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  1. Colour Spectral Counterpoints
    Autor*in: Müller, Olaf L.
    Erschienen: 2009
    Verlag:  Humboldt-Universität zu Berlin, Berlin

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Weitere Schlagworte: Schönheit; Ästhetik; Experiment; Optik; Licht; Farbe; Heterogenität des Lichts; Farbsynthese; Farbmischung; Isaac NEWTON; Johann Wolfgang GOETHE; Ingo NUSSBAUMER; Beauty; Aesthetics; Experiment; Optics; Light; Color; Heterogeneity of Light; Colour Synthesis; Colour Mixture; Isaac NEWTON; Johann Wolfgang GOETHE; Ingo NUSSBAUMER
    Umfang: Online-Ressource
    Bemerkung(en):

    In: Restraint versus Intervention: Painting as Alignment.
  2. Colour Spectral Counterpoints
    Case Study on Aestetic Judgement in the Experimental Sciences
    Autor*in: Müller, Olaf L.
    Erschienen: 2009
    Verlag:  Humboldt-Universität zu Berlin, Philosophische Fakultät I, Berlin

    When it became uncool to speak of beauty with respect to pieces of art, physicists started claiming that their results are beautiful. They say, for example, that a theory's beauty speaks in favour of its truth, and that they strive to perform... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    When it became uncool to speak of beauty with respect to pieces of art, physicists started claiming that their results are beautiful. They say, for example, that a theory's beauty speaks in favour of its truth, and that they strive to perform beautiful experiments. What does that mean? The notion cannot be defined. (It cannot be defined in the arts either). Therefore, I elucidate it with examples of optical experimentation. Desaguliers' white synthesis, for example, is more beautiful than Newton's, and the many colourful syntheses done by Viennese painter Ingo Nussbaumer exemplify even greater beauty. Here are some criteria (which, of course, do not implement a decision procedure concerning beauty in experiments): cleanliness, simplicity, intellectual clarity, symmetry. Similar criteria are relevant to our aesthetical judgements about some pieces of music. So we can assume that our notion of beauty conserning art is related to the one conserning scientific experiments. Not Reviewed

     
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    Quelle: Verbundkataloge
    Beteiligt: Nussbaumer, Ingo (Hrsg.); Winter, Galerie Hubert (Hrsg.)
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    ISBN: 978-3-86984-046-8
    Weitere Identifier:
    Übergeordneter Titel: Restraint versus Intervention: Painting as Alignment.; Nürnberg : Verlag für moderne Kunst; ,2009, Seiten 150-171
    Weitere Schlagworte: Schönheit; Ästhetik; Experiment; Optik; Licht; Farbe; Heterogenität des Lichts; Farbsynthese; Farbmischung; Isaac NEWTON; Johann Wolfgang GOETHE; Ingo NUSSBAUMER; Beauty; Aesthetics; Experiment; Optics; Light; Color; Heterogeneity of Light; Colour Synthesis; Colour Mixture; Isaac NEWTON; Johann Wolfgang GOETHE; Ingo NUSSBAUMER; Künste, Bildende Kunst allgemein; Musik; Naturwissenschaften; Philosophie; Physik; Psychologie
    Bemerkung(en):

    This essay appeared in Ingo Nussbaumer's book Restraint versus Intervention: Painting as Alignment. (Nürnberg 2010).