultural discourse, in the theatrical practices of early-sixteenth-century Italian academies, revealing how a group of early modern Italian academicians institutionalized alternative friendships between men to prolong male bonding. This study combines New Historicism with Queer Theory and scholarly discourse on film to analyze the early modern influences on the performative practices of masculinity and male friendships in the bromance of contemporary film, television, and media. This book therefore analyzes the lives and friendships of young Italian members of the early-sixteenth-century Accademia degli Intronati and their public theatrical performances that displayed homosocial triangles using women to strengthen the bonds between men, by referring to the work of Claude Lévi-Strauss, Gayle Rubin, and Eve Kosofsky Sedgwick. Taking a new approach to the homosocial triangle, this theory is further applied to theoretical discourses of perfect friendship (amicitia perfecta) as exemplified through the academy members testing its boundaries through narrative and performance. Ultimately, this book newly reveals how early modern Italian bromance narratives interrogate alternative roles of close male friendships, the love between men, and the confines of marriage, thus providing the foundation for the contemporary bromance. Early Modern Bromance: Love, Friendship, and Marriage in Sixteenth-Century Italian Academies is an important work for Italian Studies, Italian American Studies, Comparative Literature, Literature and Language Studies, Theater and Drama Studies, Gender and Sexuality Studies, and Film and Media Studies"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781621965527
    Schlagworte: Italian drama; Italian drama; Theater; Male friendship in literature; Male friendship in motion pictures; Triangles (Interpersonal relations) in literature; Triangles (Interpersonal relations) in motion pictures; Queer theory
    Umfang: 256 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  23. Poetry on stage
    the theatre of the Italian neo-avant-garde
    Autor*in: Rizzo, Gianluca
    Erschienen: 2020; © 2020
    Verlag:  University of Toronto Press, Toronto

    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing... mehr

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    Signatur:
    10 A 110628
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    Universitätsbibliothek Heidelberg
    Signatur:
    2021 A 13387
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    "Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify the solutions they were devising to the practical and theoretical problems raised by their stances in politics and poetics. A robust textual analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time, and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field - critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini - conclude the volume, providing an invaluable first-hand testimony that brings back to life the people and controversies discussed."--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781487506667; 148750666X
    Schlagworte: Experimental drama, Italian; Italian drama; Experimental drama, Italian; Italian drama; Criticism, interpretation, etc
    Umfang: viii, 462 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Issued also in electronic formats.
  24. Cleopatra in Italian and English Renaissance drama
    Autor*in: Montanari, Anna Maria
    Erschienen: 2019
    Verlag:  Amsterdam University Press, Amsterdam

    This book considers some of the main adaptations of the character of Cleopatra for the Renaissance stage, travelling from Italy to England to arrive finally to Shakespeare. It shows how each reading of the story of Cleopatra is unique to and... mehr

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    This book considers some of the main adaptations of the character of Cleopatra for the Renaissance stage, travelling from Italy to England to arrive finally to Shakespeare. It shows how each reading of the story of Cleopatra is unique to and expressive of the culture which produced it, even as writers drew from the same sources from Antiquity. For the first time texts belonging to different cultures, rigorously presented, are brought into dialogue on such questions as moral standpoint, gender and the representation of the exotic. Moreover, through the fascinating figure of Cleopatra, the reader is able to explore the development of Renaissance tragedy, in its commercial and non-commercial versions. Ultimately both questions at the heart of this study - concerning Cleopatra's identity and her translation into theatre - converge to be (dis)solved by Shakespeare.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048537235; 9789462985995
    Schriftenreihe: Renaissance history, art and culture
    Schlagworte: Italian drama; English drama; Queens in literature; Women in literature; Cleopatra ; Queen of Egypt, d 30 B. C ; In literature; Italian drama ; To 1700 ; History and criticism; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Queens in literature; Women in literature
    Weitere Schlagworte: Cleopatra Queen of Egypt, d 30 B. C
    Umfang: 1 online resource (309 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 20 Nov 2020)
  25. The theater of narration
    from the peripheries of history to the main stages of Italy
    Autor*in: Guzzetta, Juliet
    Erschienen: 2021
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction: The Past and the Players -- Origins of a Practice -- The Cultural Laborer -- A Language of One's Own -- Locating Community -- Experiments with Media -- Conclusion: Politicizing History. "This is the first book in English to focus on the... mehr

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    Signatur:
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    Introduction: The Past and the Players -- Origins of a Practice -- The Cultural Laborer -- A Language of One's Own -- Locating Community -- Experiments with Media -- Conclusion: Politicizing History. "This is the first book in English to focus on the Theater of Narration, a genre characterized by narrators who write and perform works that revisit historical events of national importance from local perspectives"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810143869; 9780810143876
    Schlagworte: Italian drama; Italian drama; Historical drama, Italian; Historical drama, Italian
    Umfang: xvi, 239 pages, illustrations
    Bemerkung(en):

    Includes bibliographical references and index